Time's Scores

For 1,799 reviews, this publication has graded:
  • 56% higher than the average critic
  • 2% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 3.2 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 United 93
Lowest review score: 0 W.E.
Score distribution:
1799 movie reviews
  1. In 2007, Jamie Foxx won Best Actor for his subtle performance as Ray Charles. Boseman exceeds that solid standard. Incarnating James Brown in all his ornery uniqueness, he deserves a Pulitzer, a Nobel and instant election to the Rock and Roll Hall of Fame.
  2. A coda that will have the movie's audience gasping in exhilarated exhaustion, whispering astonished gratitude to Sokurov for having created vigorous art out of 21st century video technique and asking themselves, "What's the Russian word for Wow!?"
  3. It takes its place on the very short list of the unforgettable movies about war and its ineradicable and immeasurable costs.
    • Time
  4. If this were not such great American-vernacular moviemaking -- hilarious yet hypnotic -- one would be tempted to see something Greek in the tragedy that Ed never comprehends.
  5. A final word for those of you who just don't care for musicals: The movie's true lyricism is less in its score than in its visual and emotional palette, and in watching Depp rise to the majesty of madness. So give Sweeney Todd a try. Even Victor, when he finally saw it, agreed: it's bloody great.
  6. Think of A Fish Called Wanda as the next best thing to a Looney Tunes-Merrie Melodies summerfest…Wanda defies gravity, in both senses of the word, and redefines a great comic tradition. [July 18, 1988]
    • Time
  7. This is spellbinding reality cinema about duplicity and, worse, ignorance at the highest level.
  8. Inception is precisely the kind of brainy, ambitious, grand-scale adventure Hollywood should be making more of.
  9. As fine--hard, soft, approachable--as any in movie history.
    • Time
  10. Without question, the best crime movie of the year--and one of the best movies of any sort now playing.
  11. Remarkable. [22 July 1991]
    • Time
  12. Her
    Jonze creates the splendid anachronism of a movie romance that is laugh-and-cry and warm all over, totally sweet and utterly serious.
  13. Michael Tolkin's script abounds in such cynical wisdom, but it never loses an appreciation for the grace with which these snakes consume their victims. [13 April 1992]
    • Time
  14. The movie is one continuous, exhausting, exhilarating chase.
  15. In his most painterly film, Spielberg has appropriated the lavish visual palette of John Ford movies: "The Quiet Man" for the rural settings, "The Horse Soldiers" for the war scenes. Boldly emotional, nakedly heartfelt, War Horse will leave only the stoniest hearts untouched.
  16. By next semester, some grad student will be writing a thesis on the B-movie influences on this A+ film.
  17. Upon all these folks, writer-director David O. Russell turns a bland, almost anthropological eye. Nothing surprises him and nothing outrages him, except for bed-and-breakfast lodgings, about which, at last, his movie tells the terrible truth. [1 April 1996, p. 72]
    • Time
  18. A marvelously sad and funny docucomedy. [22 Oct 1990]
    • Time
    • 68 Metascore
    • 100 Critic Score
    Hair succeeds at all levels—as lowdown fun, as affecting drama, as exhilarating spectacle and as provocative social observation.
  19. Artful but not arty, Spirited Away is a handcrafted cartoon, as personal as an Utamaro painting, yet its breadth and heart give it an appeal that should touch American viewers of all ages.
  20. Shelton has written the wittiest, busiest screenplay since Moonstruck, and his three stars do their very best screen work. [20 June 1988]
    • Time
  21. Blending plot elements of "Double Indemnity" and "Natural Born Killers" with the ripe sensuality of Francis Coppola's take on "Dracula," the film should make audiences sit up in startled pleasure, as if they'd just received the most luscious neck-bite.
  22. What amazes is that at just 26, Soderbergh displays the three qualities associated with mature filmmakers: a unique authorial voice, a spooky camera assurance, and the easy control of ensemble acting. [31 July 1989, p.65]
    • Time
  23. For those of us who think this is the best comedy of 2004, the genius of the movie lies in its relocation.
  24. So Almost Famous is almost fabulous. Oh, all right. The movie's so clever and endearing, you can forget the almost.
    • Time
  25. As reversible misunderstandings grow into irreversible tragedy, it slowly dawns on you that this is a superior, heartbreaking film.
    • 87 Metascore
    • 100 Critic Score
    Probably the bleakest, least sentimental study of the Mafia in Italian or American film history.
    • 81 Metascore
    • 100 Critic Score
    This covertly brawny film, with a script by Matt Charman and Joel and Ethan Coen, has plot points that click like pegs under Spielberg’s tight direction. In his fourth pairing with Hanks, Spielberg again examines the furtive face of justice and issues another masterful ruling.
  26. Three decades ago, Milk and his ilk were able to enlist President Jimmy Carter and future President Ronald Reagan in the gay fight against Prop. 6. But this fall, Barack Obama was all but mute on Prop. 8. Some community organizers, like the President-elect, are more cautious than others. It's a shame Harvey Milk wasn't around to recruit him.
  27. Mamet's elegantly efficient script does not waste a word, and De Palma does not waste a shot. The result is a densely layered work moving with confident, compulsive energy.

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