USA Today's Scores

For 884 reviews, this publication has graded:
  • 57% higher than the average critic
  • 4% same as the average critic
  • 39% lower than the average critic
On average, this publication grades 1.4 points lower than other critics. (0-100 point scale)
Average TV Show review score: 63
Highest review score: 100 The Tenth Inning: Season 1
Lowest review score: 0 Lucky Louie: Season 1
Score distribution:
  1. Mixed: 0 out of 527
  2. Negative: 0 out of 527
527 tv reviews
  1. Haunting, heartfelt and even-handed, Valentine Road should be required viewing in teaching tolerance on middle-school and high-school campuses.
  2. Firefly offers the same well-balanced blend of humor, action, sharply drawn characters and unexpected twists on genre conventions. And if you have so far resisted the vamp-call of Buffy, this more mainstream sci-fi adventure may be your ticket into Whedon's TV universe.
  3. Bones isn't the riskiest or most ambitious series coming your way this season. But it may turn out to be one of the most satisfying and entertaining.
  4. So why follow him? Because the writing, with its sudden shifts from drama to comedy and its sympathetic view of its bumbling characters, is so stellar. Because the show is a constant visual treat, from its odd close-ups of water tanks to its wide shots of desert landscapes. And because Odenkirk is terrific.
  5. This bright, funny, appealing old-school comedy is an ideal vehicle for Louis-Dreyfus.
  6. What really separates this Race from the competition... is the blessed absence of most of the contrived conflict and melodrama that have become reality's reason for being. [5 Sep 2001]
    • USA Today
  7. There's no question Tuck is at times excessive or that it risks becoming exhausting. But in a season packed with reality and retreads, at least Murphy and FX are shooting for something novel and doing so in a way that is less pretentious and more dramatically viable than many of their more high-profile cable competitors.
  8. In a sense, Monday's promising premiere is the first in a three-part introduction, with each episode building on and improving upon the one before.
  9. What you end up with may not have the makings of a great drama at the Homeland/Breaking Bad level--but it could produce an extremely entertaining, refreshingly hackney-free weekly procedural, with the crimes playing out against a background of interesting characters and flashy time-travel sets.
  10. As extravagant, enticing and chaotic as Rome itself, HBO's latest series boasts all the opulent pleasures that lavish expenditures of time and money can buy. Every detail in its re-creation of ancient Rome may not be correct, but the spirit and the overall picture ring true -- and the entertainment value resounds.
  11. A solid weekly crime show built around a genuine TV star. That's the kind of series the networks have to be able to pull off to survive. And with Spader in command, odds are NBC will.
  12. The show is not designed to appeal to prudes, but the writing and the acting are too good to be wasted on the prurient.
  13. It's all very well told and well acted, but those who insist on comparing it to The Lord of the Rings are setting up expectations Game cannot possibly match.
  14. As much as the show recalls the movies, it also recalls some of the best work ever done in the genre for TV: the Buffy universe of Joss Whedon. Most every blast of portent and bombast is lightened by a throwaway joke; scenes of intense action and violence give way to equally well-realized scenes of domestic life that root the fantasy in emotional reality.
  15. It takes a real artist's eye to concentrate reality so realistically, and a true wit to pull it off in a sitcom that makes you gasp as frequently as it makes you laugh. [10 Oct 2003]
    • USA Today
  16. Not every shift works; a newly added agent seems just as expendable as poor, underused Charlie (Kirk Acevedo). But there's a great final twist that more than compensates, and it solidifies the overall impression that a series that was once too far on the conspiracy fringe has settled into an enjoyable weekly sci-fi adventure.
  17. Wise has been given a great chance to shine, and he makes the most of it, stealing scenes with such aplomb it may almost be a sin. Still, the show has to be carried by Harrison and Labine, and they seem up to the task.
  18. Yet, as rock-solid as the entire cast may be, Damages still belongs to Close, who makes us embrace a character who in other hands might be repellent or, worse, ridiculous.
  19. It's cleverly written, slickly produced and features a sidesplitting star turn by Seinfeld's Patrick Warburton as the big, blue, well-padded superhero with scene-stealing antennae. But the best thing I can say also is the simplest: It made me laugh. A lot.
  20. In mere minutes and with a few instantly evocative images, Freaks draws its characters more precisely than some shows do in a season. [24 Sept 1999, p.11E]
    • USA Today
  21. As Elizabeth movies go, this version has neither the sweep of Glenda Jackson's Elizabeth R nor the easily digested entertainment value of Bette Davis' Private Lives of Elizabeth and Essex. But it has Mirren, and that's reason enough to make it and watch it.
  22. Bad brings new life and depth to an old one: Malcolm in the Middle's Bryan Cranston, riveting and remarkable as a chemistry teacher who finds a more commercial use for his skills.
    • 75 Metascore
    • 88 Critic Score
    Love, betrayal, despair, redemption, reconciliation. All of the elements expected of any epic love story are included. The distinction here: The story is splendidly retold.
  23. Girl sets up a viable premise and introduces a strong set of supporting characters, which is just what you want from fall's most promising new series.
  24. A lavish romp of campy romance and corny adventure that absolutely must not be taken seriously. If the plot's full of holes, they're plugged with a heedless style that makes this the season's most purely entertaining new show. [10 Sept 1993, p.3D]
    • USA Today
  25. There's still fun to be had in the visual manifestations of Sherlock's thought process, for example, but there are times when you fear what they're really doing is filling time. Yet thanks to the stars, the wit of the writing and a few clever tricks, the show remains a joy.
  26. The Middle is precisely the show ABC should be doing: a smart, amusing sitcom that understands the damage cutbacks have done to folks in the middle.
  27. Fans can relax; the franchise is in good, and possibly even better, hands. [23 Sep 2002]
    • USA Today
  28. There's so much here to build on, from the strong performances to the chemistry between the stars to the sweet central story of two people helping each other mature.
  29. Some plot twists seem implausible at best, others are overdone or gratuitous. But some implausibility comes with the horror/suspense genre, and there's no question Williamson has mastered it--just as there's no question that the match of wills between the wounded Bacon and malevolent Purefoy is exceedingly well played.

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