Time's Scores

For 1,871 reviews, this publication has graded:
  • 56% higher than the average critic
  • 2% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 3.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 Wild Grass
Lowest review score: 0 Cocktail
Score distribution:
1871 movie reviews
  1. An often deft, frequently droll little movie.
    • 86 Metascore
    • 40 Critic Score
    The movie lets down the material. It's to cool: all attitude, no sizzle.
  2. At times Dead Ringers also tilts out of coherence, with scenes that are dramatically stillborn. But Irons is splendid in both roles, and Cronenberg can create tour-de-force tableaux with his effortless black magic. [26 Sept 1988]
    • Time
  3. An enthralled and mostly enthralling guided tour of what Herzog describes as "one of the greatest art discoveries in the history of human culture."
    • 86 Metascore
    • 90 Critic Score
    The film has refurbished the classic romantic gospel of the outcast wanderer.
  4. In terms of quality, though, Argo is just so-so.
  5. Best to savor The Grifters for its handsome design -- the picture looks as clean as a Hockney landscape -- and its juicy performances. [11 Feb 1991]
    • Time
  6. Finally, though, Traffic, for all its earnestness, does not work. It leaves one feeling restless and dissatisfied.
  7. While the movie is glorious to watch, it brings no coherence or insight to its two main characters.
  8. Michael Tolkin's script abounds in such cynical wisdom, but it never loses an appreciation for the grace with which these snakes consume their victims. [13 April 1992]
    • Time
  9. Matthews brings to The Interrupters what every terrific documentary needs: an out-of-nowhere personality with the same magnetic watchability as any Hollywood star.
  10. The film is wonderfully cast and played, right down to the bit player (Ralph Tabakin) who shops suspiciously for a TV set: "I saw Bananzo and it was not for me."
  11. Kevin Spacey (gives) a truly great performance.
    • Time
  12. Mark down the date: June 27. That's when American moviegoers will see this perfect storm of a film, and the tiny force of nature that is Quvenzhané Wallis.
  13. The movie is one continuous, exhausting, exhilarating chase.
  14. Maybe these lives are, objectively speaking, inconsequential. But they have a resonance that big, sappy "relationship" pictures ought to envy.
  15. A raw, unblinking film. It teaches that in dire circumstances our only obligation is to our own survival; all else -- culture, ideology, even love -- is a dispensable luxury.
  16. So here's a tip for those attending this handsomely acted, epic-length little film. Ease into the sleaze, stare at the party animals, look but don't touch, and, oh, boogie all night. [October 6, 1997]
    • Time
  17. I wouldn't call the film inspirational -- it is too well observed to succumb to easy sentiment -- but its realism is patiently engaging and subtly insinuating. And Linney and Hoffman are extraordinary.
  18. This enthralling, enigmatic, romantic drama from Asia's most influential auteur (Chungking Express) is an essay in appetite and inhibition.
  19. Raiders of the Lost Ark has it all—or, anyway, more than enough to transport moviegoers back to the dazzling, thrill-sated matinee idyls of old. It is surely the best two hours of pure entertainment anyone is going to find in the summer of '81.
  20. It's hard enough to find comedies like this at any time, so it's a small and welcome miracle to come upon one in the midst of a typical movie summer.
  21. An austere and delicate examination of the ways in which a likable family falters under pressure and struggles, with ambiguous results, to renew itself. This is not very show-bizzy stuff, but for once, a movie star has used his power to create not light entertainment or a trendy political statement, but a work that addresses itself quietly and intelligently to issues everyone who attempts to raise children must face.
  22. At two hours, the film version is a third the miniseries' length, requiring severe compression by screenwriters Peter Straughan (The Debt) and Bridget O'Connor, which they've accomplished smartly.
  23. All attitude and low aptitude.
  24. Sublime and sorrowful movie.
  25. Hero is the masterpiece. It employs unparalleled visual splendor to show why men must make war to secure the peace and how warriors may find their true destiny as lovers.
  26. My Life as a Zucchini is so warm, so alive, that we forget we're watching cartoon figures. And when they belong to us, they're no longer orphans.
  27. It has many of A Separation’s strengths — the acute observation of complex characters in a story that keeps unpacking surprises — but they have become familiar. They lack the revelatory wallop of the first film.
  28. A smart live-and-let-live parable.

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