The Playlist's Scores

  • Movies
For 1,015 reviews, this publication has graded:
  • 55% higher than the average critic
  • 2% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 0.8 points higher than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Blue Is the Warmest Color
Lowest review score: 0 The Day
Score distribution:
1,015 movie reviews
  1. Warm, soulful, funny and quietly insightful, Boyhood shines in its engrossing, experiential understanding and it’s a special achievement that should be cherished and acknowledged.
  2. If there was ever any doubt as to Zvyagintsev's position as one of world cinema's foremost auteurs, it's put to rest here. His filmmaking has always been superb, but he's never taken on the state of his nation in the way he does here. And that makes "Leviathan" not just masterful but also hugely important.
  3. Girlhood is a fascinatingly layered, textured film that manages to be both a lament for sweetness lost and a celebration of wisdom and identity gained, often at the very same moment.
  4. The actions and events are naked to our eyes, not couched in reasons and justifications, not softened by explanations, by words.
  5. This revolving door of graphically rendered brutalities might feel like its own punishment if not for an array of astonishing performances that’s practically a one-stop Oscar-nomination shopping spree.
  6. Mr Turner, though not without flaws, is something of a twilight culmination of Leigh's work, and very much one in which the filmmaker turns his lens on himself, as is so often the case when directors make movies about artists.
  7. Gravity is about as visceral an experience as you can have in a cinema, it’s a technical marvel, and it’s a blockbuster with heart and soul in spades.
  8. An electric, sprawling and ambitious effort that's easy to become absorbed by, and a picture that should impress those keen on the director's intelligent, composed and determined brand of filmmaking.
  9. Richard Linklater's Before Midnight isn't the most digestible picture, but its challenging, funny, painful, very present and alive depiction of relationships at 40 is so honest and real that we wouldn't have it any other way.
  10. Amour is nevertheless the work of a filmmaker who isn't afraid to ask the big questions about human nature, and coming out of Amour it seems the director has hope for us yet.
  11. Petzold distills a familiar atmosphere to create a work veiled in vibrant, cohesive, sensitively stimulating power.
  12. It avoids the trap of simply being a celebrity vehicle about celebrity, by displaying a surprising heart beneath its very funny surface.
  13. Porter's film is not just a stirring testament to those taking on a Herculean task of bringing some sense of fairness and balance to an out of whack structure, but a reminder that there is still a far distance to go before everyone is equally represented in front of lady justice.
  14. "Pigeon" is a near-perfect cap to a near-perfect trilogy, a cavalcade of oddness, humor, banality and even horror.
  15. Inside Llewyn Davis isn't about someone trying to make it big, but someone just trying to make it, and the Coens celebrate the hard road that can inspire great art.
  16. perhaps the greatest achievement is in how brilliantly the film balances the trademark Dardennes social conscience with a conceit that plays out almost like a ticking-clock thriller, as well as being a deeply felt character study.
    • 92 Metascore
    • 100 Critic Score
    A marvelous experience for any devoted cinephile.
  17. It's a new vampire classic, one to treasure endlessly.
  18. The film does not stab as deeply in laying bare the schizoid moral hypocrisy of the perpetrators of the Indonesian genocide as its peerless predecessor, but instead offers an extraordinarily poignant, desperately upsetting meditation on the legacy of those killings, and on the bravery required to seek any kind of truth about them.
  19. Fans of Polley’s work to date will be delighted by a documentary that serves simultaneously as a gripping mystery, a moving record of a family and a fascinating investigation into the nature of truth, memory, and the documentary form itself.
  20. With Foxcatcher, [Miller] has outdone himself, turning his uniquely meticulous eye to a tiny story in a totally rarefied, specific environment and through whatever alchemy he has perfected, created something so universal and resonant that it feels epic, sprawling, almost ancient in its mythic overtones. Foxcatcher is an enormous film.
  21. The Babadook is a smart, respectful horror that puts character and emotional issues first, yet never at the cost of a delightful and haunting fright.
  22. Her
    It’s an incredibly melancholy, intimate and yet often hilarious look at relationships and connection that provides a surprisingly great deal of insight into the human condition. It’s both sweet and considered, as well as observant about our fears, masks and growing alienation.
  23. The Overnighters is starkly bleak and devastatingly humane, and an indelible American documentary.
  24. Boynton's film is refreshingly complex.
  25. Although movies like “Goodfellas” are indisputable forebears for Russell’s decadent tale of crime and punishment, the filmmaker distinguishes himself by creating a complex and compelling web of manipulation between the characters that eventually supersedes any of their scheming or con artistry.
  26. Presenting a terrifying view of a hidden holocaust and a moral apocalypse in which the most basic humanities have become twisted beyond recognition, The Act of Killing is a towering achievement in filmmaking, documentary or otherwise.
  27. It's a remarkably gorgeous piece of work.
  28. This is a movie primarily concerned with numbers and the way that information is fed, processed, and acted upon. But it plays like the greatest paranoid thriller since "All the President's Men."
  29. Ida
    If it does suffer slightly from an overall lack of urgency that will mean those looking for a more directly emotive experience may find it hard to engage with, the more patient viewer has rewards in store that are rich and rare indeed.

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