USA Today's Scores

  • Movies
  • TV
For 3,801 reviews, this publication has graded:
  • 60% higher than the average critic
  • 3% same as the average critic
  • 37% lower than the average critic
On average, this publication grades 0.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 One Day in September
Lowest review score: 0 Idle Hands
Score distribution:
3801 movie reviews
  1. A little slapstick, a little action, rich characters and a whopping serving of wit. All baked to near-perfection.
    • USA Today
  2. Let's say it without equivocation: Colin Firth deserves an Oscar for his lead role in The King's Speech as the stammering King George VI.
  3. Up
    Easily the summer's, and probably the year's, most enchanting movie, Up is a buoyant delight.
  4. An artsy display put on by Kaufman and fellow co-director Duke Johnson that raises the level of the genre, though it sometimes tries to enjoy its individual oddity too much chronicling one night in a bored businessman’s life.
  5. What's most amazing is the finely nuanced performances these bits and bytes deliver.
  6. While the themes are deep, Black Panther is at the same time a visual joy to behold, with confident quirkiness (those aforementioned war rhinos), insane action sequences and special effects, and the glorious reveal of Wakanda, whose culture is steeped in African influences but which also offers a jaw-dropping look at what a city of the future could be.
  7. One of the year's most audacious, savagely funny and unpredictable films, it features an outstanding performance by Michael Keaton as the has-been star of a superhero franchise desperate to be taken seriously.
  8. Sweet (maybe) - but also painful (for sure). So painful that it's initially easy to resist this slice-of-Middlesex-life from Brit director Mike Leigh. Yet gradually, a mom, a dad and late-teen twins prove overwhelmingly winning through sheer willpower. Theirs, and the willpower of an idiosyncratic filmmaker who loves his characters no matter what. [24 Dec. 1991, p.4D]
    • USA Today
  9. Epic battles, spectacular effects and multiple story lines make The Two Towers a most excellent middle chapter in The Lord of the Rings film trilogy.
  10. Director Gillian Armstrong takes the delicate snow globe that is Little Women and gives it a bold new shake. [21 Dec 1994]
    • USA Today
  11. Accessibly brainy screen charmer.
  12. Hollywood excelled at this kind of toughie from the mid-'40s through the mid-1950s, and you can see this film's equal every night on a cable movie channel. This summer, however, it's a jewel. [22 July 1992, p.4D]
    • USA Today
  13. This adorable exercise in whimsy should give "Corpse Bride" a good fight for best-animated-film Oscar.
  14. In this spare, unusual and intimate action thriller, Redford's expressions do nearly all of the communicating. He is the sole human cast member and utters only one word during the entire movie, which covers a span of eight days. The ocean — super-charged and becalmed — gets equal billing. If this sounds bizarre, or like an exercise in tedium, it is neither.
  15. Gracefully acted, and the story packs a powerful punch straight to the gut.
  16. Though the movie may not change many minds about McNamara, it richly humanizes him, a valuable feat atop all the fascinating reflection.
  17. It's a heart-wrenching portrayal of unfulfilled Wyoming love, but this time, we don't mean Alan Ladd and Jean Arthur in "Shane."
  18. The ideal culmination of a fantasy series that has artfully blended excitement, adventure and terror with humor, kinship and love.
  19. Murderball brilliantly captures the intensity of the little-known athletic competition, offering more intimacy and drama than most Hollywood sports movies.
  20. Hawkins is terrific in her silent role, using her expressive face to sell Elisa’s dive into love and the complications that arise. Spencer is great, too, as the other half of that duo.
  21. Shine has a story to reckon with and powerhouse male performances.
  22. A haunting and fascinating portrait of so much that is worth exploring: the implacability of nature, the hubris of human endeavor and the line between supreme dedication and madness.
  23. Mothers definitely get their due here: Birth mothers, adoptive mothers and mothers-to-be - with the only men in sight (save for one young fatality and one old eccentric) being those who wear flashy makeup and sport breasts
    • USA Today
  24. The big story here is Kristin Scott Thomas' captivating performance.
  25. The supporting cast is strong, as is the deft, sharply witty script. Miller directs elegantly, letting the narrative unfold at a deliberate, artful pace.
  26. Through this very specific look at a critical time in Lincoln's presidency, Kushner, Spielberg and Day-Lewis work together to present an honest look at America's most revered statesman. Kushner finds an artful way to weave in the texts of the Gettysburg Address and the 13th Amendment, as well as a creative way to present Lincoln's assassination.
  27. Twenty years ago, you could view early works of big-splash directors and often tell where they were coming from - or going. Yet Soderbergh and his debut project are mysteries. What can possibly come next? You won't be able to drag me out of line opening night. [4 Aug 1989, Life, p.1D]
    • USA Today
  28. The Tillman Story is a probing examination of truth, decency and the American way. It also explores deception and military propaganda and lays bare the ravages of grief.
  29. A delightfully robust fable about two passions that matter (sex and food). [17 May 1993, p.4D]
    • USA Today
  30. Bruce Dern gives the performance of his career as the headstrong Woody in the brilliant, wisely observed and wryly funny Nebraska. What stands out is the fullness of the character, with mannerisms and expressions that make him wholly dimensional.

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