TV Guide Magazine's Scores

For 1,024 reviews, this publication has graded:
  • 48% higher than the average critic
  • 3% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average TV Show review score: 63
Highest review score: 100 Homeland: Season 1
Lowest review score: 0 Does Someone Have To Go: Season 1
Score distribution:
  1. Mixed: 0 out of 580
  2. Negative: 0 out of 580
580 tv reviews
  1. This is smart, satisfying entertainment that brings new life to ancient history. [28 Sep - 11 Oct 2015, p.17]
    • TV Guide Magazine
  2. It’s a meeting of the brilliantly analytical minds, and a master class in acting, when Hugh Laurie clashes with Andre Braugher as a crafty but also damaged psychiatrist who holds the key to House’s future, in House’s tremendously entertaining and ultimately moving two-hour sixth-season opener.
  3. Lots to digest here. [23 Nov - 6 Dec 2015, p.15]
    • TV Guide Magazine
  4. Everyone's ruthlessly cynical machinations can take on a wearying predictability if devoured hour after hour without a break.
  5. Adorably quirky and emotionally surprising, Eli Stone is a legal drama the same way Pushing Daisies (how I miss it) is a mere whodunit.
  6. It’s titillating without being truly trashy, because it also has heart--for that, thank Bil-lie Piper (formerly of Doctor Who), who brings wit and warmth, but also a crisp and unpredictable edge, to the tricky role of Belle by night/Hannah by day.
  7. Aidan Turner cuts a dashing figure as the reincarnation of Poldark, reviving an early Masterpiece breakthrough from the mid-70s with swarthy, romantic vigor. [8 Jun 2015, p.13]
    • TV Guide Magazine
  8. There’s plenty of life in this deluxe entertainment, with each episode expanding the world of friends and family who have a stake in Lux’s future. So far, I find myself rooting for just about everyone in this feel-good show that’s refreshingly unafraid to wear its feelings openly.
  9. A quietly absorbing elegy for old-school spooks, Page Eight bristles with jazzy intelligence.
  10. Though the premise is familiar, the emotional depth and shocking twists of The Missing redefine the genre. [13-26 Feb 2017, p.19]
    • TV Guide Magazine
  11. 24's first four hours, airing over two nights, aren't quite as electrifying as last season's opening act.... But none of these problems diminish the pulse-pounding pleasures of watching 24.
  12. It's sensational entertainment for adults eyes' only. [13-26 Feb 2017, p.19]
    • TV Guide Magazine
  13. A terrifically offbeat caper, serving up a sultry, sexy brew of wry humor with flashes of psycho suspense. [29 Feb-6 Mar 2016, p.17]
    • TV Guide Magazine
  14. Connick, who was among Idol's most engaging mentors in past seasons, is even more adept in this new role, and the chemistry on the current panel is at least on par with the more celebrated Voice cast. As Idol wraps its auditions this week before heading to Hollywood, I find myself looking more forward to the actual competition than I have in years.
  15. True Blood is a much guiltier, trashier pleasure than the monumental Thrones, but I wouldn't miss it for all the hush puppies in Louisiana.
  16. The world may have changed, but Foyle has lost none of his brusque appeal, even though he appears sulkier than usual to be drawn back into the shadows to protect pawns in an increasingly deadly conflict. It's great to have him back.
  17. Eureka also starts strong, with a time-travel misadventure on Founders' Day that sends Sheriff Jack Carter, his unrequited love interest Allison, Deputy Jo, uber-geek Fargo and town sage Henry back to a time when Eureka was still "Camp Eureka," a 1947 military facility only beginning to reveal its true purpose.
  18. This is the sort of show where "never say die" is written into the mythology--a good thing for several of the opening hour's apparent victims. I don't know how much longer The Vampire Diaries can keep churning stories at this feverish rate, but if this is your sort of guilty pleasure, you'd be crazy not to bite.
  19. Watching Pan Am is like getting a free upgrade to escapist class.
  20. Tell Me You Love Me is an engrossing, searing, sometimes squirm-inducing study of intimacy, told with a fly-on-the-bedroom-wall realism that is both clinical and wrenching. Voyeurism has rarely felt so unnerving yet ultimately rewarding.
  21. True Blood is well on its way to staking its claim yet again as the summer guilty pleasure with TV's bawdiest bite.
  22. Under the Dome is TV as page-turner.
  23. This captures the original series’ vibe nicely.
    • 85 Metascore
    • 80 Critic Score
    It's clear that the editors have plenty to choose from for each 30-minute episode, judging by the plethora of deleted scenes included in this four-disc set. Other highlights include bloopers (yay!) and Michael and Dwight's rap-inspired "Lazy Scranton" video.
  24. The suspense is considerable, with Luther once again desperately trying in vain to keep those he loves (including new girlfriend Sienna Guillory) out of the grisly crossfire, but the violent twists can verge on the eye-rollingly preposterous by the story's over-the-top climax, which (in happier news) reintroduces one of his most memorably seductive adversaries.
  25. While Kruger's performance is convincing and intriguing, her character begs the question of how someone so unable to communicate could ever be promoted to a position where nuanced interrogation and interaction with suspects is a must. Thankfully, Bichir grounds the show with a sheepish, weary tenacity.
  26. Pyramid is the night's gem, a word-association contest of skill and speed, the joy of watching enhanced when the celebrity and contestant are in sync and the game is played seriously. [8-21 Aug 2016, p.17]
    • TV Guide Magazine
  27. Darkly comedic and richly entertaining.
    • TV Guide Magazine
  28. The grueling season premiere should satisfy anyone pining for graphic action, nerve-wracking suspense and unsparing savagery from all sides, including the incessant flow of zombie "walkers" who have upended civilization, exposing humanity at its most monstrous. (The episode will also help viewers understand how Terminus got so twisted, but as often happens in these morality plays, the theme is overstated at least one too many times.)
  29. It looks like romance will have to wait, as her assignment takes a twist that should keep the agency on edge for most of the season. I'm in.

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