The New York Times' Scores

For 1,416 reviews, this publication has graded:
  • 44% higher than the average critic
  • 3% same as the average critic
  • 53% lower than the average critic
On average, this publication grades 5 points lower than other critics. (0-100 point scale)
Average TV Show review score: 60
Highest review score: 100 The Office (UK): Season 3
Lowest review score: 0 Notes from the Underbelly: Season 1
Score distribution:
  1. Mixed: 0 out of 665
  2. Negative: 0 out of 665
665 tv reviews
  1. Tthe best new half-hour of funny television in a season rife with half-hours of funny television.
  2. Mostly, the misguided lead the misled; action devolves into misadventure; and every season gets more complicated, and is all the better for it.
  3. There aren’t many series at the moment quite like it or as good. It is as subtle and intrusive as “In Treatment” was on HBO, with some of the suspense and narrative feints that made “True Detective,” also on HBO, so addictive.
  4. Snobs may sneer that the series could more accurately be called "Remains of the Gosford/Upstairs/Brideshead Revisited Park." But there are times when a sincere imitation is not only better than nothing--it's nearly as good.
  5. Carrie is hard to like, but Homeland is almost impossible to resist.
  6. "Thief" pays homage to all the conventions of a traditional thriller and weaves into it complicated issues of guilt, race and family. It's a little like some of the better dramas on HBO, but finds its own unorthodox way.
  7. Though the show happens to be about sports, it works even better as a shrewd sendup of the culture of money, hype and celebrity.
  8. Remains bracingly rude and funny.
  9. Nip/Tuck is a shrewdly written drama without intellectual pretensions. It is a dark satire that manages to be as engrossing as a soap opera.
  10. The most visually sensual series perhaps ever seen on television.
  11. A blistering, demented animated series.
  12. Deadpan lunacy has never worked better for Mr. Shandling and his splendidly merry gang of featured players. [22 Jun 1994]
    • The New York Times
  13. Everyone in this layered show has cover stories, divided loyalties, mixed emotions and hidden motives. The complexity of the characters drives the narrative as much as the car chases and ultrasecret missions.
  14. A worthy and exhilarating new HBO companion to "Curb Your Enthusiasm."
  15. The Wonder Years is at least off to an unusually winning start.
  16. On "Seinfeld," this cranky sensibility was filtered through likable actors. Here, nothing stands between the audience and Mr. David's acerbic vision and morose face. There is every reason to despise the man, or at least to feel irritated by his narrowness and self-pity. Instead, for those who aren't immediately put off, Mr. David's comic brilliance becomes even more apparent in this unvarnished form. [13 Oct 2000]
    • The New York Times
  17. Nothing on network television is as smart, original and amusing as Entourage.
  18. The second season of “Sleeper Cell” burrows even deeper into the mind-set of Muslim extremists than the first and is all the better and more troubling for it.
  19. One of the best shows on television. ... The show, which prides itself on unvarnished realism, is almost willfully jagged and hard to follow. But it is just as hard to turn off.
  20. As cheerfully goofy and bizarrely on target as ever. [19 Jul 1995]
    • The New York Times
  21. It takes at least two episodes for David's TV persona - the cantankerous, self-absorbed Hollywood writer whose best intentions always go horribly awry - to regain some degree of cozy familiarity. And that discomfort is one of the things that make Curb Your Enthusiasm so unusual and so funny. [3 Jan 2004]
    • The New York Times
  22. As pleasurable as its tale is grim.
  23. The writers do a good job of layering surprises and plot twists. It may not be Raymond Chandler, but Veronica Mars is nevertheless quite hard-boiled. [22 Sept 2004, p.E4]
    • The New York Times
  24. The original title, "Keep Hope Alive," is funnier, but Raising Hope better suits a very funny sitcom that leavens its satire with sympathy.
  25. This is event television given a memorably wicked spin. Nothing like it has ever been seen on network prime time.
  26. 'The Wire' has become one of the smartest, most ambitious shows on television. With its attention to detail and its shifting points of view -- we spend equal time inside the heads of cops and criminals -- it is also one of the most novelistic, now more than ever before. [19 Sep 2004]
    • The New York Times
  27. While there are some deeply disturbing images, The Honorable Woman is an astute, sensitive and at times delicate psychological drama that is evenhanded in the nonincendiary sense of the word: No side is entirely to blame, and there are villains, innocent victims and foolish dupes on both sides.
  28. 'Roseanne' is off to a terrifically hilarious start.
  29. Mad Men beguiles like a Christmas catalog of all the forbidden vices, especially smoking, drinking and social inequity. Yet the series is more than a period piece. It’s a sleek, hard-boiled drama with a soft, satirical core.
  30. The year's most substantial new series. [7 Oct 1991]
    • The New York Times

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