DIY Magazine's Scores

  • Music
For 1,154 reviews, this publication has graded:
  • 53% higher than the average critic
  • 4% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 1.9 points lower than other critics. (0-100 point scale)
Average Music review score: 70
Highest review score: 100 Year of the Hare [EP]
Lowest review score: 20 Let It Reign
Score distribution:
  1. Negative: 8 out of 1154
1,154 music reviews
    • 74 Metascore
    • 90 Critic Score
    In a contemporary pop age of increasingly tired homogeneity, AlunaGeorge are a very welcome breath of fresh air.
    • 71 Metascore
    • 90 Critic Score
    The lyrics are a little more personal, the band a little more developed - it seems that this is the start of a new and exciting chapter for The Gaslight Anthem.
    • 76 Metascore
    • 90 Critic Score
    'Shrines' is a joy from start to finish, with a sticking power that so many others seem to lack.... It would be no surprise to see Purity Ring top the end of year round-ups.
    • 78 Metascore
    • 90 Critic Score
    Warm and opening yet still dazzlingly inventive.
    • 77 Metascore
    • 90 Critic Score
    TOY
    What 'TOY' lacks in originality, it more than makes up for with an incredibly rich dot-to-dot of psychedelia laced musical education, and this album is, to coin an awful new musical genre, Nu-new-wave at its very best.
    • 83 Metascore
    • 90 Critic Score
    Until The Quiet Comes is an album that is celebratory and desolate, dense and sparse, dark and colourful--a trippy, fantastical ride that only he could create a path for.
    • 88 Metascore
    • 90 Critic Score
    Lonerism is an absolutely amazing and inspiring record.
    • 81 Metascore
    • 90 Critic Score
    This is an album to intently listen to every single line and every single syllable. There is a strange kind of hope and joy to the album's warmest moments that belie the, at times, dark themes.
    • 75 Metascore
    • 90 Critic Score
    This is a gorgeous album of soundscapes that are able to stand up alone.
    • 84 Metascore
    • 90 Critic Score
    By intention or coincidence, the band's debut boils over with frustration. And all you crave is a piece of it.
    • 72 Metascore
    • 90 Critic Score
    With its Ramones-via-The Golden State garage punk, it's brilliantly noisy in all the best places ('White On White', 'Wait For The Man') and yet not afraid to tone down on occasion ('Gimme Something').
    • 75 Metascore
    • 90 Critic Score
    Sounds layered upon sounds; the intricacies here may hint towards Mosquito being more of a grower than its older siblings, but it proves that Yeah Yeah Yeahs are a band to cherish.
    • 69 Metascore
    • 90 Critic Score
    It sounds fantastic throughout; there's just the right mix of intense dance floor dynamics and reverential sounds.
    • 84 Metascore
    • 90 Critic Score
    Full of heart and full of ideas, it’s big, clever and brilliantly odd.
    • 87 Metascore
    • 90 Critic Score
    Random Access Memories is, for all the DJ-on-camera dancing hype, an album in the proper sense of the word; these aren't thirteen dancefloor ready bangers, it's a grandiose statement of intent.
    • 84 Metascore
    • 90 Critic Score
    While The National don't progress or indeed offer anything new to outstanding cynics, they instead rejoice in their strengths of detailing life and all its sorry baggage in the most beautiful of ways.
    • 86 Metascore
    • 90 Critic Score
    The narrative drawn by Marling throughout is at times heart-stopping, segues and recurrent motifs creating effortless enjambment.
    • 82 Metascore
    • 90 Critic Score
    It should go without saying but it needs to said: this is an intricate, jarring and complicated piece of work and is undeniably brilliant.
    • 72 Metascore
    • 90 Critic Score
    This isn’t britpop recooked, reheated or reserved. Be it 1993 or 2013, In Love stands proud.
    • 78 Metascore
    • 90 Critic Score
    If there is one fault, it may be that, at times, the production and backing is a little too restrained.... [But] It really is a thing of beauty, and gets better with every listen; one of the surest signs of something that will ultimately be deemed timeless.
    • 81 Metascore
    • 90 Critic Score
    Forest Swords’ debut long-player is electronic mastery at its very finest, because Engravings manages to make electronic music feel tactile, organic, and alive.
    • 81 Metascore
    • 90 Critic Score
    AM
    A punch drunk brawler with a heart, it's the pay off to a perfect evolution.
    • tbd Metascore
    • 90 Critic Score
    Simple, catchy, and ruthlessly energetic, it’s an irresistible mix, and refreshing to hear a band oozing with such raw passion.
    • 62 Metascore
    • 90 Critic Score
    MGMT haven't necessarily re-discovered their mojo, but re-imagined it, and in doing so, may well have given us one of the best albums of the year.
    • 80 Metascore
    • 90 Critic Score
    As twelve equally matched moments of varied tone but consistent brilliance, it's nothing short of exactly what was expected--the start of something even bigger.
    • 68 Metascore
    • 80 Critic Score
    [Walk the River]is not for the faint-hearted but it's certainly for the soft-hearted - three albums along, they still feed our hunger for the big, the wild and the honest.
    • 69 Metascore
    • 80 Critic Score
    Not the finished article, but as close as the (still) youthful band are likely to come at this stage.
    • 79 Metascore
    • 80 Critic Score
    Wonderfully courageous, Gibson's reflections make her latest record her most accomplished work yet.
    • 70 Metascore
    • 80 Critic Score
    Filtered through a dispersing wall of glistening synths and trippy haze, Ester is a sonically rich debut.
    • 83 Metascore
    • 80 Critic Score
    This follow-up work of pent-up aggression; of complete contrast to snappy pop-punk; has every chance of becoming the band's seminal work.