The Hollywood Reporter's Scores

  • Movies
  • TV
For 5,914 reviews, this publication has graded:
  • 54% higher than the average critic
  • 4% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 2 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Flags of Our Fathers
Lowest review score: 0 Dirty Love
Score distribution:
5,914 movie reviews
  1. Arguably Eastwood's most ambitious film since his multi-Oscar winner, "Unforgiven." But it lacks the power and depth of that film's dynamic script by David Webb Peoples.
  2. Snowpiercer is an ambitious piece with a universally comprehensible theme and accessible aesthetics.
  3. Assayas makes the point that objects of fascination and affection to one generation may be far less so to the next. And he observes the role that people-friendly museums can play in keeping a nation's treasures safe with pleasing subtlety.
  4. Their physical disparity notwithstanding, Gordon-Levitt and Willis both come across strongly, while Blunt effectively reveals Sara's tough and vulnerable sides.
  5. In this deep probe into modern-day medicine, the old guy is shuttled from hospital to hospital in a surreal, horrifying ordeal of errors, missed diagnoses and institutional malaise. At two hours and 34 minutes, we, seemingly, also endure his agony -- part of this Romanian film's power and, also, its Achilles heel.
  6. The film’s only weakness is its ending, which is so subtle it risks being interpreted by the majority of viewers as enigmatic or unclear.
  7. Working with non-pro actors, Hammer pulls authentic performances from the trio that are at times almost too painful to witness.
  8. It's very difficult to mesh fantasy with reality, but with great charm and a light touch, Almodovar shows exactly how it should be done.
  9. A riveting firsthand account of the Egyptian revolution presented with remarkable immediacy and filmmaking skill.
  10. An eloquently shot and closely observed documentary about a poor family in modern-day Indonesia.
  11. Mond's skill at working with actors is equal to his fully developed visual style and assured modulation of atmosphere and tone. This may be a small movie, but it's an impressively rigorous one without an ounce of flab.
  12. After a five-year wait since "Sideways," Alexander Payne has made his best film yet with The Descendants. Ostensibly a study of loss and coping with a tragic situation, this wonderfully nuanced look at a father and two daughters dealing with the imminent death of his wife and their mother turns the miraculous trick of possibly being even funnier than it is moving.
  13. Pungently atmospheric, brilliantly textured and featuring superb performances from every performer in parts big and small.
  14. As surprising as it is delicious with an indelible performance by new star Sally Hawkins.
  15. A heartwarming and moving adventure that does excellent justice to the classic character.
  16. The word "community" has become a cliche, but this party, both backstage and before the crowd, illustrates a specific sense of cultural community and the singular bliss of standing on a city street in late-summer rain for a once-in-a-lifetime concert.
  17. What distinguishes Borten and Wallack’s screenplay is its refusal to sentimentalize by providing humbling epiphanies to set Ron on the right path and endow him with empathy.
  18. Impressive in parts, but wildly uneven as a whole.
  19. Shot rivetingly by cinematographer Brooke Aitken, who combines digital, night-vision and thermal-imaging formats into a formidable package, the footage is edited tautly by Geoffrey Richman and enhanced measurably by J. Ralph's suspenseful score.
  20. Particularly adept at chronicling the vague existential aimlessness of a segment of postcollege young adults, Bujalski manages to make his subjects seem simultaneously articulate and socially dunderheaded.
  21. Inherently unpreachy but making its point more effectively than many participants in the debate can, the film should find vocal advocates in a niche theatrical run.
  22. The director’s austere minimalism has always been suspended between the mesmerizing and the distancing, and in his latest feature, the concentration on elliptical observation, mood and texture signals an almost complete rejection of narrative.
  23. Where some other recent observation-only docs (a format seemingly on the rise among festival entries) have suffered from sluggish pacing or needless obscurity, Light benefits from Yoonha Park's editing, which keeps things moving without suffering from ADHD.
  24. The film captures the energy, the stresses and the tension of people striking punching bags and each other but without narration, it all feels a bit random and uninteresting.
  25. Crazy Heart lacks that spark of originality. So what Fox Searchlight has salvaged essentially is a highly watchable performance by Bridges, one of many he has furnished throughout a long career.
  26. A fully believable, flesh-and-blood (albeit not human flesh and blood) romance is the beating heart of "Avatar." Cameron has never made a movie just to show off visual pyrotechnics: Every bit of technology in "Avatar" serves the greater purpose of a deeply felt love story.
  27. A penchant for suffocating close-ups and an overabundance of scenes that go on far too long mar Abdellatif Kechiche's The Secret of the Grain, an otherwise engaging drama about an immigrant Arab family in France.
  28. Blending fiction with documentary and exquisite film craft with playful improvisational freedom, Andrei Konchalovsky delivers what might be the most captivating screen work of his post-Hollywood career with The Postman's White Nights.
  29. Hakonarson observes all this with the practiced eye of a good documentarian but, in the compositions, the rigorous timing of the editing and the performances of the two leads, he lifts the material beyond the observational to a modestly accomplished work that not only neatly observes an obscure lifestyle but brings to life a most peculiar sibling relationship.
  30. Anderson has created a world as stylized and inventive as anything he's done... "Fox" is a visual delight.

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