Time Out New York's Scores

  • Movies
For 3,003 reviews, this publication has graded:
  • 34% higher than the average critic
  • 2% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 A Man Vanishes (1967)
Lowest review score: 0 Vampires Suck
Score distribution:
3003 movie reviews
  1. It’s just blinkered middle-class pandering at its most shameless.
  2. Neither Janney nor Keener can rise above the rote hatefulness of their madwoman caricatures, whereas Laurie and Meester fare better at playing liberated dreamers who go against the dreaded grain. But shooting fish in a barrel tends to unintentionally conjure sympathy for the fish - or, in this case, for perfectly unhappy suburbanites.
  3. Drab, silly and mind-numbing, this Dracula is strictly for the suckers.
  4. Berger’s script is little more than a series of contrived comic vignettes that prevent the actors from creating believable characters, forcing them to contort to fit the low-rent farce.
  5. Cringeworthy feel-good weepie, which finds Kate Hudson's vivacious ad-pitch whiz questioning her life choices after being diagnosed with terminal colon cancer.
  6. The film does offer some revealing anecdotes about his infamous Monroe sessions, but mostly, it simply slouches from one sensationalistic, salacious bit to the next, sans any historical context. Worse, filmmaker Shannah Laumeister continually rhapsodizes on-camera about her own “soul mate” relationship with the subject—leaving viewers feeling mad as hell.
  7. Thanks to his pitch-perfect portrayal of Parks and Recreation's Type A–personality-run-amuck boss, we're willing to forgive Rob Lowe for virtually anything. This pitiful excuse for a political satire, however, seriously tests that theory.
    • 25 Metascore
    • 20 Critic Score
    The movie’s story is limp, its romances are flightless and — despite the talented cast — its performances are toothless.
  8. His closing dedication—“For my daughter”—turns this into something actively creepy, as opposed to merely brainless, boring and inept.
  9. Numbingly simplistic in concept and execution.
  10. For the most part, The Forgotten Space treats its subjects and settings as exploitable commodities in service to a lot of facile rise-working-man! muckraking. The ism trumps all.
  11. The laughs, meanwhile, are delivered by cross-dressing Perry’s sassy grandma Madea, whose wild threats of violence to children and adults alike are the only things that sporadically lighten up this narratively and grammatically dim redemption pap.
    • 23 Metascore
    • 20 Critic Score
    The only saving grace of this wannabe Looney Tune? The animals don’t talk.
  12. The uniformly awful performances seem beamed in from Planet Ed Wood, while the script is filled with mock-macho zingers (“If I wanted to hear from an a**hole, I’d rip you a new one!”) that would give former Governor Schwarzenegger pause.
  13. Can a single guitar riff tell you everything you need to know about a movie? The dreadful Kill Me Three Times, which has nothing to offer beyond some aerial looks at the white-and-turquoise beaches of Western Australia, opens with a power chord so cheesy and generic that it immediately identifies this story of amateur criminals as the charmless ’90s throwback that it is.
  14. Charmless and histrionic, this mean-spirited movie takes place in the toyscape of McG (Charlie's Angels), a monomonikered director who makes Michael Bay seem thoughtful.
  15. What, exactly, is the payoff for suffering through such painfully bad filmmaking for 93 minutes? Forget about getting "A Few Good Men"–style military melodramatics; this movie quickly proves that even a few good performances, lines of dialogue or music cues are a pipe dream. Your loyalty will not be rewarded.
  16. This haphazard "exposé" only proves that hackery plus hot air [time] does not equal skillful muckraking.
  17. They've taken an intriguing story about female neuroses with gothic overtones and turned it into a graceless, butt-ugly attempt at Twilight-lite.
  18. This frenetic horror-comedy from "Bubba Ho Tep's" Don Coscarelli is of the make-it-up-as-you-go-along school of storytelling.
  19. The whole sorry enterprise leaves you feeling, well, shafted.
    • 32 Metascore
    • 20 Critic Score
    Wish Upon claims to be based on the classic 1902 supernatural short story "The Monkey's Paw." In reality, it’s a mix of "Mean Girls," "Final Destination" and the "Insidious" franchise, the latter on which director John R. Leonetti worked as a cinematographer. You'll be wishing you were watching any of those other films.
  20. Their movie is a tedious slog filled with pinging bullets, show-offy long takes ripped out of the Children of Men playbook and zero humor.
  21. Christopher Isherwood’s seminal queer novel deserves a film adaptation that captures both its sense of place and its activist spirit. Cowriter-director Tom Ford settles for the glossy ephemera of a Vanity Fair cover spread.
  22. The question remains: Exploitative films are a dime a dozen, but how low will two-faced art-film distributor IFC go?
  23. Time to fire up the critical Black & Decker: Somebody-there are six credited screenwriters-really wasn't clear on the concept.
    • 22 Metascore
    • 20 Critic Score
    Director Garry Marshall continues his systematic defilement of society's most romantic holidays with another rom-com built - and executed - like a '70s disaster movie.
    • 46 Metascore
    • 20 Critic Score
    Excruciatingly incoherent.
  24. An excruciatingly awkward stab at generational sympathy, I Melt with You presents a quartet of thickening college buddies gathering at a Big Sur rental house to mourn their lost ambition.
  25. Forget that The Lovers doesn’t have the courtesy to be fun; no cosmic romance should be so deeply afraid to shoot for the stars. As one of the film’s many forgettable characters so eloquently puts it, “This stinks worse than an oyster’s fart.”

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