The Playlist's Scores

  • Movies
For 920 reviews, this publication has graded:
  • 55% higher than the average critic
  • 2% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 0.9 points higher than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 A Hijacking
Lowest review score: 0 Grown Ups 2
Score distribution:
920 movie reviews
  1. Warm, soulful, funny and quietly insightful, Boyhood shines in its engrossing, experiential understanding and it’s a special achievement that should be cherished and acknowledged.
  2. If there was ever any doubt as to Zvyagintsev's position as one of world cinema's foremost auteurs, it's put to rest here. His filmmaking has always been superb, but he's never taken on the state of his nation in the way he does here. And that makes "Leviathan" not just masterful but also hugely important.
  3. The actions and events are naked to our eyes, not couched in reasons and justifications, not softened by explanations, by words.
  4. Mr Turner, though not without flaws, is something of a twilight culmination of Leigh's work, and very much one in which the filmmaker turns his lens on himself, as is so often the case when directors make movies about artists.
  5. This revolving door of graphically rendered brutalities might feel like its own punishment if not for an array of astonishing performances that’s practically a one-stop Oscar-nomination shopping spree.
  6. Gravity is about as visceral an experience as you can have in a cinema, it’s a technical marvel, and it’s a blockbuster with heart and soul in spades.
  7. An electric, sprawling and ambitious effort that's easy to become absorbed by, and a picture that should impress those keen on the director's intelligent, composed and determined brand of filmmaking.
  8. perhaps the greatest achievement is in how brilliantly the film balances the trademark Dardennes social conscience with a conceit that plays out almost like a ticking-clock thriller, as well as being a deeply felt character study.
  9. The Overnighters is starkly bleak and devastatingly humane, and an indelible American documentary.
  10. Amour is nevertheless the work of a filmmaker who isn't afraid to ask the big questions about human nature, and coming out of Amour it seems the director has hope for us yet.
  11. Inside Llewyn Davis isn't about someone trying to make it big, but someone just trying to make it, and the Coens celebrate the hard road that can inspire great art.
    • 92 Metascore
    • 100 Critic Score
    A marvelous experience for any devoted cinephile.
  12. Girlhood is a fascinatingly layered, textured film that manages to be both a lament for sweetness lost and a celebration of wisdom and identity gained, often at the very same moment.
  13. It's a new vampire classic, one to treasure endlessly.
  14. With Foxcatcher, [Miller] has outdone himself, turning his uniquely meticulous eye to a tiny story in a totally rarefied, specific environment and through whatever alchemy he has perfected, created something so universal and resonant that it feels epic, sprawling, almost ancient in its mythic overtones. Foxcatcher is an enormous film.
  15. Trenchantly reflecting on the mishandling of success, blind ambition, idolatry, hero worship and the complex and competitive nature of artists in romantic relationships, “Listen Up Philip” is brilliantly chock-a-block with resonant observations.
  16. Fans of Polley’s work to date will be delighted by a documentary that serves simultaneously as a gripping mystery, a moving record of a family and a fascinating investigation into the nature of truth, memory, and the documentary form itself.
  17. The theories in Level Five simultaneously thrive in realms of computer science, ethnography, and cognitive psychology, while the picture remains cloaked by the emotional weight of a historical tragedy that marked an entire nation.
  18. Her
    It’s an incredibly melancholy, intimate and yet often hilarious look at relationships and connection that provides a surprisingly great deal of insight into the human condition. It’s both sweet and considered, as well as observant about our fears, masks and growing alienation.
  19. Boynton's film is refreshingly complex.
  20. Although movies like “Goodfellas” are indisputable forebears for Russell’s decadent tale of crime and punishment, the filmmaker distinguishes himself by creating a complex and compelling web of manipulation between the characters that eventually supersedes any of their scheming or con artistry.
  21. Presenting a terrifying view of a hidden holocaust and a moral apocalypse in which the most basic humanities have become twisted beyond recognition, The Act of Killing is a towering achievement in filmmaking, documentary or otherwise.
  22. Ida
    If it does suffer slightly from an overall lack of urgency that will mean those looking for a more directly emotive experience may find it hard to engage with, the more patient viewer has rewards in store that are rich and rare indeed.
  23. The Babadook is a smart, respectful horror that puts character and emotional issues first, yet never at the cost of a delightful and haunting fright.
  24. Blue is the Warmest Color is a masterpiece of human warmth, empathy and generosity, because in a mere three hours, it gives you a whole new life to have lived.
  25. As off-kilter affecting as we found its nostalgia for a world of charm and dash that really only ever existed in the movies, and as terrific as almost all of the performances are, as a whole package it fell just slightly short of the promise of its parts.
    • 87 Metascore
    • 100 Critic Score
    James tells this unapologetic story with little sympathy, as per Ebert’s wishes, and a lot of passion—he wants the audience to really know who Roger Ebert was, and understand the importance of his work.
  26. All Is Lost is a taut, superbly crafted addition to the survival story genre.
  27. Kumiko The Treasure Hunter is a striking film, a bizarre joy and a beautiful delight.
  28. The film is a breath of fresh air — there is a lovely awkwardness to the coming-of-age tale that makes it feel almost like an enthusiastic early effort from a talented neophyte as opposed to the eighth feature from an established, albeit arthouse, director.

Top Trailers