USA Today's Scores

For 1,033 reviews, this publication has graded:
  • 56% higher than the average critic
  • 4% same as the average critic
  • 40% lower than the average critic
On average, this publication grades 1.8 points lower than other critics. (0-100 point scale)
Average TV Show review score: 63
Highest review score: 100 Transparent: Season 1
Lowest review score: 0 Lucky Louie: Season 1
Score distribution:
  1. Mixed: 0 out of 612
  2. Negative: 0 out of 612
612 tv reviews
  1. The cases he tackles are intriguing, if wildly complicated and too often sustained by that peculiar TV mystery mix of intuitive leaps and bad basic police work....Yet as with all such shows, it's the main character who provides the main reason for watching, as the long-suffering Wallander struggles to solve the crimes and put his life back in order.
  2. This is a show with many virtues. Now, if Huff can just learn the virtue of restraint, Showtime may finally have the hit it has been working so hard to find.
  3. Startling incidents, odd coincidences and sudden turns of fate abound, sometimes to a ridiculous extent.
  4. A few minutes in, and you can sense a promise of sex, surprises, and a healthy dose of fun. And so far, the show delivers.
  5. Even when the guests and plots falter, the regular cast keeps the hour in painless motion.
  6. Whatever one thought of Practice last season, Boston Legal is a separate show -- and it should be viewed with a clean slate. Taken on its own purposely outrageous terms, Boston succeeds as a decent legal comedy led by two broadly amusing characters. [1 Oct 2004]
    • USA Today
  7. What matters is Atwell's ability to project both Peggy's sense of loss and her determination, and the show's skill at highlighting the problems women faced while still retaining the pleasures of a comic-book pulp adventure.
  8. Arrested remains a bracingly clever but emotionally cold intellectual exercise of a comedy, one that revels in puns, double entendres, intricately structured set pieces, astonishingly inappropriate jokes, asides, callbacks, flashbacks and, less propitiously, its own inaccessibility.
  9. Tonight's premiere rises and falls with Davis, and she's completely in command. We'll just have to hope the rest of the show falls in line behind her.
  10. Nothing about this cookie-cutter courtroom drama is really up to Woods' talent, but given his head and a lot of room, he makes it work.
  11. None of the episodes is likely to keep you up at night puzzling out the intricacies of the mystery, but they won't bore you or insult your intelligence. Castle exists to exploit the appeal of its stars and the amusing byplay between their characters, and it does that with admirable efficiency.
  12. It gets better, digs deeper and reaches farther than anyone might have predicted.
  13. They need to put a bit more thought into the mysteries themselves, which lean toward the clunky. But the appeal of the stars and the premise should buy them some time.
  14. They [the Scorpion team] may be absurd, but they're enjoyable as long as you don't think about them too deeply. (Or, in the case of a final stunt with a car and an airplane, at all.)
  15. Archer is not for everyone, and certainly not for anyone whose idea of risque is "Get Smart." But do yourself one favor: Don't decide it's not for you until you have watched an entire episode, because you just may find the good outweighs the excessive.
  16. Despite some passing references to Henry's fondness for "humanism" and new, middle-class men, no one is likely to mistake The Tudors for a treatise on the socioeconomic pressures that reshaped England during Henry's reign. Still, the show does a fine job of showing the interplay of passions and politics that shaped so many of his decisions.
  17. Like most cable and streaming series, Good Girls takes its time. Still, it’s time generally well-spent, and not just on the show’s primary issue, but on other conflicts of the ‘60s that come into play.
  18. That sincere desire to serve is key. In the wrong hands, Scrubs could have been another mean-spirited juvenile comedy about smart-aleck, self-absorbed, barely post-collegiate yuppies -- which is the impression you may have gotten from NBC's inexplicably unpleasant promos. But Lawrence takes pains to show us that these doctors take their jobs seriously, an essential task accomplished without sacrificing any of the humor. In a sense, the show is a flashback to M*A*S*H, both in its look (Scrubs is shot without an audience) and in the way it blends laughs with life-and-death emotion.
  19. There's no denying that the show looks a little worn, a victim perhaps of budget pressures that may have moved the series from cost-efficient to cheap. But even a reduced Lights is better than most TV series.
  20. The show is fun as is, but rise to Collette's level, and it could be great.
  21. The show's gimmick does extend beyond reading expressions--they analyze voices and psychoanalyze answers--and the show does have its amusing moments. What it doesn't have is any sense of surprise, and once the novelty factor wears off, you just wonder whether there's enough here to sustain a series.
  22. Thanks in large part to the grounded, nuanced performance from Collette, tonight's introduction effectively establishes both the moral dilemma at the heart of the story and the chess match the show intends to follow between Sanders and Carlisle.
  23. It can't match HBO's upcoming Boardwalk Empire's budget or any network premiere's publicity push. Yet when it comes to scrappy, scruffy charm and sheer entertainment value, Terriers can run with the best of them.
  24. It's two hours of all the things you love (or don't) about 24: The twists and turns, the recalcitrant, dimwitted superiors, the nick-of-time escapes and oh-so-close near-captures. And, of course, there's Sutherland and Rajskub, still one of the best teams the spy genre has ever produced.
  25. If there's nothing particularly unconventional about Grandfathered, it carries off its conventions with considerable skill. Brewster, Peck and Jenrette take good advantage of every moment the script provides, while Stamos breezily bounces between mocking them and being a good-sport target for mockery.
  26. The show is fresh and amiable throughout, and Pally, Meester and Lester make for excellent time-traveling companions.
  27. Simon. He's the gold standard, the judge against whom all others are judged, and his presence is enough to make Factor a factor.
  28. This relatively entertaining fantasy has one obvious viewership advantage over many of its strike-bound scripted competitors: new episodes, and not bad ones at that.
  29. Even amid the excess exposition, you'll be able to spot a few enjoyable jolts, some clever, throwaway culture-shock moments and the charms of the show's two stars. Combined, they give the show more than enough room to grow into an entertaining weekly adventure.
  30. It doesn't take long before Morland proves his worth as a story device and Noble proves his worth as a scene partner. The cases Sherlock and Watson solve in these first two outings don't amount to much, but their relationship does.

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