The Hollywood Reporter's Scores

  • Movies
  • TV
For 6,158 reviews, this publication has graded:
  • 54% higher than the average critic
  • 4% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 2 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Mamma Mia!
Lowest review score: 0 I Know Who Killed Me
Score distribution:
6,158 movie reviews
  1. This is strikingly talented cinema from a notable international filmmaker.
  2. The results are always visually arresting, while the narrative, even by Maddin standards, is completely out in the ozone.
    • 82 Metascore
    • 90 Critic Score
    Cronenberg and screenwriter Steve Knight masterfully orchestrate an atmosphere of danger and dread for a descent into an underworld inhabited by the Russian mafia in London.
  3. This graceful, deeply affecting movie has a soulfulness and sweep that mark it as a step forward for Hansen-Løve.
  4. At times fascinating, at times not, its in-depth look at the administration, campus, students and faculty offers an insider's view into the way American academia functions.
  5. This material cant help but be interesting, even compelling up to a point, but its prosaic presentation suggests that the story's full potential, encompassing deep, disturbing and enduring pain on all sides of the issue, has only begun to be touched.
  6. Although Vallee's remarkably assured film, which clocks in at more than two hours, proves that it's possible to have too much of a good thing, Canada's official Oscar submission for best foreign-language feature still manages keep up the entertaining yet emotionally satisfying pace sufficiently to earn audience accolades.
  7. Often gripping footage, and the finished product resembles a taut if at times confusing and inadvertently comic political thriller.
  8. Clever and fast-paced thriller.
  9. Director Tom Hooper ("John Adams") ably balances the games (surprisingly little football footage, actually), the personalities and the drama.
  10. Cody's dialogue has a definite rhythm and Reitman directs his actors to deliver the words in the rapid-fire precision of a '30s screwball comedy. Indeed all scenes develop a rhythm and inner logic that bring the movie to often startling revelations and insights.
  11. This is awareness-raising documentary cinema at its most urgent and necessary.
  12. It’s a marvelously imaginative conceit that transforms what could have been yet another dryly informative documentary into the realm of art.
  13. Elena is an elegiac cinematic essay that is both haunting and unforgettable.
  14. A riveting Argentine thriller spiked with witty dialogue and poignant love stories.
  15. Ultimately, the heavy-handed and annoyingly obvious aesthetic wears thin.
  16. The epic adventure, set during the Napoleonic Wars, boasts at least two artists at the top of their respective games -- namely filmmaker Peter Weir and actor Russell Crowe.
  17. Kells proves that in the increasingly high-tech world of feature animation, there still can be a place for old-time tradition.
  18. It’s like watching a first-rate standup routine transformed into fiction, or in this case auto-fiction, as Rock has more on his mind than just making us laugh, offering up a witty celebrity satire that doubles as a love story set during one long and eventful New York City day.
  19. The period sets, costumes and cinematography all superbly recreate the brutal era, grand illusions and everyday suffering of the Poles under both the Nazis and the Soviets.
  20. No less impressive than the narrative mastery here, however, is the technical execution of this bold minimalist experiment.
  21. Co-director Starzack was one of the guiding hands behind the series version of Shaun the Sheep, and that experience in the kind of brisk, skit-based comedy that makes the series so charming shows through here in stand-alone scenes.
    • 81 Metascore
    • 80 Critic Score
    Denis creates the threat of imminent danger through stillness and austerity rather than action. She's helped immeasurably by an astringent, fully committed performance from her leading lady, a gaunt, impossibly resolute Isabelle Huppert.
  22. Wonderfully understated, Station Agent is a masterful film and a bracing movie experience. Its power is in large part because of the performers, most prominently Dinklage as the solitary dwarf.
  23. Mesmerizing in its incremental layering of a bizarre, tragic and thoroughly warped character study, Foxcatcher sees director Bennett Miller well surpassing even the fine work he did in his previous two films, Capote and Moneyball.
  24. All the movie's playfulness rubs off on the actors. Scenes crackle with life. The chemistry among all the actors is terrific.
  25. An affecting emotional journey as well as a telling example of how the fortuitous intervention of social media continues to reshape lives in unexpected ways.
  26. Bright Star may not be a joy forever but it will do until the next joy comes along.
  27. An exceptional animated feature from Spain, Wrinkles imaginatively and sensitively explore one of the major issues confronting most of the developed world: how to look after senior citizens in a rapidly aging population.
    • 81 Metascore
    • 90 Critic Score
    The frequently outrageous Il Divo follows the career of one of the best-known and most tenacious figures in Italian political history in a lively, sensory-overload, cartoonlike fashion reminiscent of "Amelie" and "Moulin Rouge." The fact that it's often over-the-top goes with saying, and is part of the fun.

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