The Hollywood Reporter's Scores

For 1,543 reviews, this publication has graded:
  • 52% higher than the average critic
  • 3% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 4 points lower than other critics. (0-100 point scale)
Average TV Show review score: 61
Highest review score: 100 24: Season 5
Lowest review score: 0 The Neighbors: Season 1
Score distribution:
  1. Mixed: 0 out of 825
  2. Negative: 0 out of 825
825 tv reviews
  1. It's a Western miniseries with impeccable pedigree, memorable characters, breathtaking cinematography and a story that seems almost as if it had been put together by a committee.
  2. The buzz is that "My Name Is Earl" is good, and the truth is that it's better than the buzz.
  3. Director/co-producer/co-writer Michael Sucsy gets their plight, and he's unflinching about exploiting it. But it's hard to say he exposes the heart of his characters; Little Edie's motivation remains a mystery.
  4. Sneaky Pete struts with confidence as Shore, Cranston and Yost (who took over showrunning duties on the second episode) take us on the roller-coaster ride of Marius/Pete's dubious idea in all of its broken but hopeful glory. There's a palpable sense of forward motion in the con itself and then, as the episodes unfold, the ensemble cast beyond Ribisi, Martindale and Cranston gets to really shine as characters begin spinning out in new directions.
  5. It's not a perfect pilot; most sitcoms aren't. But, like a precious few others, you can see that everyone involved is funny and connected to the concept.
  6. It's funny, strongly realized, self-assured and a joy to watch. You want another when the last episode is over.
  7. Hall... is brilliant at conveying the subtle complexity of Dexter.
  8. Schumer's impression of the personal trainer [is] a great routine, one that's matched only by a subsequent ode to semen (during which she does a priceless shout-out to Oprah Winfrey), as well as a climactic monologue about sexual positions that features some pretty uproarious audience participation. It's during these sections that Schumer's humor is most alive--truly transgressive in ways that confront, rather than winkingly tweak, the chauvinistic prejudices she's targeting. The rest is scattershot in the way of a very talented comic still honing both her points and her live-act presence.
  9. The Bridge is mandatory viewing for drama lovers, but it will be interesting to see where the writers take it and whether they have the big-league ability to make the evident potential materialize. One thing they’ve hopefully learned is that sometimes holding back information isn’t mysterious, it’s just confusing.
  10. There's much to admire about Mad Men, and much worth tuning in for. But so far, it's all soft sell.
  11. The first episode, entitled “Sandy Passage,” certainly sets a high bar--a pitch-perfect, brilliantly performed send-up of Albert and David Maysles’ seminal Grey Gardens (1975).... The other two episodes made available for preview aren’t quite up to the level of “Sandy Passage,” but they’re still far from duds.
  12. One Mississippi is effectively quiet and understated in many of the ways that Transparent is demonstrative and confrontational, while both shows share an interest in family histories and personal pain.
  13. As Aminata Diallo (Aunjanue Ellis) reminds herself and others repeatedly, one must never give up--and it’s this steadfast hope that makes the story a particularly compelling television event.
  14. Crossfire Hurricane is business as usual from the Stones, and good fun on its own terms. However, anyone expecting buried treasure or fresh insights into ancient rock folklore will get no satisfaction here.
  15. The latest (and last) in the series featuring superhero librarian Flynn Carsen (Noah Wyle) packs more humor, suspense and adventure into two hours than either of its two predecessors.
    • 77 Metascore
    • 80 Critic Score
    There’s a breezy propulsion to An Adventure in Space and Time--written by Sherlock's Mark Gatiss, a member of the Steven Moffat mafia--as it charts the evolution of Doctor Who and the invention of so many things beloved by Whovians the world over.... But it’s David Bradley who gives this telefilm its heart.
  16. Distinctive, but not necessarily unique, Flowers feels like a mixture of Franny and Zooey and Harold and Maude by way of Roald Dahl (or a mixture of The Royal Tenenbaums and Arrested Development by way of Lemony Snicket, if you prefer your references more second-generation).
  17. Bringing [Saul and Carrie] to the forefront and giving them a lot of scenes in the first two episodes has strengthened the series. The writing and acting in the first two episodes are exceptional. Let’s hope this continues, because it’s once again thrilling to watch this show.
  18. It has the wit and bite that made the series a standout, but it has jettisoned much of the dramatic baggage that had begun to weigh the show down.
  19. There is certainly cause for some wariness that an already bursting-at-the-seams drama has become stretched even more haggis-tight, but the three episodes made available to critics remain above the guilty-pleasure fray, with catchy new songs, wacky diamond-encrusted, fur-lined hijinks and, of course, Cookie.
  20. The series begins to find its pacing not long after, and we see the strength of Moura’s acting, which to his credit never races, in the early going, toward over-the-top menace or the drug-lord cliches we're all used to at this point. Credit also the fact that Padilha brings a documentary feel to Narcos.
  21. There's a lot to be gained from Sonic Highways, but it probably won't appeal to those outside of hardcore music appreciation circles, or those who are out on Friday nights.
  22. For all its gore, Dead Set has a frightening lack of suspense. Then again, except for Kelly (Jaime Winstone), a "Big Brother" producer with a dysfunctional love life, most of the characters are so lacking in humanity that the transition to zombie isn't much of a leap.
  23. Is it right to so harshly prosecute someone's intent to do harm? Or is Sadequee a whole-on victim of the anti-Middle Eastern sentiment (directed even at U.S. citizens) that has been stirred up in the wake of 9/11 and is still stoked to this day? No easy answers, here.... There are other complicated stories here as well; the most moving explores the friendship that blossomed between lawyer Nader Hasan and actress Kerry Cahill in the wake of the 2009 shooting at Fort Hood, Texas.
  24. Even past the halfway point (Amazon made the first six episodes available to critics), The Man in the High Castle is still refreshingly intriguing and worth the investment.
  25. Not the real thing but a contrived setup that, nonetheless, radiates a mesmerizing draw that keeps you watching. [24 Jun 1993]
    • The Hollywood Reporter
  26. The Aliens pilot has some of the funniest writing on TV this fall.
  27. Homeland works at a slower pace and the premiere mostly lets Carrie keep up the illusion that she'll be able to live a carefree life with strudel and a smile.... It's that third episode, in which Carrie realizes that past misdeeds are coming home to roost, that the shape of the season really takes effective form.
  28. As usual, Odenkirk and Cross' humor ranges from easily explainable silliness that escalates in unexpected and extreme ways to more savvy and formally adventurous sketches that play off the familiar in smartly escalating ways.
  29. Fogelman's pilot introduces the pieces necessary to become a show that will make viewers laugh and cry and also relish the performances from Brown, Ventimiglia, Moore, Hartley, Metz and the rest, but it will need to settle into its identity.

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