The Hollywood Reporter's Scores

  • Movies
  • TV
For 6,272 reviews, this publication has graded:
  • 53% higher than the average critic
  • 4% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 2.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Sicario
Lowest review score: 0 Your Highness
Score distribution:
6,272 movie reviews
  1. Gloria is a work of maturity, depth and emotional insight. There’s not a single false note here.
  2. Deliberately detached in its observational style, yet as probing, subtle and affecting as any psychological drama could wish to be, this is an elliptical film that trusts its audience enough to peel away exposition and unnecessary dialogue, uncovering rich layers of ambiguity.
    • 78 Metascore
    • 100 Critic Score
    With a delirious mix of the sublime and the silly, Hong Kong comedy king Stephen Chow Sing-chi has taken the kung fu comedy genre to new heights of chop-socky hilarity.
  3. The film's exhilarating originality, black comedy and tone that is at once empathetic and acidic will surely strike a strong chord with audiences looking for something fresh that will take them somewhere they haven't been before.
  4. The work Richard Linklater and company started in 1995's Before Sunrise retains a clarity of spirit undimmed by 18 years.
  5. Daniel Day-Lewis stuns in Paul Thomas Anderson's saga of a soul-dead oil man.
  6. It’s a lovely piece of work.
  7. The film is terribly smart in every respect, with ne'er-a-false note performances and superb craft work from top to bottom.
  8. Superbly made and winningly acted by Brad Pitt in his most impressive outing to date.
  9. An exceptional animated feature from Spain, Wrinkles imaginatively and sensitively explore one of the major issues confronting most of the developed world: how to look after senior citizens in a rapidly aging population.
  10. Clint Eastwood's Flags of Our Fathers does a most difficult and brave thing and does it brilliantly. It is a movie about a concept. Not just any concept but the shop-worn and often wrong-headed idea of "heroism."
  11. In every sense, The Great Museum (Das grosse Museum) imparts a feeling of privilege — privilege on the part of those (the Hapsburgs) who built and opened Vienna's extraordinary Kunsthistorisches Museum in 1891, privilege among those lucky enough to work at such a rarified establishment and privilege on the part of any viewer of Johannes Holzhausen's wonderfully evocative and droll documentary.
  12. Less concerned with classic storytelling than with creating virtual performance pieces on screen, the film features dozens of extended sequences of Adele and Emma both in and out of bed—scenes that are virtuously acted and directed, even if they run on for longer than most filmmakers would allow.
  13. The film, narrated ably by Leonardo DiCaprio, who seems to share the audience's amazement at what is appearing onscreen, is over too quickly in a mere 43 minutes. So line up and see it again.
  14. Both a powerful allegory for post-war regeneration and a rich Hitchcockian tale of mistaken identity, Phoenix once again proves that German filmmaker Christian Petzold and his favorite star, Nina Hoss, are clearly one of the best director-actor duos working in movies today.
  15. Brad Bird and Pixar recapture the charm and winning imagination of classic Disney animation.
  16. The film's power steadily and relentlessly builds over its long course, to a point that is terrifically imposing and unshakable.
  17. Magnificent in its simplicity and its relentless honesty about old age, illness and dying, Michael Haneke's Amour is a deliberately torturous watch.
  18. James D. Cooper’s rollicking film is a heady return to Swinging Sixties England at the height of the Mod explosion that’s packed with primo archival material and killer tunes. It’s also a vigorous testament to the rewards of creative collaboration, shining a spotlight on two highly unorthodox, self-invented rock entrepreneurs.
  19. The film comes down to a mesmerizing portrait of a man who in any other age would perhaps be deemed nuts or useless, but in the Internet age has this mental agility to transform an idea into an empire.
  20. The Impossible is one of the most emotionally realistic disaster movies in recent memory -- and certainly one of the most frightening in its epic re-creation of the catastrophic 2004 Indian Ocean tsunami.
  21. What comes out of this unlikely comparison between astronomy and history is a totally new perspective, something broader, with glimpses into deeper meanings.
  22. Makes everything in the rival Marvel universe look thoroughly silly and childish. Entirely enveloping and at times unnerving in a relevant way one would never have imagined, as a cohesive whole this ranks as the best of Nolan's trio, even if it lacks -- how could it not? -- an element as unique as Heath Ledger's immortal turn in The Dark Knight. It's a blockbuster by any standard.
  23. No true fan of science fiction -- or, for that matter, cinema -- can help but thrill to the action, high stakes and suspense built around a very original chase movie.
  24. A superbly sensual character study of a young woman navigating emotional and professional crossroads.
  25. Superbly crafted psychological thriller.
  26. Bale again brilliantly personifies all the deep traumas and misgivings of Batman's alter ego, Bruce Wayne. A bit of Hamlet is in this Batman.
  27. A smart-ass charmer, merciless tearjerker and sincere celebration of teenage creativity.
  28. The visual design of Wall-E is arguably Pixar's best. Stanton, who wrote the script with Jim Reardon from a story he concocted with Peter Docter, creates two fantastically imaginative, breathtakingly lit worlds.
  29. Derki and his experienced editor Anne Fabini have crafted a sober, sobering bulletin of unambiguous intention and undeniable power.

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