The Globe and Mail (Toronto)'s Scores

For 4,772 reviews, this publication has graded:
  • 47% higher than the average critic
  • 3% same as the average critic
  • 50% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 The Handmaiden
Lowest review score: 0 Vacation
Score distribution:
4772 movie reviews
  1. Noir connoisseurs, however, will receive Moverman's latest like a double-bourbon from heaven. Rampart is the best crime-movie fix from Hollywood since "Gone Baby Gone."
  2. Death, torture, humour and even budding eroticism -- now this is more like it.
  3. A serious and funny and subtle work - a work of art - that was easy to confuse with exploitation teeny-bopper quickies because it did what the quickies had tried to do. But Diner did it right. [22 Apr 1982]
    • The Globe and Mail (Toronto)
    • 77 Metascore
    • 88 Critic Score
    Blair is excellent in the lead, but the filmmaking is the true star here.
  4. Authentic, fresh and utterly relevant.
  5. In lesser hands, all this might border on misanthropy. But Jaoui's direction, plus the note-perfect cast, manage two redeeming feats:
  6. Captain Phillips manages to expose us to a few things that are unusual in a thriller, including sympathy for the enemy and, in Hanks’s performance, the frailty that is the other side of heroism.
  7. The film’s delightful collision of the poetic and the profane is illustrated perfectly about midway through Chapter 2.
  8. A magical and often bleak parable about societal clashes.
  9. As in "Taxi Driver," the protagonist is a damaged war veteran, an invisible man who travels about the city and internalizes its contradictions until he explodes.
  10. Civilization has the wealth and the technology to start dealing with the threat, but does it have the wisdom?
  11. It’s a terrific adaptation that succeeds not only as a work of cinema but also, wonderfully, as proof of the novel’s greatness. In short, the picture rebukes the revisionists even while entertaining them.
  12. Raiders of the Lost Ark (at the Eglinton) is a cinematic roller-coaster, thrilling and frightening in equal measure, a heart-pounding slide down greased lightning. [12 June 1981]
    • The Globe and Mail (Toronto)
  13. Iraq in Fragments already stands up as a classic war documentary, in its unusual poetic form and by its extraordinary access to the lives of ordinary Iraqis.
  14. Scenic, well-paced and rich in dialogue and character, the film is Coen brothers for the squares, and maybe the best middle-of-the-seat drama of the summer.
  15. Compelling, disturbing.
  16. The Big Short has a reckless, off-balance energy, with an ending that doesn’t really end the uncertainty: The collapse could happen again, no joke.
  17. Life is the collection of memories, and Campbell is losing them. But there is solace in the reality that you will not miss what you cannot recall.
  18. It’s all delightfully fizzy, bloody fun – even if there’s the teeniest, tiniest hint of sequel ambitions.
  19. The result is a movie that seems not quite real and yet never false but somehow partakes of both -- rather like the prospect of death.
    • 66 Metascore
    • 88 Critic Score
    Guillermo del Toro’s latest dive into the darkness is a sumptuous, beautifully constructed tale that feels both archaic and inviting.
  20. Skyfall is one of the best Bonds in the 50-year history of moviedom's most successful franchise.
  21. Two superb actors etch an unflinching portrait of a young marriage doomed never to grow old.
  22. Baker mostly crafts a tiny adventure of absorbing wonder.
  23. The film is filthy with nuanced moments of fierce, sweaty intimacy, all shot with a precise eye for detail. At the very least, it will make you rethink your next rodeo.
  24. It’s a twisted existential grotesque that wrings thought-provoking pathos and even affection for the lunatics running the menagerie, no mean feat.
  25. The film’s bizarre, gore-soaked premise actually manages to ease viewers into the far more uncomfortable topic of grief – after all, dying is easy, but living with death is much more complicated.
  26. This is a sequel just as intriguing as the original.
    • 57 Metascore
    • 88 Critic Score
    The movie made me so happy, and here I am back on the subway with Nerdo, and there's this jerk across the aisle who's like ancient, 30 at least, and he's got the nerve to look right into my see-through Madonna lace outfit. And he winks. Oh, barf- ola.
  27. Lanthumos's accomplished and fascinating Dogtooth pushes the notion of parents screwing up their kids into seriously disturbing and darkly comic terrain.

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