Total Film's Scores

  • Movies
For 608 reviews, this publication has graded:
  • 59% higher than the average critic
  • 4% same as the average critic
  • 37% lower than the average critic
On average, this publication grades 3 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 Finding Nemo
Lowest review score: 20 The Big Wedding
Score distribution:
  1. Negative: 16 out of 608
608 movie reviews
  1. With a string of gratifying action sequences, and a breakneck pace leavened by a frequently witty script, The Winter Soldier stands alone as a solidly entertaining blockbuster.
  2. Shot on 16mm for less than $50,000, Sam Raimi's visceral debut remains a benchmark of modern horror. Plot and acting are minimal - five stooges inadvertently awaken demonic forces - but then this isn't about intellect or intricacy: it's about intensity and intestines. [1 Oct 2001]
  3. A fashion world Who's Who offer accolades, while Vreeland's vulnerabilities are revealed in interviews telling how, ridiculed by her socialite mother as ugly, she invented herself on her own terms.
  4. Big, brash and very funny, Joss Whedon's Avengers Assemble is equal to the sum of its parts – and for once, that's no faint praise. Suit up.
  5. Some metaphors score and some miss, but this is leap-of-faith cinema: the rewards entail some risks.
  6. Denis’ sparse story delivers details on a need-to-know basis, right up to the finale. Strong on atmos, thanks to Tindersticks’ score, it’ll chill you to the core.
    • 69 Metascore
    • 80 Critic Score
    By turns dynamic, dangerous and bursting with passion, Out In The Dark is a stark, swoonsome romantic drama.
  7. Spearheaded by a strikingly self-assured turn from Elle Fanning, this ’60s-set coming-of-ager follows two teenage girls whose bond starts to crumble under the emotional and political pressures of adulthood.
  8. With Hill on co-scripting duties with Scott Pilgrim scribe Michael Bacall, 21 Jump Street was always going to live or die by its gags. Fortunately, it boasts that sweet-yet-dirty comedy that Hill revels in.
  9. It might not sound much on paper, but it’s all in the delivery, the appealing lead performances combining with Wheatley's sudden tonal shifts to produce a film that’s funny, sinister and strangely moving.
  10. Forceful and arresting, Ayer's follow-up to "Harsh Times" and "Street Kings" sees him confidently playing to his strengths.
  11. Another Brit hit, plus Batmanglij is beginning to show dash as director. The duo make a tight fist of hot topicality and high tension from an ideas-packed genre piece.
  12. An unabashed crowd-pleaser, Hugh Hartford’s table-top portrait avoids patronising its aged subjects, bouncing between sweetly satirical and sincerely moving. Given the theme, it’s only a shame it doesn’t last a bit longer.
    • 68 Metascore
    • 80 Critic Score
    Gray’s technique is effective, catching the moment one Indian scientist, Yusuf Hamied, stood up and got the moral ball rolling.
  13. Some strained metaphors and character tics aside, this proves both Polley's perceptive eye and Williams' ability to explore life-scuffed emotions. Wry, risqué and real.
  14. If the Collette/Carell reunion suggests Little Miss Sunshine, it’s not quite that crowd-pleasing. But, crafted with much TLC and sympathy, it’s perfectly tailored to the tongue-tied teen in us all.
  15. Gosling and Cooper use their star currency to power a slow-burn, heartsick drama. "Blue Valentine" director Cianfrance is a serious talent.
  16. Daniel Craig makes a decent fist of the narration. But you could also do without its gush about the “incredible journey” all beings on the planet share.
  17. A heated, hysterical battle between Apatow smarts and Animal House smirks. Subtlety takes a hazing, but humour emerges with honours.
    • 68 Metascore
    • 80 Critic Score
    Aronofsky’s first bona-fide blockbuster is a sweat-stained labour of love. Audacious and uncompromising, it’s a legitimate epic.
  18. It’s the fully invested leads and graceful, poetic direction that give this study of emotional interiors its subtly heartbreaking power.
  19. The filmmakers stay back, observing, for a restrained, intimate and poignant result.
  20. Playful, patient and finally poignant, Schreier’s deceptively placid odd-couple winner runs the risk of looking minor. But it carefully exceeds expectation, helped in no small measure by Langella’s wily, wistful lead.
  21. As a celebrity’s-eye-view apocalypse movie, This Is The End delivers huge guffaws and large-scale carnage with enough gusto to mask the indulgences. You’ll never look at Michael Cera in the same way again.
    • 67 Metascore
    • 80 Critic Score
    Like "Martha Marcy May Marlene," this lo-fi psychodrama reaps the benefits of a mesmerising female lead, only this time as cult leader not disciple. Marling continues to impress.
  22. The sci-fi premise seems preposterous, but get beyond that and Gedeck’s predicament absorbs.
  23. A master docu-maker gets the inside dope on a master dissembler. It requires stamina, but its charismatic subject exerts genuine magnetism.
  24. The leads make sweet music in an affecting four-piece that, if not note perfect, plays well to their individual strengths. A marked improvement overall on this year’s other Quartet.
  25. It’s absorbing to a point, but adds little to what’s gone before.
  26. What's remarkable is the lack of cheese. Tacky effects, corny dialogue and creaky performances are all shown the door. We repeat: not the new "Twilight".

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