For 5,500 reviews, this publication has graded:
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49% higher than the average critic
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3% same as the average critic
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48% lower than the average critic
On average, this publication grades 3.2 points lower than other critics.
(0-100 point scale)
Average Music review score: 70
Highest review score: | If I don't make it, I love u | |
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Lowest review score: | Unpredictable |
Score distribution:
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Positive: 2,963 out of 5500
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Mixed: 2,460 out of 5500
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Negative: 77 out of 5500
5500
music
reviews
- By Date
- By Critic Score
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- The Guardian
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Each listen to New Amerykah brings fresh rewards: it demands to be explored.- The Guardian
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- The Guardian
- Posted Aug 3, 2017
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- Critic Score
Not even overfamiliarity can really dull the rest of what’s here. The box set carries a distinct whiff of die-hards only--the mono mix is nice but inessential, the best of the demos have already been released, as has the first of the live shows, while the second was recorded later the same night and sounds virtually identical--but the music at its centre is about as inarguable as you can get.- The Guardian
- Posted Oct 24, 2016
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- The Guardian
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As addictive as its predecessor, Untrue confirms that Burial possesses not just the keen ear of a Lee Perry or Martin Hannett.- The Guardian
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- Critic Score
The result is a genuinely exceptional and entrancing album, opaque but effective, filled with beautiful, skewed songs, unconventional without ever feeling precious or affected.- The Guardian
- Posted Sep 25, 2015
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Releasing this material as a live album is a virtue – the audience’s roar after the absurdly pretty Turbines/Pigs has a thrilling note of disbelief.- The Guardian
- Posted May 11, 2023
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This is a remarkable and historic set of recordings with an equally remarkable history.- The Guardian
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- The Guardian
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The result is a dense, kaleidoscopic album that might take a lot of time to fully unpick, but clearly isn’t going to diminish in quality if you do so.- The Guardian
- Posted Jun 25, 2021
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He wanted change but loved America, as shown by this remarkable box set of material recorded for the US government.- The Guardian
- Posted Nov 21, 2013
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- Critic Score
This exhilarating set is a real find, for Jaco fans and left-field big-band followers alike.- The Guardian
- Posted Jul 18, 2017
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It’s a powerfully intense record that some may recoil from; confrontational and liable to catch you off-guard as Taylor crisply extracts gutting truths from the general murk of self-loathing, never sugarcoating grimness nor over-egging her attempts at self-affirmation. ... It’s remarkable.- The Guardian
- Posted Oct 21, 2021
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- The Guardian
- Posted Apr 28, 2022
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It succeeds because of the sheer quality of her singing and the thoughtful, varied songs from the light and then furious Kouma to Mélancholie, a highly personal reflection on sadness and solitude.- The Guardian
- Posted Apr 4, 2013
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Hackman is more confident than ever. With her singles The One and I’m Not Where You Are, in particular, she delivers lethally sharp pop hooks. The more low-key moments cut just as deep.- The Guardian
- Posted Aug 9, 2019
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He remains one of the most evocative, instantly recognisable voices in contemporary British music.- The Guardian
- Posted Dec 6, 2019
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By flitting between a low, clear vocal, and something more urgent and old-fashionedly English, which evokes both 1960s pop and Tudor carols, Rodgers manages to dodge straightforward comparisons. It makes for a riveting and refreshing debut, which balances weirdness with sweet and soothing electropop joy.- The Guardian
- Posted Jun 1, 2017
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The leitmotifs of The Moomins Theme and Woodland Band will give anyone who saw the series as a child a Proustian rush, but amazingly, it’s the first time this remarkable soundtrack has been issued.- The Guardian
- Posted Mar 28, 2017
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It’s an outstanding debut from a great new band who play it like they mean it.- The Guardian
- Posted Aug 16, 2019
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Clever, bleak, funny, bracing, aware of a broad musical heritage but never in thrall to it: after you hear Nothing Great About Britain, it’s even more obvious why Slowthai stands out.- The Guardian
- Posted May 17, 2019
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The result is that this seems not so much an album as a sudden glorious eruption; after eight long years, an urgent desire to be heard.- The Guardian
- Posted Apr 17, 2020
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- The Guardian
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Portishead's third album is initially more a record to admire than to love, its muscular synthesisers, drum breaks and abrupt endings keeping the tension high. But after several listens, Third's majesty unfurls.- The Guardian
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Stornoway make unconvincing space rockers--but that's the only caveat about a triumphantly expansive album.- The Guardian
- Posted Mar 7, 2013
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Here are 12 succinct, speedy, riff-happy gems smothered in snarling backtalk and shameless, glorious guitar solos.- The Guardian
- Posted Oct 9, 2014
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- The Guardian
- Posted Dec 22, 2011
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- The Guardian
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- Critic Score
Revolver’s new details tease out deeper meanings in the songs. Now more prominent, the low-lit backing harmonies on Here, There and Everywhere remake the tune as an old-fashioned rock’n’roll love song; the piano bending out of key on I Want to Tell You mirrors the narrator’s insecurity; and McCartney’s booming walking bass on Taxman illuminates the biting, cynical tone of Harrison’s lyrics. ... Revolver still sounds so vibrant.- The Guardian
- Posted Oct 27, 2022
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