The Hollywood Reporter's Scores

For 1,033 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 3.4 points lower than other critics. (0-100 point scale)
Average TV Show review score: 61
Highest review score: 100 Luther: Season 3
Lowest review score: 0 Sons Of Hollywood: Season 1
Score distribution:
  1. Mixed: 0 out of 557
  2. Negative: 0 out of 557
557 tv reviews
  1. It's not a matter of wondering if Breaking Bad will be great, but where in the pantheon it will ultimately reside.
    • 98 Metascore
    • 90 Critic Score
    It's a wonderful, subversive concept, and by failing to romanticize the players, "Office" remains true to its ghastly, funny self. [23 Jan 2003]
    • The Hollywood Reporter
  2. The series became an instant TV landmark because of its riveting stories, wonderfully drawn characters, superb acting and intelligent direction. If anything, the new season emphasizes these traits even more, as it probes the fascinating and usually emotionally charged relationships inside and outside the Soprano family. [2 Mar 2001]
    • The Hollywood Reporter
  3. Homeland is as riveting and addictive as when we last saw it, kicking off with no lull in the pulse-pounding action.
  4. Breaking Bad is unquestionably one of the greatest dramas in TV history. What it should be rewarded and applauded for is the wanton willingness to throw the concomitant success of all that away in the service of the story.
  5. The first four installments supplied for review have moments of artsy overindulgence, to be sure, but largely remain true to the show's roots in darkness and absurdity while carving out fresh story arcs that are as compelling as any the writers have ever crafted. It's like peering at a series of train wrecks as rendered by da Vinci.
  6. It isn't as groundbreaking as it would have itself taken. However, in terms of presenting a strong portrayal of cop work out on the urban landscape, the project (inspired by David Simon's "Homicide: A Year on the Killing Streets") hits with compelling conviction. [29 Jan 1993]
    • The Hollywood Reporter
  7. The consistency of excellence in Game of Thrones is truly something to behold. Even in three episodes, viewers will sense things tightening up-- that winter and war are coming and they are coming at a full run.
  8. It seems to be shifting into a higher gear, when no one thought that option was even available.
  9. A show that ceased to be something easily identifiable and thus easily understood the very first minute it was on.
    • 93 Metascore
    • 90 Critic Score
    If there is any criticism to be made, it is that the opening half-hour plunges the unsuspecting viewer into an unfamiliar foreign world of soot and grime and foul deeds and motives. Once settled in, however, this is very addictive television, indeed.
  10. One surefire sign of a television series in its prime comes when an episode's plot and subplots dovetail so stylishly that it's difficult to tell which is which.
  11. It remains as riveting and unique as ever.
  12. Defying expectations while rewiring what a “zombie” series can be, The Returned is one of the most intriguing, utterly original offerings of the year.
  13. All told, Transparent is a surprisingly poignant, funny and mature piece of work.
  14. The series, which had a string of stand-alone episodes before becoming more serialized, gets the balance a little better in Season 2 (though there are still some stand-alones to welcome newbies).
  15. In an embarrassment of riches, this series is littered with numerous quality acting performances. It's just a thing of beauty all the way around.
    • 91 Metascore
    • 100 Critic Score
    They'd better set up a separate category for HBO's "The Larry Sanders Show" when Emmy time comes around. [13 Aug 1992]
    • The Hollywood Reporter
  16. The show gets back to where it belongs: under Larry's expansive roof and inside his incessantly neurotic, disgracefully tactless and unerringly heartless skin.
  17. This Holmes update's second season continues to be both clever and classic.
  18. The dialogue remains as pin-prick sharp as usual, with that clever mix of directness and humor.
  19. Frozen Planet is one of those instantly riveting series where you marvel at the beauty and majesty of it all but also spare more than a passing thought for the effort involved.
  20. Here’s to a dense, layered, enterprising and fascinating journey through Season 3--and as many more seasons as need be to complete this incomparable fantasy.
  21. Think of "The Office," "Larry Sanders," "Spin City" and "Yes Minister" rolled into one delirious stew.
  22. Season two of Orange Is the New Black delivers immediately, stays relevant and entertaining, and gives the impression that it has learned a lot of life lessons inside the system.
  23. The first three episodes of Season 3 indicate there has been no slippage at all, but rather a digging in of the philosophy at hand.
  24. A heart-pounding, mesmerizing adventure unlike anything else up or down the dial.
  25. Much of the charm in this show, as well as the humor, comes from Rock's ability to vanquish political correctness in favor of a candid but affectionate look at the past.
  26. Game of Thrones is so much more than a genre series, a fantasy epic. It's a series that doesn't need to feel dramatically inferior up against the likes of Mad Men or Breaking Bad, Justified or anything else.
    • 88 Metascore
    • 80 Critic Score
    Beautifully rendered as the series is, there's a high-concept conflation of the two shows here in the way it marries the mob melodrama of "Sopranos" with "Mad's" period fetishism. It's a savvy programming strategy but robs Boardwalk of a certain freshness that would otherwise elevate it to the same echelon as those TV classics.

Top Trailers