The Globe and Mail (Toronto)'s Scores
- Movies
For 3,415 reviews, this publication has graded:
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46% higher than the average critic
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3% same as the average critic
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51% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: |
Critic Score
100
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| Lowest review score: |
Critic Score
0
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Score distribution:
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Positive: 1,902 out of 3415
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Mixed: 1,006 out of 3415
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Negative: 507 out of 3415
3,415
movie reviews
- By critic score
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Critic Score 88
The movie made me so happy, and here I am back on the subway with Nerdo, and there's this jerk across the aisle who's like ancient, 30 at least, and he's got the nerve to look right into my see-through Madonna lace outfit. And he winks. Oh, barf- ola. -
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Reviewed by
Jay Scott 88
The virtue of Midnight Run is not that it does anything new; the virtue is that it does everything old so well. -
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Reviewed by
Jay Scott 88
Inoffensive in its simplicity; its high, if naive, spirits send viewers out into the all too real streets clothed in the glow of a fantasy well-spun. -
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Reviewed by
Jay Scott 88
The intelligence and wit of this glass-slipper heart-of-gold fantasy are shocking. -
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Reviewed by
Rick Groen 88
Lee has forged a work of art in the classic sense -- art that delights and instructs. -
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Reviewed by
Rick Groen 88
It's intriguing, appalling, savvy, nasty, grossly unsettling -- you may not like what you see, but you'll definitely be affected by the sight. -
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Reviewed by
James Adams 88
Stands as an important film, perhaps even a timely one as once again the United States finds itself enmeshed in fending off a guerrilla war in a faraway land. -
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Reviewed by
Rick Groen 88
The verdict? Green passes with flying colours -- his is a huge and hugely impressive talent. -
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Reviewed by
Jay Scott 88
A loopy, loving nine innings full of comic curve balls, emotional home-runs and euphoric, summertime music. -
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Reviewed by
Rick Groen 88
One of those rare films that manages to be both terrifically entertaining and consistently thoughtful, it turns an apparently tame deception into a very rich metaphor. -
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Reviewed by
Liam Lacey 88
Polanski's view of life is like that of Greek tragedy, with the same cold comfort that tragedy implies; from the larger perspective which art gives us, we know even horrors eventually pass. -
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Reviewed by
Liam Lacey 88
May not have the most sophisticated narrative, but it is one of the most spectacular and masterly demonstrations of animation in screen history. -
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Reviewed by
Rick Groen 88
This film and Salinger's novel differ greatly in the details of narrative and character. Yet, there's no mistaking the similarity in tone and sensibility and, particularly, in the capacity to split an audience into warring camps fighting on shared ground. -
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Critic Score 88
Unlike Hollywood's starting point of hopelessly beautiful and yet inexplicably unentangled principal characters, Italian For Beginners'raw material is something of a more dirty-fingernail variety. -
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Reviewed by
Jay Scott 88
It's an unpredictable, mesmerizing journey nearly every shady second of the way. -
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Reviewed by
Rick Groen 88
The whole ensemble has a hoot with this material, and their joy is contagious. -
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Reviewed by
Liam Lacey 88
"You're so lucky to live in Mexico," Luisa says. "Look at it -- it breathes with life." So does Y Tu Mama Tambien, both the pant of passion and shuddering sigh of regret. -
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Reviewed by
Liam Lacey 88
The movie isn't just about Schmidt as a personality, it's a portrait of his world, and Payne and co-writer Taylor show a rare compassion for the superficially comfortable. -
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Reviewed by
Rick Groen 88
In the end, like any satire worth the name, In the Company of Men spins around to fire its biggest salvo at its ultimate target -- the audience. -
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Critic Score 88
Blissfully entertaining sequel to last year's Spy Kids, Rodriguez is once again just as good -- if not better -- than the gadgets at hand. -
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Reviewed by
Jay Scott 88
The treatment of the Sioux is not only sympathetic, it's ethnographically exact. Neither Noble Savages nor Red Injuns, the natives in Dances With Wolves are differentiated human beings about to undergo cultural genocide. -
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Reviewed by
Rick Groen 88
Indeed, as the film unreels to its extraordinary climax - a scene that will make your skin crawl - Frears has the larger target right in his sights and, bang, pulls the thematic trigger, taking no prisoners. -
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Reviewed by
Jay Scott 88
This hip morality tale is by no means perfect - it's not the masterpiece "Miller's Crossing" was - but it is stylish, intelligent, witty and more than slightly creepy. -
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Reviewed by
Liam Lacey 88
A little like speeding through the digestive tract of some voracious beast. There's bite, acid, digestive churning and an expulsive conclusion. If the metaphor seems unsavoury, well, wait until you see the film. -
