For 5,501 reviews, this publication has graded:
-
49% higher than the average critic
-
3% same as the average critic
-
48% lower than the average critic
On average, this publication grades 3.2 points lower than other critics.
(0-100 point scale)
Average Music review score: 70
Highest review score: | If I don't make it, I love u | |
---|---|---|
Lowest review score: | Unpredictable |
Score distribution:
-
Positive: 2,964 out of 5501
-
Mixed: 2,460 out of 5501
-
Negative: 77 out of 5501
5501
music
reviews
-
- Critic Score
This ambitious, arresting album feels like the work of an artist wielding her considerable talents with newfound confidence and conviction.- The Guardian
- Posted Jan 11, 2019
- Read full review
-
- Critic Score
As with Rihanna’s Anti, this feels like the work of a pop star previously happy to act as conduit for other people, finally working out who they are and what they want to say. Here, Grande finds her voice.- The Guardian
- Posted Feb 8, 2019
- Read full review
-
- Critic Score
It’s fascinating stuff, even for those for whom a 37-minute version of Sister Ray is pushing it a bit. It’s actually where the band stretch out that it becomes most fascinating.- The Guardian
- Posted Dec 10, 2015
- Read full review
-
- The Guardian
- Posted Aug 24, 2017
- Read full review
-
- Critic Score
This is Amadou and Mariam's album, and their Africa-pop crossover success continues.- The Guardian
- Read full review
-
- Critic Score
The touchstones here, such as Dusty in Memphis, are all records that revel in a particular kind of musicality, yet this is a record that never feels retro, just timeless.- The Guardian
- Posted Jan 22, 2015
- Read full review
-
- Critic Score
It’s hardly a revolutionary album, but its melding of styles--pedal steel is draped across the songs like Spanish moss, and Estonian guitarist Laur Joamets takes solos off in deliciously unexpected directions, sometimes veering towards space--gives it a fresh, unsullied feeling. Simpson’s writing, too, is fantastic.- The Guardian
- Posted Apr 14, 2016
- Read full review
-
- Critic Score
The way repeated listens allow its unobvious rhythmic and melodic logic to take root is fantastically rewarding.- The Guardian
- Read full review
-
- Critic Score
Van Etten's melodies often feel as if they're not quite taking flight, and rarely cause you to catch your breath the way her lyrics do.- The Guardian
- Posted May 22, 2014
- Read full review
-
- Critic Score
Stevie Wonder’s Overjoyed (a fittingly ecstatic Iyer homage to Chick Corea’s interpretation) is unfolded over a rocking left hand and Tyshawn Sorey’s crackling polyrhythms, sparking one of several breathtakingly headlong Iyer solos on the set, coolly placing fragments and twists of the original theme into the onrush despite its scorching pace.- The Guardian
- Posted Feb 16, 2024
- Read full review
-
- Critic Score
Bon Iver remains rooted in the emotional sincerity that made Vernon's debut so mesmerising.- The Guardian
- Posted Jun 16, 2011
- Read full review
-
- Critic Score
Their ninth album finds the Philadelphia veterans a unique voice in hip-hop.- The Guardian
- Read full review
-
- Critic Score
A beautiful melody, wrapped in gauzy textures, [Falling is] a fantastic song, exquisitely arranged, something Love & Hate is packed with: the work of an artist coming into his own.- The Guardian
- Posted Jul 14, 2016
- Read full review
-
- Critic Score
Throughout, bursts of radio interference, gentle guitars and even classical music make effective and sometimes welcome moments of calm before the storm.- The Guardian
- Posted Jul 8, 2013
- Read full review
-
- Critic Score
The result is an impressive, attacking set, but then Sangaré has always been adventurous.- The Guardian
- Posted Jun 8, 2017
- Read full review
-
- Critic Score
There’s a dip in overall quality in the last decade or so, but 2010’s Bury! is among their best.- The Guardian
- Posted Dec 14, 2017
- Read full review
-
- Critic Score
Her voice is more soulful and expressive than on her debut, and the songs range from cool, melodic Afro-pop to the gently bluesy Mama, the stomping funk of Negue Negue, and the charming acoustic guitar and cello duet that ends the set. It may be aimed at the international crossover market, but even at its most commercial this is an album that succeeds.- The Guardian
- Posted May 30, 2018
- Read full review
-
- Critic Score
Twenty years after the Beach Boys' exhaustive five-CD Good Vibrations box set comes this even more stunningly packaged collection.- The Guardian
- Posted Dec 19, 2013
- Read full review
-
- Critic Score
While it lasts, Hercules and Love Affair sound as original and exotic as their backgrounds.- The Guardian
- Read full review
-
- Critic Score
By sounding simply like a series of Aphex Twin tracks, Syro is still utterly engrossing and remains, somewhat unbelievably, on a completely different planet to almost anything else that’s been released over the last decade and a half.- The Guardian
- Posted Sep 18, 2014
- Read full review
-
- Critic Score
The Grammy-winning soul man is a subeditor’s nightmare, but confusion seems a small price to pay for such a classy comeback collection of anguished R&B.- The Guardian
- Posted Jun 30, 2016
- Read full review
-
- The Guardian
- Posted Feb 13, 2012
- Read full review
-
- Critic Score
It's not without a few syrupy moments, and it would be a push to recommend it over the old records, but there are some fine songs here.- The Guardian
- Posted Dec 14, 2012
- Read full review
-
- The Guardian
- Posted Feb 12, 2013
- Read full review
-
- Critic Score
It's a triumph of non-judgmental storytelling, delivered within purgative rock'n'roll.- The Guardian
- Read full review
-
- Critic Score
While clearly not constructed with commercial ambition at the forefront of its mind, it’s certainly good enough to make an unlikely star of the man behind it.- The Guardian
- Posted Feb 2, 2017
- Read full review
-
- Critic Score
British Sea Power's slightly camp, wholly menacing, startlingly audacious debut is unlike anything you'll hear this year.- The Guardian
- Read full review
-
- Critic Score
Dury carries it off. His phrasemaking and delivery is immaculate: he plays with accents, albeit within a limited palette, and you listen to The Night Chancers believing it to be a real world.- The Guardian
- Posted Mar 20, 2020
- Read full review
-
- The Guardian
- Posted Jan 27, 2020
- Read full review
-
- The Guardian
- Posted Jan 9, 2014
- Read full review