The New York Times' Scores

For 10,496 reviews, this publication has graded:
  • 49% higher than the average critic
  • 4% same as the average critic
  • 47% lower than the average critic
On average, this publication grades 3 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 The Girls in the Band
Lowest review score: 0 Whipped
Score distribution:
10,496 movie reviews
  1. The most voluptuous comic-book movie ever made.
  2. In setting Andre on his search for self, Mr. Rock has carved out a third way, in the process creating a black character who’s fully human and a comedy that’s wholly a blast.
  3. A haunting, voluptuously beautiful portrait of a teenage boy who, after being suddenly caught in midflight, falls to earth.
  4. There is much to praise about this sweet, smart comedy of intergenerational conflict and solidarity.... But honestly, the wonder that is Grandma can be summed up in two words: Lily Tomlin.
  5. The ancient Greeks believed that character should be revealed through action. I can’t think of another film that has upheld this notion so thoroughly and thrillingly. There is certainly no other actor who can command our attention — our empathy, our loyalty, our love — with such efficiency.
  6. A small miracle of a film.
  7. It is a film of enormous visceral power with, in the central role, a performance by Tom Cruise that defines everything that is best about the movie.
  8. This is his sleekest and most engaging film thus far. If you like a good cat-and-mouse game with a keen ear for language, then go.
  9. One of the most deliriously funny, ingenious and stylish American adventure movies ever made.
  10. Creed is a dandy piece of entertainment, soothingly old-fashioned and bracingly up-to-date.
  11. It's been a long time since a commercially oriented film with the scale of "King" ended with such an enduring and heartbreaking coda.
  12. This remarkably terse movie doesn’t waste a word or an image. It refuses to linger over each little crisis its characters endure. And its detachment lends a perspective that widens the film’s vision of people reacting to events beyond their control.
  13. New York becomes a complex character in this vital and sharply intelligent film.
  14. Was it all for naught? Only weeks after the 23 partisans were arrested (and all but two promptly executed), Paris was liberated. Army of Crime is a passionate act of remembrance.
  15. Several times while watching the movie I laughed until the tears were running down my face.
  16. A supremely elegant and thoughtful parable. [14 September 1994, p. C11]
    • The New York Times
  17. Like most of Mr. Wiseman’s work, the movie is at once specific and general, fascinating in its pinpoint detail and transporting in its cosmic reach.
  18. Particle Fever is a fascinating movie about science, and an exciting, revealing and sometimes poignant movie about scientists.
  19. Hannah Arendt conveys the glamour, charisma and difficulty of a certain kind of German thought.... The movie turns ideas into the best kind of entertainment.
  20. Gideon’s Army is a bare film with no narrator and a minimal soundtrack. That’s all it needs to grab you by the throat.
  21. The ensemble of young actresses is a constantly restless and real presence, the perspective filtered mostly through the cheeky Lale but also through the group as a loving crew.
  22. A moving, intelligent and funny film about disasters that are commonplace to everyone except the people who experience them. Not since Robert Benton's "Kramer vs. Kramer" has there been a movie that so effectively catches the look, sound and temper of a particular kind of American existence.
  23. What makes this exquisitely observed slice of American screen realism transcend itself is finally its moral sensibility.
  24. Virtually nonstop exhilaration--a dramatic comedy not quite like any other, and one that sets new standards for Mr. Allen as well as for all American moviemakers. [7 February 1986]
    • The New York Times
  25. Lebanon is meticulous, nearly clinical in its attention to what happens in war -- specifically what happened in the first days of the Israeli invasion of Lebanon in 1982 -- but it is also a palpably and intensely personal film.
    • The New York Times
  26. The movie itself is a nonstop barrage -- somewhere between a riot and an orgy -- of crude, obnoxious gags and riffs. If you are a connoisseur of sexual, scatological or just plain stupid humor, you will find your appetite satisfied, even glutted.
  27. In its modest scope and mellow tone, 35 Shots of Rum resembles Olivier Assayas’s "Summer Hours," another recent film by a French director who has sometimes trafficked in provocation and extremity. Both movies embed extraordinary thematic richness within a simple, almost anecdotal narrative framework, and both achieve a rare eloquence about the state of the world by means of tact and reticence.
  28. It is the work of a director as fascinated by decency as by ugliness, and able to present the chaos of life in a series of pictures that are at once luminously clear and endlessly mysterious.
  29. Steven Spielberg's soberly magnificent new war film, the second such pinnacle in a career of magical versatility, has been made in the same spirit of urgent communication. It is the ultimate devastating letter home.
  30. There are few concert movies that were filmed were such abiding feeling and respect. It's of a potent vintage that goes down deceptively smoother with age.

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