An absolutely fantastic game, and stands as one of the best ways to enjoy old-school flavor in a decidedly next-generation effort.

Through innovative use of the nigh-ubiquitous Havok physics engine, a decent (if rather clichéd) storyline, and some impressively well fleshed-out game design, Midway has managed to create a game that offers something different, but more importantly, a whole hell of a lot of fun.

Onimusha 3, if meant to be the series’ swan song, is as polished, refined, challenging, rewarding and just plain fun as a game of this type is ought to be. Stop reading this review right now (cause, well, it’s over) and get to your nearest store to pick up a copy of this game.

It may seem odd to praise a fighting game that rests in the three foot end of the Olympic diving pool of fighters, but it's the combination of totally engrossing extra game modes, seemingly endless unlockables, an easily accessible mythology and the kind of passion and geeky pride that just rubs off on you.

Go buy this friggin' game. Now. Reward Namco for having the balls to put out something this... well, Japanese. For $20, you're getting one hell of a party game.

One hell of a brawler. A fantastically weighted fighting system that perfectly demonstrates how thick, raw sound effects and smooth animation can suck you into the visceral, almost feral world of these underground fights gives your fingers, eyes and ears all something to digest while plowing through a story that actually keeps you in the game.

If you think beat-em-ups are dead, you need to play this game. If you don't, you need to play this game. If you just don't care, you need to play this game.

I'm going to bite the bullet on this one and say that Up Your Arsenal does not top the standards set by "Going Commando." Don't, I repeat, do not take this as a sign of UYA being a bad game, because by all means, it is not.

The storyline does an amazing job of slowly expanding in scope (though it does bog down a bit in the middle of the game, most of the stuff it trudges through stays relevant well after the scope of the game has outgrown the smaller conflict), and the twists will absolutely knock you on your ass, while battles are fast, interesting and offer a nicely customizable way to trudge through the grind of leveling up all your characters.

Genuinely tough puzzles mixed with constant and varied challenges from enemies and bosses alike make this of the best mixes of old-school action and progressive gameplay themes ever seen in games.

Everything from the first game has been done better, cleaner and with more emphasis, but the free-roaming city is a double-edged sword, offering a sprawling metropolis to navigate, but a bit too much travelling in some spots.

I pray this is the direction adventure games are going. The production values and attention to detail recall classics like Blade Runner, and not since that game have I wanted to live in a world like this. Buy this game.

An amazing technical feat, a vast improvement in key areas of the last game, and just a bit too much forced rehashes to keep it from being perfect.

An action movie given digital, interactive form. It's a relentless, constant barrage of sensory input, and it's done in a way that no developer thus far can match. Immersive, beautiful and a blast to play, BLACK is a must-have.

Buy this game, if only for the fact that it's the best of its kind, but like me, you'll probably find that after pouring literally dozens of hours into the game, you'll find yourself searching for something a bit meatier, and I don't just mean bigger combos and larger levels, but something that really revamps the genre like it did almost five years ago.

The series' gameplay has been refined and honed to a keen sharpness that few games can match in terms of overall quality, slick presentation and tight, responsive controls. This is a sports game for people who hate sports games.

It really is that well done. I shudder to think what this level of talent is capable should they try this whole milieu again, but I'm even more excited about what it could mean. You must, for the love God, support this game and give it the money it deserves.

Just feels remarkably solid in just about every respect, and it has made strides in areas like AI and controls to elevate it to a level where it really does start to feel like real matches between real teams are being simulated.

The core here is the combat, which is easily some of the best ever seen on any system, and finally provides a compelling alternative to the endless flow of World War II shooters in recent years.

Rogue Trooper is so confident in what it's trying to do that it's a wonder Rebellion hasn't been able to pull this off before. The world is amazingly well throught-out, and the action just feels polished.

If you're serious about getting fit, this game will absolutely help you with that. There's still overcoming the mental blocks and motivational issues, but the fun factor eases these problems in a fantastic way. This is the reason the EyeToy was made.

It's the PS2 version of THUG2 gone handheld, and it lost nothing in the translation. The new added levels are a perfect fit and there is no better example of how to pack a console game's worth of content on a UMD. Period.

Technical hurdles keep the game from being as fluid and immersive as Ico was, but it's still a triumph of game design that ten years from now will still be recalled fondly. This is a game for everyone, and everyone needs to buy it. Now.

It's Soul Calibur. Even with the words mushed together and a few tag-along modes that probably should never have been included, it's still the best two-player fighting experience on consoles, and it continues to be refined.

Great controls (except for those stupid motorcycle parts), amazing graphics, a solid storyline and wonderful vocal performances add up to not only a reinvigoration of the series, but the best Tomb Raider game yet, and a worthy purchase for everyone, not just the fans of the series hoping for a real sequel.

Insomniac didn't really stray too much from the formula they've built up over the years, and it works to the game's benefit. Sure, you can really explore, but the objectives are varied, the challenge nice and the RPG elements nicely assembled. Good stuff.

What a treat we PS2 gamers get when titles like this come along. An experience as wholly unique and filled with personality as this needs to be cherished, and there's no more perfect way to spend your cash right now.

The best PoP yet, simple as that. A kick ass storyline and gameplay that fixes the mistakes of the past game while building on the strengths of it and the original, this is an experience that everyone should partake in.