The New York Times' Scores

For 10,498 reviews, this publication has graded:
  • 49% higher than the average critic
  • 4% same as the average critic
  • 47% lower than the average critic
On average, this publication grades 3 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Born on the Fourth of July
Lowest review score: 0 Awakened
Score distribution:
10,498 movie reviews
  1. One of the most brutal and moving chronicles of American life ever designed within the limits of popular entertainment. [16 Mar 1972]
    • The New York Times
  2. A film whose best moments are so novel, so deliriously funny, and so crazily unexpected that they truly must be seen to be believed. [22 June 1988]
    • The New York Times
  3. Ida
    There is an implicit argument here between faith and materialism, one that is resolved with wit, conviction and generosity of spirit. Mr. Pawlikowski has made one of the finest European films (and one of most insightful films about Europe, past and present) in recent memory.
  4. A film that has the sweep and esthetic power of a full-length ballet.
  5. I realize that the fear of contracting writer's block from a fictional character is crazy, but in the brilliantly scrambled, self-consuming world of Adaptation it has a certain plausibility.
  6. One of the enormous pleasures of genre filmmaking is watching great directors push against form and predictability, as Mr. Romero does brilliantly in Land of the Dead. One thing is for sure: You won't go home hungry.
  7. What the film makes clear, with unfailing sensitivity and wry humor, is that for Shira and her family the ordinary arrangements of living are freighted with moral and spiritual significance.
  8. A virtuoso ensemble piece to rival the director's "Nashville" and "Short Cuts" in its masterly interweaving of multiple characters and subplots.
  9. Best Kept Secret is an exemplary documentary: It spotlights an important issue yet never seeks to squeeze the truth into an easily digestible narrative frame. Instead it expands its storytelling to the boundaries of messy, joyful and painful reality.
  10. Even if you think you know what’s coming, Selma hums with suspense and surprise. Packed with incident and overflowing with fascinating characters, it is a triumph of efficient, emphatic cinematic storytelling. And much more than that, of course.
  11. Audiard's superb remake improves on the original significantly, investing it with aesthetic grandeur and emotional depth.
  12. A fascinating study of a man, and a firm, deeply changed by catastrophe.
  13. Spotlight is a gripping detective story and a superlative newsroom drama, a solid procedural that tries to confront evil without sensationalism.
  14. Eloquent, meticulously structured documentary -- Sober political and legal analysis alternates with grim first-hand accounts of torture and murder in a film that has the structure of a choral symphony that swells to a bittersweet finale.
  15. Mr. Jordan's screenplay... is both efficient and ingenious. The physical production is as lush as the film's romantic longings. [26 Sept 1992]
  16. A first-rate art-house thriller, Miss Bala tells the strange, seemingly impossible story of a Mexican beauty queen who becomes the accidental pawn of a drug cartel. It's an adventure story that could be called a contemporary picaresque if it weren't so deadly serious.
  17. The novel is life-specific, but what makes Minnie — on the page and now on the screen — greater than any one girl is how she tells her own story in her own soaringly alive voice.
  18. The Dance of Reality is the work of a highly disciplined anarchist, whose principal weapon against authority is his own imagination.
  19. A brilliantly truthful film on a subject that is usually shrouded in wishful thinking, mythmongering and outright denial.
  20. Prepare yourself for something very special...Here's a severely beautiful, mysterious movie that, as if by magic, liberates the romantic imagination. [16 Oct 1993]
    • The New York Times
  21. This is not a work of film history but rather a generous, touching and slightly daffy expression of unbridled movie love.
  22. Brilliant, maddeningly enigmatic puzzle of a movie.
  23. By focusing on such a narrow slice of Nepali life, Ms. Spray and Mr. Velez have ceded any totalizing claim on the truth and instead settled for a perfect incompleteness.
  24. A huge, thrilling three-and-a-quarter-hour experience that unerringly lures viewers into the beauty and heartbreak of its lost world.
  25. Like Mr. Panahi’s cab, his film is equipped with both windows and mirrors. It’s reflective and revealing, intimate and wide-ranging, compact and moving.
  26. The film's sleek moodiness and visual sophistication are so effective that there's even a scene here that makes Detroit look like the most romantic city in the world.
  27. Alleluia is a fever dream of sex, jealousy and murder whose intensity leaves you spellbound.
  28. In spite of its modest scale, tactful manner and potentially dowdy subject matter, is packed nearly to bursting with rich meaning and deep implication.
  29. The reason the film prompts laughter, and finally elation, is not because it's jolly or has any feel-good words to live by. It's because of the utterly demonic skill with which these foulmouthed characters carve one another up in futile attempts to stave off disaster.
  30. Bad Education is a voluptuous experience that invites you to gorge on its beauty and vitality, although it has perhaps the darkest ending of any of the films by the Spanish writer and director.

Top Trailers