Total Film's Scores

  • Movies
For 853 reviews, this publication has graded:
  • 59% higher than the average critic
  • 4% same as the average critic
  • 37% lower than the average critic
On average, this publication grades 4.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Badlands
Lowest review score: 20 Texas Chainsaw 3D
Score distribution:
  1. Negative: 17 out of 853
853 movie reviews
    • 57 Metascore
    • 60 Critic Score
    Script and acting are flawless – but set beside Bertolucci’s glory years (The Conformist, Last Tango In Paris, Novecento) it all feels a bit slight.
    • 65 Metascore
    • 60 Critic Score
    Fine turns from Streep and Jones bedrock this compassionate, quietly subversive drama.
    • 49 Metascore
    • 60 Critic Score
    The ending may be a little too tidy and obvious, but this is a sweet little study of the right royal mess people can make of relationships when they let their own neuroses take over, and a warm tribute to overcoming them.
  1. It’s best to sit back and luxuriate in the film’s unhurried pleasures: crisp Mediterranean settings, Alexandre Desplat’s mournful score and a clutch of likeable performances.
    • 59 Metascore
    • 60 Critic Score
    Savages is punishing in places, but there are enough colourful characters and careening twists to make it worth the effort.
    • 60 Metascore
    • 60 Critic Score
    Big vistas and big names can’t compensate for the film’s necessity to cram Dickens’ rich, sprawling set of characters and twisty subplots into a two-hour film.
  2. Though it covers similar thematic ground to Laurent Cantet’s haiti-set "Heading South," Seidl’s gruelling film proves his knack for leaving viewers emotionally discomfited.
  3. Alex Beaupain's songs effectively convey emotion, but Beloved doesn't scale the heights of the Truffaut and Demy films it pastiches.
    • 50 Metascore
    • 60 Critic Score
    Although only slightly more outrageous than reality, The Campaign is a funny, pacy peek behind the political curtain.
  4. It's definitely the 'other' Gordon-Levitt film out this month, but this silly cycler whizzes by amiably. Star charm helps: JGL's enjoyment in his job adds welcome levels of Levitt-y.
  5. Propelled by Lust’s performance, this is a fascinating study of solitude and sociopathic obsession, up to a point.
  6. Slick but overstretched, Predestination deserves respect for what it tries to achieve rather than dismissal for not getting there. Either way, you will not be bored.
    • 66 Metascore
    • 60 Critic Score
    Sharp and shiny as the jewellery its twisted teens pilfer, Coppola’s cautionary tale eschews action for angsting about celeb- obsessed culture. Worth it just to hear Watson snarl “I wanna ROB!”
    • 72 Metascore
    • 60 Critic Score
    Gorgeous animation and inspired set design help patch over a lacklustre script. The horror hardcore will enjoy playing spot the homage.
    • 58 Metascore
    • 60 Critic Score
    Stylish and savage, but nothing you haven't seen before. Lawless is something of a blunt instrument but seductive nonetheless.
  7. Veteran French actor Bouquet brings a lifetime of experience to his arthritic old master, though, while the frequently unclad Theret captivates and exasperates in equal measure.
    • 50 Metascore
    • 60 Critic Score
    It’s a slow-burning, well-acted thriller that’s only really let down in its third act: an unsatisfyingly limp denouement that fails to convey what’s at stake with any sort of suspense.
    • 88 Metascore
    • 60 Critic Score
    Snowden proves surprisingly sympathetic. His intentions appear to have no subtext, but sadly neither does the doc; the irony of an infodump approach to mass surveillance goes disappointingly unexploited.
  8. Im Sang-Soo’s exposé of a Seoul family corporation is stymied by a humourless regurgitation of observations about power, corruption and lies.
  9. It works hard, and the first half hour is textbook creepy, but the oldschool grab-bag of shocks struggles to jolt a dour script to life.
  10. Never sure if it wants to be a hard-edged character drama or pacy action-thriller, Son Of A Gun has plenty to admire between the tonal wobbles.
  11. It’s unashamedly broad, sentimental and clichéd, but Cox anchors proceedings with wit and tenderness, while Smith (who can act and shoot at the same time) adds wonder.
    • 38 Metascore
    • 60 Critic Score
    Boasts sporadically electrifying visuals but a frustratingly messy mythology.
  12. Handsomely mounted and energetically played, this movie captures much of the real genius of James Brown... then obscures it with needless chronological fiddling.
  13. It’s a poetic elegy to a lost tribe that conjures up the Meryans’ secret lifestyle via surreal rituals and stunning widescreen visuals, although an over-explained voiceover and clunky symbolism sometimes weaken the spell.
    • 38 Metascore
    • 60 Critic Score
    Everything gets just too damn convoluted for its own good, and it’s hard to care what becomes of Haggis’ characters as they’re shifted around. Any one of the strands expanded alone might have worked better.
    • 60 Metascore
    • 60 Critic Score
    It’s impossible to escape the sense that Banville’s work is best experienced on paper.
  14. It’s technically a doc, but neither Rivers nor his inscrutable subject is interested in backstory.
  15. Reynolds moves on from Green Lantern in Satrapi’s psycho-romp, pitched awkwardly between funny-haha and funny-peculiar, but blessed with enough style and smarts to merit a look.
  16. Wahlberg finds his most interesting role since The Departed in a film that’s heavy on atmosphere and suspense but shy of a full deck when it comes to characterisation.

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