Uncut's Scores

  • Music
For 11,062 reviews, this publication has graded:
  • 50% higher than the average critic
  • 5% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 1.1 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Score distribution:
11062 music reviews
    • 77 Metascore
    • 60 Critic Score
    As ever, when Los Lobos content themselves with sounding like Los Lobos, they're marvellous.... The lighter touches make less impression. [Nov 2015, p.79]
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    • 77 Metascore
    • 60 Critic Score
    Only the lovely, finger-picking folk of "Ceilings" and the pulsating "Breakers" approach the perkiness of their breakout single, "Airplanes." [Feb 2012, p.74]
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    • 77 Metascore
    • 60 Critic Score
    It's hard to shake the sensation that the band have become rather more ordinary as a result [of the departure of Frank Carter.] [Nov 2012, p.73]
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    • 77 Metascore
    • 60 Critic Score
    Heavy on stately soul pianos and produced by singer-songwriter Richard Swift, its strength-through-adversity feels is held back from flight by Burhenn's entirely earthbound voice. [Jul 2010, p.115]
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    • 77 Metascore
    • 60 Critic Score
    A sparse, occasionally foreboding mood weighs on these 13 cues, appropriate to Richter's increasingly prolific contributions ti European arthouse soundtracks. [Aug 2010, p.93]
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    • 77 Metascore
    • 60 Critic Score
    Classy but underpowered. [Aug 2021, p.24]
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    • 77 Metascore
    • 60 Critic Score
    A Positive Rage is something of a misnomer, since hardcore fury rates low on the Steady agenda. More crucial is the band’s 3-D storytelling on muscular guitars, and Craig Finn’s traditional chat about joy in the encore.
    • 77 Metascore
    • 60 Critic Score
    The results are sometimes too meta to be particularly satisfying, but when but coheres - as on the bracing, static-smeared "Backwash" - it's worth the effort. [Nov 2022, p.29]
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    • 77 Metascore
    • 60 Critic Score
    Same Old Man won't upend the form-book, but it's an agreeably unpretentious addition to the Indiana-born veteran's canon. [June 2008, p.93]
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    • 77 Metascore
    • 60 Critic Score
    The Bride Screamed Murder channels the band's two-kit battery into intense percussion romps topped by burly call-and-response bellows, like a military drill conducted on strong hallucinogens. [Aug 2010, p.88]
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    • 77 Metascore
    • 60 Critic Score
    It's commendable stuff, but you can't help wishing he'd kept the scattershot, carte blanche approach of before. [Nov 2007, p.121]
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    • 77 Metascore
    • 60 Critic Score
    Migration, road-tested in SJ sets, finds Green cruising into that emotional landscapes occupied by the likes of Jon Hopkins and Mark Pritchard. [Feb 2017, p.23]
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    • 77 Metascore
    • 60 Critic Score
    The album stands or falls by the seductiveness of its atmospheres and the memorability of its hooks--and here, it must be said, Release fails to imprint itself, leaving an impression mainly of dejected weariness. [May 2002, p.95]
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    • 77 Metascore
    • 60 Critic Score
    Their energy is extraordinary. [May 2005, p.97]
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    • 77 Metascore
    • 60 Critic Score
    Overall... the mood remains one of pleasant inconsequence. [Apr 2007, p.94]
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    • 77 Metascore
    • 60 Critic Score
    There's an elegiac beauty to these tracks. [Oct 2007, p.114]
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    • 77 Metascore
    • 60 Critic Score
    North Star Deserter is among his finest, sublimating Chesnutt's occasional tendency to cloying whimsy in gothic folk backdrops. [Oct 2007, p.87]
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    • 77 Metascore
    • 60 Critic Score
    Henry lacks Wait's distinctive voice and lyrical personae, but his way with deftly arranged melodies is often superb. [Sep 2009, p.84]
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    • 77 Metascore
    • 60 Critic Score
    It's a short album, just 30 minutes, and "Weird Feelings" is one song that stands for most: full of hooks and sparks it's fun while it lasts but over in two minutes and too easily forgotten.
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    • 77 Metascore
    • 60 Critic Score
    Metal-tinged stadium rockers like "The Machine," "Stand And Fight" and the Sabbathy "The Alchemist" still offer their strongest moments. [Dec 2020, p.27]
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    • 77 Metascore
    • 60 Critic Score
    Fellow Pretender James Walbourne provides deft guitar and keyboard accompaniment, but it’s the personality and allure of a distinctive voice that keeps you in the parlour. [Jul 2021, p.27]
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    • 77 Metascore
    • 60 Critic Score
    The earthbound "This Love", shuffling along on metallic, moody guitar, and the twining, spaghetti-western eeriness of "Sucker Punch" are more engaging, but Here Is Everything could use more of the punch that lists the standout "Trouble". [Nov 2022, p.25]
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    • 77 Metascore
    • 60 Critic Score
    She threads Lou Reed's vocal rhythm over the band's brisk skank on "Hangin' Round", while "Song To The Siren" and "The Man Who Sold The World" slip with similar ease into reggae mode. [Jul 2023, p.24]
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    • 77 Metascore
    • 60 Critic Score
    At times the backdrop is so subtle that the end result is almost like an aria. Elsewhere the tunes deliver more pf a punch. [Jun 2013, p.75]
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    • 77 Metascore
    • 60 Critic Score
    In Gareth Liddiard, the quartet have a singer-songwriter and guitarist of dark intensity, and his vivid narratives draw on the landscape and character of his homeland in a delicately melancholic way. [May 2009, p.85]
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    • 77 Metascore
    • 60 Critic Score
    His 2007's "Spiderman Of The Rings" was filled with good ideas but prone to novelty. Bromst goes a long way to reversing this trend. [Apr 2009, p.84]
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    • 77 Metascore
    • 50 Critic Score
    The constant frenzied back and forth between power-pop hooks and furious noise, while fun, begins to feel a little repetitive. [Apr 2021, p.27]
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    • 77 Metascore
    • 60 Critic Score
    It's undeniably awe-inspiring and effective stuff, nut for fans, there's a sense of well-worn tropes entering half-life. [May 2016, p.76]
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    • 77 Metascore
    • 40 Critic Score
    White is undoubtedly talented, but neither she nor her record company seem to know what to do with her. [July 2008, p.100]
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    • 77 Metascore
    • 60 Critic Score
    A grandiose power metal pomposity that marshals such gusts of keyboard and flowery, Yngwie Malmsteen guitar duelling it basically feels like a climax strung out over 60 minutes; epic in short bursts, slightly tiring in the long haul. [Nov 2008, p.92]
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