The Globe and Mail (Toronto)'s Scores

For 48 reviews, this publication has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 3.2 points lower than other critics. (0-100 point scale)
Average TV Show review score: 62
Highest review score: 100 Ally McBeal: Season 1
Lowest review score: 10 So You Think You Can Dance: Season 1
Score distribution:
  1. Positive: 27 out of 27
  2. Mixed: 0 out of 27
  3. Negative: 0 out of 27
27 tv reviews
    • 99 Metascore
    • 100 Critic Score
    I've seen only the first hour and I'm hooked...Murder One looks vastly entertaining. [19 Sept 1995]
    • The Globe and Mail (Toronto)
  1. Marvellous, goofy fun. [8 Jan 2000]
    • The Globe and Mail (Toronto)
    • 87 Metascore
    • 75 Critic Score
    You might call Ed a sentimental comedy, soft rather than biting, with the mushy sensibility of a going-home show like Providence turned into an amusing Jell-O salad. Or looked at from another angle - the simple innocence of an Adam Sandler movie, but with brains instead of body functions. [6 Oct 2000, p.R2]
    • The Globe and Mail (Toronto)
    • 86 Metascore
    • 80 Critic Score
    Always unpredictable... It's by turns sophomoric and dazzlingly original. [14 Feb 1998]
    • The Globe and Mail (Toronto)
    • 85 Metascore
    • 90 Critic Score
    It is not necessary ... to be a student of British politics to appreciate the script, acting and direction of this intricate and addictive series. [30 Mar 1991]
    • The Globe and Mail (Toronto)
    • 83 Metascore
    • 90 Critic Score
    A gifted, wickedly witty ensemble that writes and performs with tasteless abandon. In a wonderfully varied series of skits first broadcast on HBO, these comically vicious brats express unrestrained glee in sending up homosexuals and homophobes, welfare-mother bingo addicts, religious nuts ("naked for Jesus"), beer commercials and May-December romances. [29 Nov 1988]
    • The Globe and Mail (Toronto)
    • 83 Metascore
    • 90 Critic Score
    Compared to much of what passes for comedy (and drama) in prime time, North ern Exposure is wonderful. The writers rarely condescend and they seem to assume (Oh, heresy!) that there are some intelligent people watching television. [8 Apr 1991]
    • The Globe and Mail (Toronto)
    • 80 Metascore
    • 70 Critic Score
    It's a likeable enough show, handsomely produced and acted and shot through with intelligence, humor and sentimentality. If it is as true to the times as it promises to be, the show could be a big hit with audiences in their mid-30s. [17 March 1998]
    • The Globe and Mail (Toronto)
  2. As events unfold, they unfold with humour and, sometimes, extreme goofiness. This ain't a typical new TV drama of this season. There are no grim lawyers and cops muttering forensics babble. It's all about the women and their wit. With five juicy roles for women and all five leading ladies in top form, it's a lot of fun. [1 Oct 2004]
    • The Globe and Mail (Toronto)
  3. 24 is its usual self - a terrific mix of doom-laden thriller and workplace drama. [7 Jan 2005]
    • The Globe and Mail (Toronto)
  4. It's a strange blend of piety and precious family drama. [26 Sept 2003, p.R2]
    • The Globe and Mail (Toronto)
    • 79 Metascore
    • 90 Critic Score
    Has the potential to be the best new sitcom in at least a couple of seasons. [15 Oct 1988]
    • The Globe and Mail (Toronto)
    • 74 Metascore
    • 75 Critic Score
    Romano has an easy-to-like style, a knowing wit delivered without Seinfeld's sharp ironic edges. This could be a sleeper hit. [14 Sep 1996]
    • The Globe and Mail (Toronto)
    • 74 Metascore
    • 70 Critic Score
    Well written, cast and acted, and definitely entertaining even though it breaks no new ground. [4 Mar 1997]
    • The Globe and Mail (Toronto)
  5. I'm persuaded the [Star Trek franchise] has truly entered adulthood for the first time. ... The show does what all good science fiction should, which is to offer an allegory of the present and a model for the future. [7 Jan 1993]
    • The Globe and Mail (Toronto)
    • 73 Metascore
