Total Film's Scores

  • Movies
For 600 reviews, this publication has graded:
  • 59% higher than the average critic
  • 3% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.8 points higher than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 The Imposter
Lowest review score: 20 Stand Up Guys
Score distribution:
  1. Negative: 16 out of 600
600 movie reviews
    • 76 Metascore
    • 80 Critic Score
    Mad, marvellous and all kinds of sci-fi magical, Guardians Of The Galaxy is Marvel’s riskiest but most surprising success yet.
  1. Taking a cold, cruel plunge into its sociopath’s world, Winterbottom’s latest genre swerve is an accomplished neo-noir.
  2. Among the blood, sweat and (ahem) salty tears are musings on desire, family and emasculation, but this is Kim at his most mischievous, the laughs drowning all.
  3. A moving morality tale set in a world rarely seen in western cinema, Metro Manila is an underdog drama that feels as authentic as it is original.
  4. Not as groundbreaking as the original, nor as expansive as all the best sequels are. But with some excellent cast additions, and Miller on murky form, this still sizzles to the touch.
  5. It’s the fully invested leads and graceful, poetic direction that give this study of emotional interiors its subtly heartbreaking power.
    • 62 Metascore
    • 80 Critic Score
    Whether visual or thematic, Folman’s bold, eccentric ideas never fail to astound; but they also never truly cohere into a satisfying narrative throughline.
  6. Rude, crude and packed with more laughs than Jay’s had lovers (6,004, apparently), Inbetweeners fans will lap this up. All this, and a killer twist at the end.
  7. From the texture of the underground havens to the idea that our leads have to – literally – cling to each other lest gravity tears them apart, it’s a wonder of detail and ingenuity.
  8. With Hill on co-scripting duties with Scott Pilgrim scribe Michael Bacall, 21 Jump Street was always going to live or die by its gags. Fortunately, it boasts that sweet-yet-dirty comedy that Hill revels in.
  9. It's slight, sure, and there's a better, less-glossy film buried in the material, but warm performances redeem Crowe's agreeable return.
  10. Don't expect glamorous outlaws, sunny locales and exotic masterplans – this low-key thriller lifts the rusted lid off an all-too-real world of despairing criminality.
  11. Get your ass to Mars? A handsome new sci-fi adventure that feels rather familiar. Enjoyable enough while it lasts, John Carter is big on ambition and disappointingly short on action.
    • 64 Metascore
    • 60 Critic Score
    Lionising the pulverising, this is more fun than it has any right to be. The hockey technicalities may alienate, yet the demented, bone-crunching scraps, war-time team mentality and Whip-It style anarchy is addictive.
  12. Reversing his "Take Shelter" role, Michael Shannon convinces as her grounded husband and "Mad Men's" John Slattery offers good support as a fellow vet. But this is Cardellini's film, and she dominates with a terrific, tough-minded turn.
  13. Though we'd love to see how Aardman handle Defoe's followup, An Adventure With Communists, this amiable but overstretched diversion is unlikely to spawn a Caribbean franchise.
  14. You might think that spousal bereavement and whimsical romantic comedy would make uneasy bedfellows, and you'd be somewhat right, as the debut from French duo Stéphane and David Foenkinos doesn't quite reconcile the divide between premise and tone.
  15. It's a must see for fans of roar footage.
  16. Tamer than the book and not as funny, this is Salmon filleted. But McGregor and Blunt make fetching lovebirds, while Kristin Scott Thomas is off the scale in a rare comic outing.
    • 67 Metascore
    • 60 Critic Score
    A mixed return for Stillman, Damsels is so whimsically out of step it's like a time-travel comedy without the time travel. Fortunately, Gerwig and some dazzling dialogue save his blushes.
    • 50 Metascore
    • 60 Critic Score
    Binoche is, as always, superb, but Malgorzata Szumowska's film won't tell you much about the oldest profession that you didn't already know – and Binoche's marital clashes feel like a standard feminist tract circa 1975.
    • 43 Metascore
    • 60 Critic Score
    Kirk, who wed Fischer in 2010, perfectly captures her all-thumbs charm, and ubiquitous character actor Messina steps into the lead with ease, showing off some impressive mime skills to boot.
  17. While the marriage of fluffy comedy and terminal illness was always going to be an uncomfortable one, this is an understated, genuinely poignant weepie bolstered by a top-drawer cast.
  18. Warning: contains Jason Biggs' wang and the contents of Stifler's bowels. Happily, the fourth, funny, (possibly) final serving of American Pie is also warm and nostalgic enough to satisfy.
  19. Too long and with too many characters to get through, Mother's Day holds effective sequences, ramming home its (recycled) message: the animal lurks in us all.
    • 41 Metascore
    • 60 Critic Score
    It's not quite "Before Sunrise" with mud and portaloos then, but warm vibes, buzzy crowd scenes and the two leads' enthusiasm will pull you through to the morning after.
  20. Technically impressive, genre-smart and nerve-shredding while it lasts, Silent House is really just a fun campfire horror tale.
  21. With Yakin's all-action plot operating like clockwork, an on-song Statham proves anything but expendable in a genre he dominates. Predictable, sure, but equally pleasurable.
  22. A through-and-through weepie that's unlikely to convert any Sparks naysayers. The darker hues of its war-based story nonetheless make the sugary excesses easier to swallow.
  23. One of the strangest mainstream releases of recent times, Dark Shadows' demented gothic melodrama/fish-out-of-water comedy/creature feature feels like you've slipped into a Burton fever-dream.

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