The Hollywood Reporter's Scores

For 1,507 reviews, this publication has graded:
  • 53% higher than the average critic
  • 3% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 3.8 points lower than other critics. (0-100 point scale)
Average TV Show review score: 61
Highest review score: 100 The Americans: Season 3
Lowest review score: 0 Work It : Season 1
Score distribution:
  1. Mixed: 0 out of 805
  2. Negative: 0 out of 805
805 tv reviews
  1. In an embarrassment of riches, this series is littered with numerous quality acting performances. It's just a thing of beauty all the way around.
    • tbd Metascore
    • 100 Critic Score
    While it might look like a serious show, it's played strictly for laughs, and it has in fact become one of the funniest -- and most inventive -- shows in primetime... Northern Exposure is refreshing in the way it breaks all the rules of format and comes out on top. As it proves week after week, it remains the most charming, witty and rewarding show on television. [23 Sept 1991]
    • The Hollywood Reporter
  2. Sometimes watching greatness expand and realizing that a foundation is in place for the future (excellent writing, superb acting, a clear conceptual vision) is just the kind of assurance you need to cement your allegiance.
  3. Let's get it out the way right now, the blurb that will be quoted after this review is run: "If you see nothing else this summer, watch 'Brotherhood.' "
  4. It’s a good thing that viewers can’t immediately binge-watch FX’s The Americans, arguably the best ongoing series on television, because there are moments in the first four episodes where it feels like there’s a vice tightening on your chest. And there’s a perfectly reasonable explanation for that feeling: The first four episodes (that’s how many were made available to critics) are among the best the series has ever done.
  5. Early returns from season two suggest that Orphan Black will be more compelling than ever, as it becomes more confident in its ability, buoyed by the acclaim, and its laudable understanding that a good story is just that--it doesn't matter that it be a straight, familiar drama.
  6. In Cinema Verite, 90 minutes might not do justice to the historical impact of An American Family. But it makes you wish there were 90 more minutes to the story, which is saying something.
  7. Veep doesn't just feel like it's firing on all cylinders, it feels invigorated and out to prove something. And that's potentially bad news for other comedies, but the best news for viewers.
  8. Elba has been fantastic at every step, taking Cross' wonderful writing it and giving it even more dimensions. Pretty much every character that walks into this miniseries has given a virtuoso performance.... Season three never disappoints even when you kind of recoil, as a viewer, at the evil that has landed in Luther’s already complicated life.
  9. O.J.: Made in America is a provocative, intelligent and thorough documentary that tears along at an impressive clip given its length, with tragedy around every corner. The first miniseries to air under the ESPN Films and 30 for 30 banners, it also instantly takes its place among the banner's best efforts.
  10. Season three of Jill Soloway's groundbreaking Transparent may turn out to be its funniest and most soulful yet. The head-on collision of self-absorbed entitlement with yearning solitude that has defined the fractious Pfeffermen clan from the start still sets off sparks of merciless hilarity, but it's the poignancy of their interconnected dysfunction that makes the show so compelling.
  11. This mini holds you in its thrall from beginning to end, and the twists along the way are seemingly endless. A riveting ride, indeed.
  12. "Heroes" is one of TV's most imaginative creations and might, with luck, become this year's "Lost."
    • 80 Metascore
    • 90 Critic Score
    This supernatural series has fast, raucous music, attractive heroes and heroines, and nifty morphing effects for the vampires.
    • The Hollywood Reporter
  13. A series that constructs its characters and situations with care and skill from the start rather than relying on seeking to confirm expectations. [16 Sept 1993]
    • The Hollywood Reporter
  14. The series, which had a string of stand-alone episodes before becoming more serialized, gets the balance a little better in Season 2 (though there are still some stand-alones to welcome newbies).
  15. It seems to be shifting into a higher gear, when no one thought that option was even available.
    • tbd Metascore
    • 90 Critic Score
    The new production is more polished, the casting is so spot-on and the spirit so out of control that whether it's quick-hitting bits at the opening or an extended examination of movie studio rights, the invention rarely gets run over by the execution. [15 Nov 1996]
    • The Hollywood Reporter
  16. Humans, which is plate-spinning a number of compelling character-development stories in addition to the big-picture themes, is a series that is primed for a larger audience as it improves on its already impressively complex and nuanced story. A welcome return.
  17. Sneaky Pete struts with confidence as Shore, Cranston and Yost (who took over showrunning duties on the second episode) take us on the roller-coaster ride of Marius/Pete's dubious idea in all of its broken but hopeful glory. There's a palpable sense of forward motion in the con itself and then, as the episodes unfold, the ensemble cast beyond Ribisi, Martindale and Cranston gets to really shine as characters begin spinning out in new directions.
  18. Esmail's camerawork--characters tucked into corners of the frame, among other nontraditional compositions--continues to give the sense of disorientation and never feels tired. In fact, there are some flourishes in the first two hours that are brilliantly conceived and, with the show's strong sense of sound (both pop songs and smothered, slowed-down and manipulated background noise), contribute to what is one of the most visually remarkable hours on television.
  19. This handsome miniseries is praiseworthy on many levels--as history, as entertainment and as a way to bring to life for new generations a sense of the sacrifice and heroism needed to establish the U.S.
  20. The second season picks up immediately with Soderbergh's visual flourishes and sense of when to use music or make what amounts to a soundless cloud that surrounds his perfectly framed shots.... That said, The Knick is more than just a visual tour de force. The writing continues to stand out and the characters evolve, while the acting remains top-notch.
  21. The entertainment value and suspense of Falling Skies is paced just right. You get the sense that we'll get those answers eventually. And yet, you want to devour the next episode immediately.
  22. It is, flat out, one of the most intriguingly entertaining new series of the year, and it’s so much more than pure entertainment. For a sci-fi series, there’s some real heft to it.
  23. Bringing [Saul and Carrie] to the forefront and giving them a lot of scenes in the first two episodes has strengthened the series. The writing and acting in the first two episodes are exceptional. Let’s hope this continues, because it’s once again thrilling to watch this show.
  24. There are more than a few well-made dramas this season, but "Studio 60" -- with its intelligent dialogue, ironic humor, brilliant acting and Schlamme's inspired direction -- lays claim to being the most exciting new show of the season.
  25. Early episodes of season four are as compelling and entertaining and as well-written and acted as they have been for the past three, which is a tremendous achievement (particularly if it holds--which is likely, but not guaranteed).
  26. What makes the disturbing story gripping, beyond Oyelowo’s spellbinding performance, is its humor, defining compassion and incisive imagery.
  27. A bracingly nasty blast, even doubling-down on the gloom and doom in intriguing ways.

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