Time Out London's Scores

  • Movies
For 362 reviews, this publication has graded:
  • 46% higher than the average critic
  • 6% same as the average critic
  • 48% lower than the average critic
On average, this publication grades 0.7 points higher than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Inside Llewyn Davis
Lowest review score: 20 That Awkward Moment
Score distribution:
  1. Negative: 15 out of 362
362 movie reviews
    • 30 Metascore
    • 20 Critic Score
    Part III has curiously little interest in being even remotely funny.
  1. Style over substance doesn’t really tell the half of it: you can bathe a corpse in groovy light and dress it in an expensive suit, but in the end that rotting smell just won’t go away.
  2. Putting the ‘retch’ into ‘wretched’, this wedding comedy makes the fatal assumption that the sight of acting icons of a certain age – Robert De Niro, Susan Sarandon and Diane Keaton – behaving badly will have us rolling in the aisles.
  3. There’s really nothing to recommend ‘Sea of Monsters’: the young cast are smug and forgettable; the action sequences barely get going before they’re over; and the whole affair is riddled with product placement and pop cultural references – one girl even seems to possess a magic iPad. Keep the kids at home
  4. For all but the most forgiving horror fans, this is a lazy, stupid and incoherent failure.
  5. A right royal mess.
  6. How Knight and Crowley managed to persuade such upstanding actors – not to mention Jim Broadbent, Anne-Marie Duff, Ciaran Hinds and Riz Ahmed – to take part in this fiasco is destined to remain a mystery. Tinker, Tailor, Soldier, Trite.
  7. The film’s sole saving grace is Tommy Lee Jones’s amusingly cranky FBI agent, but he can’t save this ship from sinking.
  8. There’s not a single, solitary laugh to be had.
  9. The actors – who seem to have been involved in a hideous industrial accident that’s left them with the superpower of repelling all comic timing – are spectacularly unfunny.
  10. Pettyfer and Wilde (both Brits) look the part in a soft-drinks-commercial way, but their characters might as well be called Ken and Barbie for all the depth they bring to this wish-fulfilment fantasy of social mobility.
  11. Given an inch by the surprise success of his raunchy teddy-bear romp Ted, writer-director-star MacFarlane now takes a drastically overlong mile with a film that flatters his moderate talent and subzero leading-man charisma at every turn.
  12. That a film in 2014 can still get away with depicting all women as either dumb, hapless sluts or ball-busting harridans is frankly unbelievable.

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