The Guardian's Scores

For 924 reviews, this publication has graded:
  • 40% higher than the average critic
  • 3% same as the average critic
  • 57% lower than the average critic
On average, this publication grades 2 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Blancanieves
Lowest review score: 20 Devil's Knot
Score distribution:
  1. Negative: 60 out of 924
924 movie reviews
  1. With his two early features, "Distant" (2002) and "Climates" (2006), Ceylan has showed himself a superb film-maker. This is his greatest so far.
  2. This is a jewel of American cinema.
  3. This is terrific film-making – enough to bring a rush of blood to the head.
    • 87 Metascore
    • 100 Critic Score
    It’s morally complex and sometimes uncomfortably close to the bone, but also lushly bawdy and funny, and packaged together with an astonishing degree of cinematic brio by first-time writer-director Marielle Heller.
  4. It's not exactly a documentary, more a lovingly-filmed homage, but some candid interview material allows scraps of Baker's story to emerge.
  5. An almost perfect 90-minute hit of confident and inspired comedic commentary.
  6. After all those false dawns, non-comebacks and semi-successful Euro jeux d'esprit, Allen has produced an outstanding movie, immensely satisfying and absorbing, and set squarely on American turf: that is, partly in San Francisco and partly in New York.
  7. An enormous pleasure. The performances are so fresh and natural – yet so subtle and delicately judged. The direction is superb in its control and the cinematography creates a gripping docu-realist vision.
  8. What an astonishing achievement; what a beautiful movie.
  9. This is an extraordinary record. But be warned. Once seen, these images cannot be unseen.
  10. Only God Forgives will, understandably, have people running for the exits, and running for the hills. It is very violent, but Winding Refn's bizarre infernal creation, an entire created world of fear, really is gripping. Every scene, every frame, is executed with pure formal brilliance.
  11. It is a brilliant, subversive account of class relations and the changing times.
  12. It is extremely pleasurable to watch, and shows every sign of having been extremely pleasurable to make.
  13. By any standards, this would be an outstanding film, but for a debut it is remarkable.
  14. Before Midnight is intimate and intelligent, and also undemanding in the best possible way,
  15. The themes may be contentious, but the handling is perfect. If there were ever a movie to cause the lame to walk and the blind to see, The Master may just be it.
    • 74 Metascore
    • 100 Critic Score
    The film is so singular, it's hard to place. At times, its elegiac visual quality evokes Terrence Malick, but Lowery's scripting is tighter and more accessible. His is truly a fresh voice, exhilarating to hear.
  16. It is a creamily sensuous, richly observed piece of work, handsomely detailed and furnished: the clothes, the hair, the automobiles, the train carriages, the record players, the lipstick and the cigarettes are all superbly presented. The combination of all this is intoxicating in itself.
  17. Mitchell brings off some sensational setpieces of fear and suspense. I can’t remember when I was last so royally freaked out in the cinema.
    • 95 Metascore
    • 100 Critic Score
    Telling a nearly three-hour story with an ending everyone knows, Bigelow and Boal have managed to craft one of the most intense and intellectually challenging films of the year.
  18. The film, with its transcendentally beautiful visuals...is a rich and rewarding experience. [1 Sept. 2011]
  19. It is a beautifully acted, exquisitely considered chamber drama of subtlety and nuance: spellbindingly tender and utterly involving
  20. Stark, visceral and unrelenting, 12 Years a Slave is not just a great film but a necessary one.
  21. This movie looks and feels superb, it is pure couture cinema. But there is also a excess of richness and bombast and for all its sleekness I felt that the spark of emotion was being hidden, and there is a kind of frustration in the operatic sadness.
  22. It is a masterpiece of black-comic bad taste and a positive carnival of transgression. The secret is the deadpan seriousness with which everything is treated.
    • 65 Metascore
    • 100 Critic Score
    Levinson has always been acutely interested in the minutiae of human behaviour, and it's this concern that makes The Bay the triumph that it is.
  23. The Look of Silence — like The Act of Killing — is arresting and important film-making.
  24. Brilliantly written, terrifically acted, superbly designed and shot; it's a sweet, sad, funny picture about the lost world of folk music which effortlessly immerses us in the period.
  25. Under the Skin is perhaps best viewed as an icy parable of love, sex and loneliness.
  26. This Is Not a Film is a compelling personal document, a quietly passionate statement of artistic intent, and an uncompromising testament to his belief in cinema.

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