Under The Radar's Scores
- TV
- Music
For 13 reviews, this publication has graded:
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23% higher than the average critic
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7% same as the average critic
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70% lower than the average critic
On average, this publication grades 12.2 points lower than other critics.
(0-100 point scale)
Average TV Show review score: 51
| Highest review score: |
Critic Score
90
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| Lowest review score: |
Critic Score
10
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- By critic score
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Critic Score 90
It's not going too far to say Eastbound and Down holds a magnifying glass up to sports and hero workship, it's just that the magnifying glass is outrageously outsized, Charlie Chaplin, silent-movie prop huge. Sadly, as far as McBride takes Powers, the satire may never go far enough, as LeBron James and Roger Clemens and Tiger Woods and a host of others have shown. -
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Critic Score 90
Writer Terence Winter (The Sopranos) delivers the most exciting new series in recent history with Boardwalk Empire, a sweeping Prohibition gangster saga that redefines the boundaries of television storytelling. -
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Reviewed by
Lily Moayeri 70
A solid cast with tangible family chemistry make Blue Blood a contender.- Posted Oct 20, 2010
- Read full review
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Reviewed by
Lily Moayeri 70
While Hawaii Five-0 Mark II has none of its predecessor's cringe factor, the classic theme music retains its blood-rushing quality with a sharp, updated recording. And when McGarrett first utters the infamous line, "Book 'em Danno," we dare you not to let a little grin escape. -
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Reviewed by
Lily Moayeri 60
Despite the disappearance of his top lip when smiling, newcomer Wolk employs the same conman charm on the viewer. Rooting for both the wife and the girlfriend--maybe a little bit more for the latter, Lone Star has the makings for a sudsy tune-in. -
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Critic Score 60
The Powells' snarky dialogue can be a bit annoying, but executive producer Greg Berlanti (Brothers & Sisters) cares for the family dynamics. Even the special effects are commendable. Some of the acting and line delivery can be a bit hokey, but that comes with the comic book-esque material. -
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Reviewed by
Lily Moayeri 50
The efficiency and charisma of these two, enhanced by the haute couture and clichéd exotic locales, makes watching Undercovers really fun-but not very believable as a spy drama. It is all a little too casual and humorous to be convincing. -
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Reviewed by
Lily Moayeri 40
Every cheap sexual innuedndo, obvious adolscent pun, and cliched puerile situation is exploited here. [Holiday 2009, p.86] -
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Reviewed by
Lily Moayeri 40
If you can tolerate the overly histrionic pilot and are curious enough to find out what "the event" actually is, of which there is no mention in the pilot, then NBC has a Lost-esque show on its hands. Count me out. -
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Critic Score 40
Running Wilde exerts so much energy setting up the jokes that they end up forced. Arnett breaks off a couple of great one-liners, but Running Wilde has a lot of work to do in order to even be a good sitcom, much less a Hall of Famer like Arrested. -
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Reviewed by
Lily Moayeri 30
There is absolutely no reason-other than the sheer good-lookingness of My Generation's cast-to tune into the show. Still, we are rooting for creator Noah Hawley (The Unusuals, Bones) to drag this one out of the mire. -
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Reviewed by
Lily Moayeri 20
The rest of Detroit 1-8-7's cast is fill-in-the-blanks police fodder. The only two characteristics that separate this show is one, it is filmed wholly in Detroit (who cares, a soundstage looks just as convincing) and two, the cameras are handheld (who cares, that shakiness can become very annoying). -
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Reviewed by
Lily Moayeri 10
In under 10 minutes, Outsourced manages to hit numerous offensive Indian stereotypes, borders on being racist, and not remotely funny. -
