The Hollywood Reporter's Scores

  • Movies
  • TV
For 5,965 reviews, this publication has graded:
  • 54% higher than the average critic
  • 4% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 2 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Rapt
Lowest review score: 0 The Heart Is Deceitful Above All Things
Score distribution:
5,965 movie reviews
    • 55 Metascore
    • 90 Critic Score
    Once the stardust settles and the generations of "Star Trek" fans pass in judgment, this splendid production may emerge as the best movie to date inspired by the multiple-series TV phenomenon created by the late Gene Roddenberry. [15 Nov. 1994]
    • The Hollywood Reporter
  1. Darren Aronofsky wrestles one of scripture's most primal stories to the ground and extracts something vital and audacious, while also pushing some aggressive environmentalism, in Noah.
  2. A handsome and achingly sad period piece, a finely observed portrait of cast-aside dreams. The drama is quieter and more chaste than the similarly themed "Camille Claudel," but no less haunting.
    • 71 Metascore
    • 90 Critic Score
    The intensity of observation reminds one of Bergman's "Scenes From a Marriage," though of course played in a much more benign key. For the patient, the deliberate pacing is perfect, as each additional layer is quietly and subtly put in place.
  3. De Palma's screenplay is outstanding, and he draws wonderfully naturalistic performances from his youthful cast.
  4. Polished, funny and utterly charming.
  5. Transformers is a wet dream for fanboys, with vehicles that whiz and whir into alien robots, spectacular sci-fi stunt chases, glistening military hardware, overheated computer software and brainy, hot girls who love Popular Mechanics.
  6. Director David Weissman brings a rewardingly fresh and personal perspective to the subject.
  7. The outrageously hilarious For Your Consideration was well worth the wait. Again delivered with comic precision by Guest's crack repertory company, his patented brand of parody takes affectionate but deadly aim at its awards buzz mania target and the results aren't just funny, they're face-hurting funny.
  8. It’s an altogether strange but astonishing work of craftsmanship.
  9. A genuinely moving look at life in a group foster home that avoids most of the usual routes into viewers' hearts.
  10. Cheerfully yet poignantly exposing the struggles, anxieties, disorders and obsessions of ordinary people, this is a film as odd as it is charming.
    • 74 Metascore
    • 90 Critic Score
    This searing, stylish account of World War II heroism from Denmark's Ole Christian Madsen avoids period realism, conveying the story of two heroes of the Danish resistance as a noir thriller, complete with shadowy alleys, double-crosses galore and the requisite femme fatale.
    • 81 Metascore
    • 90 Critic Score
    The frequently outrageous Il Divo follows the career of one of the best-known and most tenacious figures in Italian political history in a lively, sensory-overload, cartoonlike fashion reminiscent of "Amelie" and "Moulin Rouge." The fact that it's often over-the-top goes with saying, and is part of the fun.
  11. Voices in Wartime is a stirring testament to the search for meaning.
  12. All of the key creative personnel contribute to the movie's nail-biting tension and unexpectedly moving finale. Jon Harris's editing is matchless, and Rahman's score effectively heightens the emotion. Ultimately, however, it is the talents of Boyle and Franco that sock this movie home.
  13. Not only is the film a powerful historical record and a warning for future generations, it is an essential reminder to people, including many in Japan today, who might deny that this massacre ever occurred. As such, Nanking honors the highest calling of documentary filmmaking.
  14. Pray does not browbeat viewers into applauding the artist’s achievement. The filmmaker thoughtfully documents a phenomenon and allows the arguments to continue to rage after the lights come on.
  15. A fiendishly entertaining Christmas yarn rooted in Northern European legend and lore, complete with a not-so-jolly old St. Nick informed more by the Brothers Grimm than Norman Rockwell.
  16. Outstanding, entirely unique father-son portrait.
  17. Firing on all cylinders as a creepy thriller, police procedural and "All the President's Men"-style investigative newsroom drama, the smart, extremely vivid production oozes period authenticity.
  18. The story's acceleration from anxiety to panic to hellish chaos is expertly managed, but more impressively, so is the control of internal narrative logic.
  19. Blanchett makes an indelible impression as a woman who, through breeding, intense personal cultivation and social expectations, has brilliantly mastered the skill of navigating through life.
  20. Kindness is evident in even the most hurt or exasperated moments of de France's lovely performance as Samantha. But then, kindness couched in unblinking social realism is an intrinsic part of how these supremely gifted filmmakers view the world.
  21. Apatow's gleefully raunchy movies are, in an odd and charming way, extremely family-friendly.
  22. Bright Star may not be a joy forever but it will do until the next joy comes along.
  23. In Changeling Eastwood continues to probe uncomfortable subjects to depict the individual and even existential struggle to do what is right.
    • 57 Metascore
    • 90 Critic Score
    The decibels, energy and overall quality are high in writer-director Kari Skogland's Fifty Dead Men Walking, her supremely well-made, highly stylized, graphic tale of Northern Ireland's "Troubles" in the late 1980s.
  24. The production is graced by bold performances, lyrical visuals and, most notably, Irving's own words, which have made the transition quite intact thanks to a faithful but still filmic adaptation by writer-director Tod Williams.
  25. A bold film both in its storytelling strategies and its filmmaking logistics.

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