    • 100 Critic Score
    Kelley has always had the rare talent of making his TV characters seem like real human beings, with all the flaws and contradictions and insecurities that makes us mortals so mortal. In Ally McBeal, he has taken that skill to a new level, creating a smart and sometimes daring series that is unlike any other on TV. [26 Sep 1997]
    • The Globe and Mail (Toronto)
    • 73 Metascore
    • 60 Critic Score
    The results are decidedly mixed in tonight's two-hour pilot, but this is a fairly serious effort that succeeds in stimulating interest because it tries to look at the war from a feminine (feminist?) perspective. [26 Apr 1988]
    • The Globe and Mail (Toronto)
    • 72 Metascore
    • 60 Critic Score
    It can't quite decide whether to reach for the smaller, literate audience or appeal to the crowd that needs a laugh track to appreciate a Chevy Chase pratfall. ... Still, there are some good sharp laughs despite the more obvious digs. [14 Nov 1988]
    • The Globe and Mail (Toronto)
    • 72 Metascore
    • 75 Critic Score
    Fairly adult in tone and the comedy is a little offbeat. [5 Sep 1992]
    • The Globe and Mail (Toronto)
    • 71 Metascore
    • 80 Critic Score
    It demands your attention to keep the many plot threads from tangling, and at times requires a strong stomach, but you never know what to expect next, and that beats the ridiculous reality series seen on every other channel. Give me gore over gonzo any day. [27 Aug 2005, p.8]
    • The Globe and Mail (Toronto)
    • 70 Metascore
    • 40 Critic Score
    It may be just dumb and obvious enough to succeed. [21 Mar 1995]
    • The Globe and Mail (Toronto)
    • 69 Metascore
    • 100 Critic Score
    The script crackles with fast, literate humour and deft satire of both yuppie careerists and pretentious, bohemian avant-garde types. Very adult and much more clever than the plot synopsis suggests. [5 Sep 1992]
    • The Globe and Mail (Toronto)
    • 68 Metascore
    • 75 Critic Score
    Even couched in a traditional sitcom format that feels deliberately out-of-date - I Love Lucy crossed with Burns and Allen - Bette perfectly exploits Midler's awkward relationship with fame. [11 Oct 2000, p.R2]
    • The Globe and Mail (Toronto)
  6. The pilot is full of feel-good bounce, but it's more than froth. This is good American television drama. Lacking the clockwork precision of the contemporary American movie, it has nuance and allows for an emotional richness. Better, it does the audience a favour by introducing a sly sense of fun. [30 Sept 2000, p.10]
    • The Globe and Mail (Toronto)
  7. This third season promises to be delicious. The first episode is wickedly funny and warped. [22 Sep 2006]
    • The Globe and Mail (Toronto)
    • 63 Metascore
    • 70 Critic Score
    One of the best of the new crop of sitcoms, a sort of low-rent, anti-glamour Friends, featuring a sharp-witted, likable and hilariously self-deprecating guy. [13 Sep 1995]
    • The Globe and Mail (Toronto)
    • 61 Metascore
    • 80 Critic Score
    Maybe it's the heat, but it's difficult to imagine anyone disliking Dancing With the Stars, so far the most entertaining new series of TV's off-season. [22 Jun 2005]
    • The Globe and Mail (Toronto)
    • 60 Metascore
    • 40 Critic Score
    Without the aid of a fast-forward button, I simply wouldn't have been able to watch it from beginning to end. But I think my 4-year-old would like it. [11 Mar 1994]
    • The Globe and Mail (Toronto)
  8. It is enthralling if your thing is dizzying visuals, rapid-fire dialogue and overblown acting. It's the sort of show that makes people wonder about American network TV. It's empty-headed and flashy, and there's not much going on. It's terrific piffle, fascinating to watch as an example of the state of TV storytelling, even as it only feigns sizzle and sass. [22 Sept 2003, p.R2]
    • The Globe and Mail (Toronto)
  9. Medium is well-made, slick and, at times, achieves a sense of the macabre. [4 Jan 2005]
    • The Globe and Mail (Toronto)

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