The Globe and Mail (Toronto)'s Scores

For 3,936 reviews, this publication has graded:
  • 46% higher than the average critic
  • 3% same as the average critic
  • 51% lower than the average critic
On average, this publication grades 2.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 The Player
Lowest review score: 0 Far and Away
Score distribution:
3,936 movie reviews
  1. Somewhere in literary afterlife, dear reader, Jane Austen has just rolled over and reached for her musket.
  2. The Virginity Hit is another slice of "American Pie," one more youth comedy that encourages its cast (and audience) to ridicule a fumbling, well-meaning teenager.
  3. Land of the Lost is one of those films so caught up in its concept it has forgotten its audience.
    • 17 Metascore
    • 25 Critic Score
    Delta Farce is so relentlessly racist (and homophobic), without ever having the intelligence to pass that bigotry off as satire, that viewers will be left thinking "Borat" has a soft touch.
  4. Where the hell is the movie?
  5. A shamelessly commercial and determinedly vulgar director, such as Flash Gordon's Mike Hodges, might have made the film work; it might have succeeded on one level instead of failing on many. [13 Dec 1980, p.E7]
    • The Globe and Mail (Toronto)
  6. The filmmakers have also advertised that their new movie eliminates the "Pow! Right in the kisser!" threats of spousal abuse that permeated the original series. The question of audience abuse has yet to be addressed.
  7. C'mon, in matters of haunted-house inhabitation, settling into an ex-mortuary is like renting above a dentist's office -- ashen faces and ghastly screams come with the territory.
  8. More than merely another bad movie, it's the most depressing development yet in Coppola's career. It's a would-be cash cow bred cynically to excrete money, the arty answer to "Child's Play 2" or "Back to the Future III."
  9. One of the most preposterous efforts by any major director in recent memory.
  10. Here is a truly unfunny comedy from Universal Studios, which seems determined to prove that Hollywood can be opportunistic and clueless at the same time.
  11. This is a no-cable, no-wake-up-call, cash-only dump of a film, where you breathe through a hankie and bring your own Lysol.
  12. If you are expecting a pleasant evening of escapism, you will be cruelly fooled. The editor responsible for the trailer is clearly a genius.
    • 43 Metascore
    • 25 Critic Score
    So far as I can remember, no such film has ever asked its audience to experience the level of excruciating discomfort an actual fish must feel when it is gored by a sharp hook, yanked into the air, and left to flail in desperation before succumbing to an agonizing death... Until now.
  13. The most gratifying thing about xXx: State of the Union is that nobody wastes much time on character, motivation, plausibility, dialogue or sex -- all that slow stuff that drags down ordinary movies.
    • 15 Metascore
    • 25 Critic Score
    In the battle for the hearts, minds and fat wallets of North American teens, College fights dirtier and sinks lower than most gross-out screen comedies.
  14. Imagine, if you dare, the outtakes from all those merely bad romantic comedies. Now further imagine that these discarded bits, the stuff that failed to make even the failures, found their way out of the waste bin and into a splicing machine and onto a projector. Do that and you're inching toward a full appreciation of this particular barrel, and the bottom it so brazenly scrapes.
    • 24 Metascore
    • 25 Critic Score
    A lurid thriller that marks a new career low for both director Roland Joffé (The Killing Fields, The Mission) and co-screenwriter Larry Cohen (Phone Booth, It's Alive).
    • 33 Metascore
    • 25 Critic Score
    Of the movie’s dozen musical numbers, only three are relatively unmangled versions of their predecessors.
  15. Grade Underclassman an "Unacceptable effort," and "D" for derivative.
    • 17 Metascore
    • 25 Critic Score
    Jason Friedberg and Aaron Seltzer must be stopped. For the last two years, this filmmaking team has created a series of spoof movies so feeble, shoddy and unfunny that they may be part of a diabolical, "Manchurian Candidate"-like plot to stunt the intellectual development of American adolescents.
  16. Dumb and Dumber 'n the hood.
  17. So intent are the Strausses on showing off their visual chops, they leave the film's story, dialogue and acting in shambles.
  18. As coy sleaze goes, the new Olsen twins' movie doesn't match Britney Spears's "Crossroads," but it comes close.
  19. Think of a really bad, uncensored Saturday Night Live comedy sketch. Then make it worse – make it longer.
  20. Fear strikes out in slasher flick This movie is laced with enough gratuitous bloodshed and reactionary zeal to warm the heart of a Montana militiaman. [12 Apr 1996]
    • The Globe and Mail (Toronto)
  21. Perfectly passable kiddie escapism. It has a thrill or two, and a chill or three, but it has no poetry, little sense of wonder, no resonant subtext (Jungian or otherwise), no art... When it's over, it's gone. Extinct.
  22. The movie is so relentlessly self-congratulatory, you can't help becoming thoroughly sick of it.
  23. The obvious question about Repo Men: Why bother?
  24. The latest iteration of Sylvester Stallone’s aging warrior franchise, The Expendables 3, is proof that sometimes even your low expectations can be far too high.

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