Urb's Scores

  • Music
For 1,126 reviews, this publication has graded:
  • 63% higher than the average critic
  • 2% same as the average critic
  • 35% lower than the average critic
On average, this publication grades 0.3 points higher than other critics. (0-100 point scale)
Average Music review score: 73
Highest review score: 100 The Golden Age of Apocalypse
Lowest review score: 10 This Is Forever
Score distribution:
1126 music reviews
    • 66 Metascore
    • 80 Critic Score
    Bright Eyes' foray into the digital domain is among the more interesting experiments of this young year. [Mar 2005, p.109]
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    • 71 Metascore
    • 80 Critic Score
    Comes as an especially welcome jolt after their last wishy-washy effort. [Mar 2005, p.110]
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    • 76 Metascore
    • 70 Critic Score
    The tracks... feel more like loose, languid, quiet-loud sketches and fine textures than actual songs. [Jan/Feb 2005, p.96]
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    • 85 Metascore
    • 80 Critic Score
    While the melding of country with hip-hop might seem dubious, from Buck's perspective, they may as well be symbiotic. [Jan/Feb 2005, p.94]
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    • 71 Metascore
    • 80 Critic Score
    The perfect soundtrack for a late Sunday night. [Jan/Feb 2005, p.96]
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    • 69 Metascore
    • 40 Critic Score
    It's clever and interesting, but it's hard to escape the feeling that an opportunity to expand and mutate his sound even more went partially wasted. [Apr 2005, p.104]
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    • 63 Metascore
    • 70 Critic Score
    Campy, kitschy but always cool. [Mar 2005, p.119]
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    • 68 Metascore
    • 80 Critic Score
    Post-modern pop hasn't sounded this good since the Postal Service. [Dec 2004, p.110]
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    • 81 Metascore
    • 80 Critic Score
    As always, Doom steps up and kicks out clever lines with the ease of someone still not bored with their talents. [Jan/Feb 2005, p.93]
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    • 66 Metascore
    • 70 Critic Score
    An ecelctic mess that will send purists of all stripes screaming bloody murder. You, of course, will love it. [Dec 2004, p.105]
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    • 65 Metascore
    • 40 Critic Score
    The whole act is a gimmick, for sure, and one that wears itself thin awfully quick. [Nov 2004, p.98]
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    • 58 Metascore
    • 80 Critic Score
    Roni really hits home near the end, the last seven tracks making the album purchase (and the wait) more than worth it. [Dec 2004, p.110]
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    • 71 Metascore
    • 90 Critic Score
    Nasty and raw. [Jan/Feb 2005, p.97]
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    • 65 Metascore
    • 50 Critic Score
    His electro sound [cannot] stand out through the chaff of a million imitators over two decades. [Dec 2004, p.118]
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    • 86 Metascore
    • 80 Critic Score
    Explores the previously uncharted territory where shouty alt.rock meets a cappella vocals and skinny-tied new-wave melody. [Nov 2004, p.99]
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    • 66 Metascore
    • 80 Critic Score
    Just rock out to some really good music. [Jan/Feb 2005, p.96]
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    • 65 Metascore
    • 70 Critic Score
    This time, he's truly on some next shit instrumentally and vocally. [Nov 2004, p.98]
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    • 85 Metascore
    • 80 Critic Score
    They rant and roil through aggressive blasts of adrenaline and youth... like their nads are on fire. [Jan/Feb 2005, p.94]
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    • 59 Metascore
    • 70 Critic Score
    He delivers for fans of every persuasion without losing grip on his ghetto past in the least--no easy feat. [Dec 2004, p.112]
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    • 57 Metascore
    • 40 Critic Score
    A lot of these tracks sound like either near-misses or music made to play when your roomate's pissing you off. [Jan/Feb 2005, p.102]
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    • 79 Metascore
    • 80 Critic Score
    There is something uniquely authentic about Mason's music. [Mar 2006, p.114]
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    • 53 Metascore
    • 40 Critic Score
    The big idea of real instruments and real people is a step backwards. [Oct 2004, p.102]
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    • 62 Metascore
    • 60 Critic Score
    Too bad they bring nothing new to the fold. [Dec 2004, p.118]
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    • 80 Metascore
    • 90 Critic Score
    Worthy of being considered among the year's finest. [Dec 2004, p.106]
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    • 69 Metascore
    • 70 Critic Score
    Thankfully, the results are still pure Blues Explosion. [Jan/Feb 2005, p.94]
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    • 78 Metascore
    • 60 Critic Score
    [Heiruspecs] prove that they are definitely more than just Atmosphere's occasional back-up band. [Oct 2004, p.103]
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    • 89 Metascore
    • 80 Critic Score
    But wait, you say you're sick of disingenuous irony? Well so are we, which is why Junior Boys is such an astounding relief, boarding on rapturous in their melancholy. [Jul/Aug 2004, p.125]
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    • 79 Metascore
    • 80 Critic Score
    Much as it is refreshing to find a spotlight being shone on the psyche of a headstrong young woman, This Week suffers from a frustrating consistency of musical tone. [Sep 2004, p.113]
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    • 75 Metascore
    • 80 Critic Score
    A schizophrenic journey into the mind of a man who clearly embraces myriad genres. [Oct 2004, p.103]
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    • 53 Metascore
    • 70 Critic Score
    The Prodigy was never about subtlety, but Howlett is stepping more carefully this time. [Oct 2004, p.104]
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