For 8,141 reviews, this publication has graded:
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49% higher than the average critic
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3% same as the average critic
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48% lower than the average critic
On average, this publication grades 2.8 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: |
Critic Score
100
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| Lowest review score: |
Critic Score
0
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Score distribution:
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Positive: 3,629 out of 8141
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Mixed: 3,386 out of 8141
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Negative: 1,126 out of 8141
8,141
movie reviews
- By critic score
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Reviewed by
Dave Kehr 30
The emotional impact of Shark Skin Man is negligible. -
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Reviewed by
Dana Stevens 30
Even fans of open-wheel racing, the high-speed, high-stress pastime that is the subject of Renny Harlin's hectic new film, may walk away from it more logy than exhilarated. -
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Reviewed by
Stephen Holden 30
Quickly curdles into a nasty variation of the one-last-score genre. -
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Reviewed by
Dana Stevens 30
Proves that a movie about goodness is not the same thing as a good movie. -
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Reviewed by
Dana Stevens 30
Imagine "Last Tango in Paris" remade as a wan, low-budget romantic comedy. -
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Reviewed by
A.O. Scott 30
Pallid compared with the flaming id of television's "Will and Grace," the happy swizzle stick Jack, who's all appetites. When series television is more entertaining than a series of short independent films, that's something to worry about. -
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Reviewed by
Dave Kehr 30
Only adds to the sense that Mr. Konchalovsky has lost his artistic moorings. He has certainly lost his common sense. -
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Reviewed by
Stephen Holden 30
The cinematographer-turned-director likes his MTV-style editing so much that in his drive for hyperkinetic overkill he sacrifices coherence to wallow in barely contained chaos. -
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Reviewed by
Dana Stevens 30
The very confusion that has made him (Rock) so unpredictable and funny onstage makes this on-screen exploration of contemporary racial mythologies curiously tentative and unfocused. -
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Reviewed by
Stephen Holden 30
A leaden, skimpily plotted space-age Outward Bound adventure with vague allegorical aspirations that remain entirely unrealized. -
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Reviewed by
Elvis Mitchell 30
The film's only bright idea is a duo named Chain Saw (Cameron) and Dave (Riley), who love horror films and instigate grisly but imaginative practical jokes, like pretending to be attacked by bunnies when the class makes a field trip to a petting zoo. [22 July 1987, p.C22] -
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Reviewed by
Dana Stevens 30
Exists in a realm beyond sense, and induces in the viewer a trancelike state, leaving the mind free to ponder the mysteries of the universe. -
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Reviewed by
Stephen Holden 30
Flagrantly old-fashioned, triple-hankie tear-jerker. -
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Reviewed by
A.O. Scott 30
The most indolent waste of screen time since Andy Warhol's marathon shot of the Empire State Building. -
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Reviewed by
Janet Maslin 30
This tirelessly violent, ultimately exhausting film has the utter sincerity of all good science fiction, and a lot more flair than most, but it suffers from a certain confusion of purpose. In the end, it amounts to quite the pistol-packing plea for peace. -
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Reviewed by
A.O. Scott 30
Sitting through the lavish and dumb action spectacular Lara Croft: Tomb Raider is about as much fun as watching someone else play a video game. -
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Reviewed by
Stephen Holden 30
So preoccupied with delivering its effects that it doesn't bother to make sense of its story. -
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Reviewed by
Stephen Holden 30
The screenplay never begins to finds a workable balance between wit and adventure. And the performances in several smaller roles are so mechanical that they lend Kill Me Later the tone of a vanity production. -
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Reviewed by
A.O. Scott 30
Tries to show it has its heart in the right place, but it's such a crude undertaking that it doesn't actually seem to have a heart at all. -
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Reviewed by
A.O. Scott 30
This crude comedy delivers on the "No Shame, No Mercy" threats from the original. Unfortunately, it all adds up to "No Good." -
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Reviewed by
Elvis Mitchell 30
Just a parade of scattershot gags, more often weird than funny an dmost often just flat. [13 Dec 1996, p.C5] -
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Reviewed by
Stephen Holden 30
A lumpy three-and-a-half-hour glob of Civil War history. -
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Reviewed by
A.O. Scott 30
Summer is like an episode of the religious children's series "Davey and Goliath," without the entertainment value of animation and a talking dog. -
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Reviewed by
Dana Stevens 30
Plays every convention twice, once as parody and once by the book, but the movie, trying to be two things at once, fails at both. -
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Reviewed by
Dana Stevens 30
Mr. Jones, who recently starred in "Zig-Zag," a similarly striving, overwrought picture, is a disciplined and likable performer, and he bravely perseveres in the face of narrative absurdity and rampant overacting. -
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Reviewed by
A.O. Scott 30
It's an oddity that will be avoided by millions of people, this new Pinocchio. Osama bin Laden could attend a showing in Times Square and be confident of remaining hidden. -
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Reviewed by
Elvis Mitchell 30
The film's bright look and visual energy are much more liberating than the machinations of its teen queens. -
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Reviewed by
Dana Stevens 30
The best thing that can be said about Boys and Girls is that it is studiously inoffensive. -
