TV Guide Magazine's Scores

For 1,064 reviews, this publication has graded:
  • 48% higher than the average critic
  • 3% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average TV Show review score: 63
Highest review score: 100 Confirmation
Lowest review score: 0 October Road: Season 1
Score distribution:
  1. Mixed: 0 out of 599
  2. Negative: 0 out of 599
599 tv reviews
  1. Earnest but rarely saccharine.
  2. First impression is that Halt is fresh and fraught with calculated promise, but whether that's enough to catch fire remains to be seen.
  3. Cougar Town is as unrepentantly shallow and silly as ever.
  4. Scrubs has lost none of its endearing ability to mix earnest sentiment with sardonic gag-centric humor.
  5. This may not be Peabody material, but if you like a show that's not afraid to go bananas, this might just be your type of low-hanging fruit.
  6. The enjoyable if less-than-inspired two-hour pilot introduces us to the warehouse, its bizarre inventory and the mismatched new agents in charge.
  7. Resurrection subverts expectations by sidestepping the creepy and macabre--although there are layers of mysteries and secrets in the small town of Arcadia, Missouri--and dwelling in a more bucolic and even tear-jerking manner on the spiritual and societal ramifications of this apparent miracle.
  8. The cast is solid and admirably diverse.... While never as engaging as Grey's Anatomy nor clever enough to make us forget the void left by House's departure, Mornings at least does no harm.
  9. As deadpan as it is high-concept, iZombie is genre-bending and beguiling hoot. [9-16 Mar 2015, p.13]
    • TV Guide Magazine
  10. Like many HBO half-hours, this is a slow, slow burn to get to a payoff. The smiles here are of recognition that even the most ordinary families can have wonderfully strange roots.
  11. In a summer with so many heavy and dour alternatives (hello, Leftovers), this escapist fluff will be for some just what the doctor ... you know.
  12. Self-consciously edgy while flirting with cosmic schmaltz, Saving Grace is overdone, but not run-of-the-mill.
  13. This show goes for Broke with its snappy dialogue, occasionally crossing the taste barrier with its grotesque ethnic caricatures (the girls' Asian boss in particular). But the girls have great chemistry.
  14. Familiarity points deducted, Arrow is still a very slick piece of work.
  15. Like the notorious family that bribed its way into the Vatican's papal chamber while sullying many a Roman bedchamber, we want our money's worth. And The Borgias wickedly delivers, serving up an operatic feast of delicious malice and unbridled lust: for power and wealth, for carnal pleasure and vulgar theatrics.
  16. The show's predictably melodramatic rhythms and telegraphed twists will be like nectar to those still pining for this old-school style of skullduggery.
  17. An offbeat show that veers between wacky and truly poignant extremes.
    • TV Guide Magazine
  18. Is Conan the sort of show that's going to revolutionize TV? Probably not. But Conan O'Brien remains a singularly appealing and wonderfully silly voice in the crowded clamor of late night, and it's good to see him back where he belongs.
  19. Watching things go to hell was great fun. Being stuck in sitcom hell turns out to be a bit more trying.
  20. The first episode opens and closes on the cliffhanger of Bridget-as-Siobhan being stalked by an unseen menace, but which sister is the actual target? As long as Ringer keeps us asking questions like this, and Gellar keeps us engaged in the deluxe and twisted sister act, we're more than happy to be put through the romantic-suspense wringer.
  21. While the show is uniformly silly and slight, it becomes rather endearing the more we get to know this band of knucklehead brothers within a Bad News Platoon.
  22. It's all very entertaining, and extremely well acted, but feels overly hectic. Not until next Sunday's episode, when Bill and Barbara's daughter Sarah makes a move toward determining her own future, does Big Love approach the kind of emotional, transcendent high that made so much of last season so memorable.
  23. It may not be not the most original premise, and the supporting cast leaves much to be desired (with the exception of droll Catherine Lemieux as a feisty veterinary pathologist), but Helix creates an intense atmosphere of dread and fear in which a fade to snowy white can be as scary as the deepest black.
  24. HBO's woozy and often intoxicating Hemingway & Gellhorn [is] a sprawling docudrama (overlong at 160 minutes) about glamorous world adventurers whose weapons are words.
  25. Reminiscent of 24 but about a dozen times more realistic (though dramatically more uneven).
  26. Even critics and fans who are intrigued (as I am) by the often riveting pilot--which ends on a whopper of a cliffhanger twist--can’t help projecting a bit into our own future, one that’s informed by a past that’s littered with ambitious pilot episodes that ultimately didn’t measure up.
  27. There are still pleasures to be found in Boardwalk Empire, but it's definitely time to wrap--and enjoy a good stiff drink as a reward.
  28. Some of the episode is forced--Sarah's babbling job tryout with Hank, for instance--but in those universal moments of family togetherness and transition, as these grown-ups who sometimes still feel like kids marvel at the mystery of parenthood, Parenthood is worth its weight in sentimental angst.
  29. Homeland has its own rebuilding to do, and while some may miss the faster pace of last season, these are dark times, and the show is better for dealing with that reality in uncompromising terms.
  30. Sons may be as busy as it is brutal, but at least its heartlessness is in the right place.

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