The Quietus' Scores
- Music
For 475 reviews, this publication has graded:
-
54% higher than the average critic
-
6% same as the average critic
-
40% lower than the average critic
On average, this publication grades 0.3 points lower than other critics.
(0-100 point scale)
Average Music review score: 71
| Highest review score: |
Critic Score
100
|
|---|---|
| Lowest review score: |
Critic Score
0
|
Score distribution:
-
Positive: 373 out of 475
-
Mixed: 88 out of 475
-
Negative: 14 out of 475
475
music reviews
- By critic score
-
- Posted Jun 7, 2012
- Read full review
-
-
Critic Score 80
R.I.P practically begs to be handled, examined, shuffled and rotated in every direction, the better to identify each tiny grain of sand and dirt that's gone into its construction.- Posted Apr 19, 2012
- Read full review
-
-
-
Critic Score 80
Each track is executed to perfection as Santi morphs with chameleonic pizzazz.- Posted Apr 23, 2012
- Read full review
-
-
-
Critic Score 80
A soup of electronic interference, exhausting percussion and smothering bass-cloud. It's stultifying like a bad case of screen fatigue; tangled and sparking - the sound of frazzled, short-fusing nerve ends.- Posted Apr 26, 2012
- Read full review
-
-
-
Critic Score 80
Da Mind Of Traxman, rarely overly solemn and ever-playful, is still far from a middlebrow defanging.- Posted May 14, 2012
- Read full review
-
-
-
Critic Score 80
With clicks, thumps and such acoustic subtleties, Vienna Blue unfolds like a rapid sequence of silver-screen freeze-frames: each too brief to comprehend fully, but collectively long enough to spark whole worlds of fantastic imaginations.- Posted Apr 26, 2012
- Read full review
-
-
-
Critic Score 80
Miles away from the poppy happy clappy smiley lovey dovey vibes of Twenty One or epic choruses of Serotonin, Radlands displays a new direction and confidence.- Posted May 3, 2012
- Read full review
-
-
-
Critic Score 80
These are still audio waters containing complex depths worth diving into, revisiting, pondering over, dwelling over, dwelling in.- Posted Apr 30, 2012
- Read full review
-
-
-
Critic Score 80
The album is a lovingly crafted ode to Judge Dredd, urban alienation, the cinematic sci-fi masterpieces of the late 70s and early 80s, electronic music of both the past and present, and it all hits with the weight of a cadmium steak tenderizer.- Posted May 2, 2012
- Read full review
-
-
-
Critic Score 80
In Standing At The Sky's Edge Richard Hawley has forged his most fully realised and heartfelt collection of music to date. This requires your urgent attention.- Posted May 9, 2012
- Read full review
-
-
-
Critic Score 80
This new collaboration is a wonderful demonstration and crystallization of the best aspects of [Burger and Voigt's] combined canons.- Posted May 18, 2012
- Read full review
-
-
-
Critic Score 80
This is an album that knows just how toxically repellent it is and it's this self-assured ferocity that makes for such an enjoyable whirlwind of a listen.- Posted May 18, 2012
- Read full review
-
-
- Posted May 9, 2012
- Read full review
-
-
Critic Score 80
The reach of these records [Loveless and Isn't Anything] makes bands yet to form sound hopelessly out-of-date.- Posted May 10, 2012
- Read full review
-
-
-
Critic Score 80
Words And Music By Saint Etienne is an album that reaffirms all that is glorious and brilliant about pop music.- Posted May 22, 2012
- Read full review
-
-
-
Critic Score 80
Their musical vision is one that's so obviously well-honed that they know exactly when to kick the music into overdrive before lulling the listener back into a state of sonic paralysis.- Posted May 21, 2012
- Read full review
-
-
-
Critic Score 80
The sheer ebullience, the devil-may-care attitude taken in the construction of these songs, makes it an album to treasure.- Posted May 25, 2012
- Read full review
-
-
- Posted Jun 14, 2012
- Read full review
-
-
Critic Score 80
Alexander Tucker may not make folk music, but he can weave a magic spell.- Posted Jun 11, 2012
- Read full review
-
-
-
Critic Score 80
Celebration Rock encapsulates the kind of affirmative, collective experiences that define an entire adolescence.- Posted Jun 7, 2012
- Read full review
-
-
-
Critic Score 80
This record is both symphony for sufferers of that condition and a treasure map to the Orkney Islands, whether walking their beaches, or stopped in a traffic jam on the M25.- Posted May 30, 2012
- Read full review
-
-
- Posted Jun 1, 2012
- Read full review
-
-
Critic Score 80
The overall impression is of a lamp shone directly into the darkened corners of Shackleton's music, casting all its hidden detail in sharp relief.- Posted Jun 6, 2012
- Read full review
-
-
-
Critic Score 80
For all the talk of madness, it would seem more than ever that Sebastien Tellier knows exactly what he's doing.- Posted Jun 13, 2012
- Read full review
-
-
-
Critic Score 80
Where Bridges felt like extensions of his legendary freeform live set, Reeling Skullways is far tighter in focus and execution.- Posted Jun 13, 2012
- Read full review
-
-
- Posted Jul 19, 2012
- Read full review
-
-
Critic Score 80
The sense of meticulous balance that dominates 'The Dream' permeates MSOTT.- Posted Jun 21, 2012
- Read full review
-
-
-
Critic Score 80
As an album that can trace its lineage to tripped out rock & roll of The Cramps' classic Psychedelic Jungle, this is a record that will delight the type of antisocial delinquent given to dabbing, dropping and freaking out.- Posted Jul 6, 2012
- Read full review
-
-
-
Critic Score 80
This is an album that seems to spring from an indoor world of cerebral textures and bedroom experiments, a headphone odyssey for an era in which the rock gig has become a corporate-sponsored burlesque.- Posted Jul 3, 2012
- Read full review
-
-
-
Critic Score 80
Part of the album's cunning is owed to the time allotted for disparate strands to develop and take form.- Posted Jul 5, 2012
- Read full review
-