The Hollywood Reporter's Scores

  • Movies
  • TV
For 5,875 reviews, this publication has graded:
  • 54% higher than the average critic
  • 4% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 1.9 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Calvary
Lowest review score: 0 3 Geezers!
Score distribution:
5,875 movie reviews
  1. If there was ever any doubt, with Half Nelson, Ryan Gosling establishes himself as a major talent and one of the finest young actors around.
  2. The director also pulls career-high performances from Mezzogiorno and Timi that are, respectively, tragic and mesmerizing.
  3. An intensely compelling work.
  4. This smart, aesthetically understated concert film from Jonathan Demme will transport Young's legions of baby boomer fans back to the future, as 1969 re-invents itself in 2005 for Young.
  5. Surrealism is one thing, but The Intruder appears so ill defined and random that it ends up looking simply inept.
  6. A riveting genre blend of thriller, domestic drama and supernatural horror propelled by a brilliant lead performance.
    • 85 Metascore
    • 90 Critic Score
    Riveting, near flawless documentary.
  7. This precision-controlled film once again highlights Alexander Sokurov's mastery of the medium. The third entry in his Men in Power series employs refined performances, a controlled script, excellent sound and fluid camerawork.
  8. Iranian filmmaker Asghar Farhadi pursues his exploration of guilt, choice and responsibility in a superbly written, directed and acted drama that commands attention every step of the way.
  9. With compelling and charismatic performances by Keira Knightley and James McAvoy as the lovers, and a stunning contribution from Romola Garai as their remorseful nemesis, the film goes directly to "The English Patient" territory and might also expect rapturous audiences and major awards.
    • 85 Metascore
    • 70 Critic Score
    Bong has pulled together a multilayered horror-drama that works more often than not. The film gets back on track after a clumsy middle section that's too long and finishes strong, and Bong fans, horror fans and Asiaphiles are likely to be thoroughly satisfied.
  10. In-depth account of Army deployment in an Afghanistan hotspot shows soldiering at its most rugged.
  11. Brandishing an ambition it's likely no film, including this one, could entirely fulfill, The Tree of Life is nonetheless a singular work, an impressionistic metaphysical inquiry into mankind's place in the grand scheme of things that releases waves of insights amid its narrative imprecisions.
  12. In directing the film, Lee allows the show's inherent vitality to carry the doc, relying on Stew's charismatic stage presence, the cast's absorbing performances and the production's effective combination of minimal staging and impressive lighting design to convey the musical's energetic celebration of artistic discovery.
  13. A realistic slice of pioneer life that offers a disquieting alternative vision of America's most mythic location.
    • 85 Metascore
    • 90 Critic Score
    The Long Day Closes is impressive in many ways. It may be a strange filmgoing experience, but its haunting imagery and sounds make it powerfully memorable. [24 May 1993]
    • The Hollywood Reporter
  14. As Oscar, Jordan at moments gives off vibes of a very young Denzel Washington in the way he combines gentleness and toughness; he effortlessly draws the viewer in toward him.
  15. Sad and disturbing, this smartly and conscientiously crafted film is a powerful wake-up call, heard but not yet implemented, by the “civilized” world.
  16. Almost unbearably moving at times, Julie Betuccelli's simple but sublime debut feature presents a portrait of maternal love and female fortitude that will reduce the stoniest of viewers to tears.
    • 84 Metascore
    • 80 Critic Score
    Exhilarating, opaque, heartbreaking and completely bonkers – French auteur Leos Carax's so-called comeback film, Holy Motors, is a deliciously preposterous piece of filmmaking that appraises life and death and everything in between, reflected in a funhouse mirror.
    • 84 Metascore
    • 70 Critic Score
    Despite the name recognition of such actors as Catherine Deneuve and Mathieu Amalric, foreign audiences might be deterred by the movie's 143-minute length and the profusion of characters and interwoven story lines.
  17. While this near two-hour feature debut does betray occasional signs of inexperience, on the whole it's a work of striking confidence.
  18. The value of this film, not just to moviegoers today but to future generations, is simply enormous.
  19. Owen carries the film more in the tradition of a Jimmy Stewart or Henry Fonda than a Clint Eastwood or Harrison Ford. He has to wear flip-flops for part of the time without losing his dignity, and he never reaches for a weapon or guns anyone down. Cuaron and Owen may have created the first believable 21st-century movie hero.
  20. Though it abounds in the kind of sardonic humor intrinsic to life’s absurdities, the film is rarely laugh-out-loud funny. In a nutshell, quiet desperation prevails.
    • 84 Metascore
    • 50 Critic Score
    Hard luck conspires with bad sex in this unspectacular Austrian tale of crime and punishment.
  21. This is a Wes Anderson film -- more lightweight than some, possessing a stronger emotional undertow than others -- that will strike the uninitiated as conspicuously arch.
  22. Moving historical drama brings a fascinating chapter of art history to life.
  23. Michael Apted's landmark films documenting the lives of a disparate group of Brits in seven-year intervals have always been fascinating from a sociological perspective. But the latest installment proves that they are undeniably brilliant cinematically as well.
  24. The film is superbly crafted, covering huge amounts of time, people and the zeitgeist without a moment of lapsed energy or inattention to detail.

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