USA Today's Scores

For 944 reviews, this publication has graded:
  • 57% higher than the average critic
  • 4% same as the average critic
  • 39% lower than the average critic
On average, this publication grades 1.5 points lower than other critics. (0-100 point scale)
Average TV Show review score: 63
Highest review score: 100 Modern Family: Season 2
Lowest review score: 0 Lucky Louie: Season 1
Score distribution:
  1. Mixed: 0 out of 560
  2. Negative: 0 out of 560
560 tv reviews
  1. Crazy is an out-of-the-blue surprise and an out-of-the-box treasure. It shows what the networks can do when they're willing to throw caution to the wind and turn to something and someone new--in this case, star and writer Rachel Bloom and the show's creator, Aline Brosh McKenna.
  2. A deft mix of comedy and drama in which the prison feels like a real place and the women are actual people, rather than a thinly veiled excuse to stage catfights, lesbian fantasies and sexual assault.
  3. While the big set pieces are very funny, there are too many lulls between them. But odds are you'll come away believing the show will get better and hoping it does--because TV will be all the better for it.
  4. Earl shares the look and heavily narrated sound of Arrested Development, but it has its own scruffy comic tone.
  5. This is a sprawling, exciting, blood-soaked story, filled with great set pieces and wonderful actors.
  6. The thought and care Hall has put into her premise carries over to the casting. Every choice is near ideal, starting with the remarkable Amber Tamblyn, who is so fabulously right as Joan, and including Joe Mantegna and Mary Steenburgen as her parents and Michael Welch and Jason Ritter (son of the late John Ritter) as her brothers. [26 Sept 2003, p.1E]
    • USA Today
  7. I'd also like to see the show adopt a somewhat lighter tone -- though I fear the ring of somber self-importance may be perfectly pitched for teens. [29 Sept 1998, p.3D]
    • USA Today
  8. While there are moments of overly arty chatter, the show's ability to create a believable sense of place is nothing short of astounding (as is its profanity). Much of the credit goes to an incredible cast, led by West, Sohn, Gilliard and Lance Reddick as McNulty's boss.
  9. Though the premiere's twists are not as shocking as in years past, better ones are coming, and quickly. Trust me, the show has not lost its ability to surprise--or even to make you gasp.
  10. What follows is a sometimes humorous, sometimes nostalgic, sometimes bumpy ride through the era, with a story that often seems to halt just when it’s picking up momentum. Still, every time the story falters, the characters’ and the show’s obvious love for popular music in all its forms lifts it back up.
  11. Luckily for us, UPN has found a terrific young actress to play this terrifically engaging character: Kristen Bell. Whether you buy the idea of teen crime-solvers or not, there's no questioning Bell's credentials as a TV star.
  12. You can see where it's going, and assuming Abrams doesn't let it get lost in its conspiracy, it should be fun to ride along.
  13. Haunting, heartfelt and even-handed, Valentine Road should be required viewing in teaching tolerance on middle-school and high-school campuses.
  14. Firefly offers the same well-balanced blend of humor, action, sharply drawn characters and unexpected twists on genre conventions. And if you have so far resisted the vamp-call of Buffy, this more mainstream sci-fi adventure may be your ticket into Whedon's TV universe.
  15. Bones isn't the riskiest or most ambitious series coming your way this season. But it may turn out to be one of the most satisfying and entertaining.
  16. So why follow him? Because the writing, with its sudden shifts from drama to comedy and its sympathetic view of its bumbling characters, is so stellar. Because the show is a constant visual treat, from its odd close-ups of water tanks to its wide shots of desert landscapes. And because Odenkirk is terrific.
  17. This bright, funny, appealing old-school comedy is an ideal vehicle for Louis-Dreyfus.
  18. What really separates this Race from the competition... is the blessed absence of most of the contrived conflict and melodrama that have become reality's reason for being. [5 Sep 2001]
    • USA Today
  19. There's no question Tuck is at times excessive or that it risks becoming exhausting. But in a season packed with reality and retreads, at least Murphy and FX are shooting for something novel and doing so in a way that is less pretentious and more dramatically viable than many of their more high-profile cable competitors.
  20. In a sense, Monday's promising premiere is the first in a three-part introduction, with each episode building on and improving upon the one before.
  21. What you end up with may not have the makings of a great drama at the Homeland/Breaking Bad level--but it could produce an extremely entertaining, refreshingly hackney-free weekly procedural, with the crimes playing out against a background of interesting characters and flashy time-travel sets.
  22. As extravagant, enticing and chaotic as Rome itself, HBO's latest series boasts all the opulent pleasures that lavish expenditures of time and money can buy. Every detail in its re-creation of ancient Rome may not be correct, but the spirit and the overall picture ring true -- and the entertainment value resounds.
  23. A solid weekly crime show built around a genuine TV star. That's the kind of series the networks have to be able to pull off to survive. And with Spader in command, odds are NBC will.
  24. The half hour moves along briskly, sprinkled with a slew of funny lines and throwaway reactions and a few knowing winks at TV conventions--though not so many winks that they pull you out of the story. And through it all you have the pleasures provided by Lowe, Savage, Ellis and Devane, who mesh seamlessly.
  25. Odd, inventive and sometimes shockingly dark, this British-American co-production has all the benefits you’d expect from a show able to draw upon both country’s talent pools.
  26. The show is not designed to appeal to prudes, but the writing and the acting are too good to be wasted on the prurient.
  27. It's all very well told and well acted, but those who insist on comparing it to The Lord of the Rings are setting up expectations Game cannot possibly match.
  28. As much as the show recalls the movies, it also recalls some of the best work ever done in the genre for TV: the Buffy universe of Joss Whedon. Most every blast of portent and bombast is lightened by a throwaway joke; scenes of intense action and violence give way to equally well-realized scenes of domestic life that root the fantasy in emotional reality.
  29. It takes a real artist's eye to concentrate reality so realistically, and a true wit to pull it off in a sitcom that makes you gasp as frequently as it makes you laugh. [10 Oct 2003]
    • USA Today
  30. Not every shift works; a newly added agent seems just as expendable as poor, underused Charlie (Kirk Acevedo). But there's a great final twist that more than compensates, and it solidifies the overall impression that a series that was once too far on the conspiracy fringe has settled into an enjoyable weekly sci-fi adventure.

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