USA Today's Scores

  • Movies
  • TV
For 3,377 reviews, this publication has graded:
  • 61% higher than the average critic
  • 3% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 0.8 points higher than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Big
Lowest review score: 0 Idle Hands
Score distribution:
3,377 movie reviews
  1. A quagmire that reportedly has undergone multiple edits to reach its current incomprehensible state.
    • USA Today
  2. The Homesman aims for a story that's poignant and told sparely, but comes across as mawkish, tedious and self-indulgent.
  3. The movie is so impressionistic, it obfuscates any sense of history. We expect at least a hint at the causes of the Mayan Empire's demise, but instead we get Mesoamerican Rambo.
  4. The film disappoints terribly, too. The directorial debut of such an imaginative and clever screenwriter was a highly anticipated event. His "Being John Malkovich" and "Eternal Sunshine of the Spotless Mind" are two of the most innovative and intriguing movies of the past decade. Synecdoche is one of the most maddening.
  5. John Wick serves up a noxious, clashing blend of hyper-realistic and cartoonish violence. Too bad there's no cinema decontaminating service that can wash our memories clean of such useless gore.
  6. May be a spectacularly awful movie, but it's also spectacularly drenched in color, décor and other visual oh-la-la.
  7. A film of repetition, a bloody dance consisting of three steps: stab, scream, repeat.
  8. Too slight and pointless.
  9. All this movie has in common with its ancestor are speedboats, shotguns and drug-dealing Colombians.
  10. Barrels around in manic fashion much like Carrey does in most of his movies. He's meant to be a fool for love, but mostly he's just bonkers.
  11. Director Steve Buscemi is not to be faulted for his filmmaking or acting skills, but as co-writer he could have done better than the false-sounding dialogue.
  12. The story's appeal is lost in all the fights between the monsters and robots.
  13. Usually, I'm as slow as the pacing of a movie in figuring out who's done it. If you can't solve this mystery with an hour to go (as I did), better call for a transfusion so a better type of blood will start flowing to your brain.
  14. Neither the actors nor their characters engender much affection.
    • USA Today
  15. Coy to a fault, the movie collapses under its own weight with 90 minutes to go, despite Robby Muller's impressive black-and-white photography, which puts the film on a higher artistic plane than other equally unbearable movies. [16 May 1996, Pg.06.D]
    • USA Today
  16. Fighting seriously lacks punch.
  17. Spanning the counterculture '70s to the more career-oriented '80s and doing justice to neither decade, this event-heavy adaptation of Scott Spencer's novel may give viewers whiplash.
  18. It tries hard to be sexy, mysterious and dangerous, but ends up laughably inscrutable.
  19. Never was a film so visually stunning and so intolerable as To the Wonder.
  20. The latest undead-soldier story carries on the franchise tradition of graphic violence and bad acting.
  21. It's tough to summon sufficiently negative language to describe the unfunny, desperate mess that is Bad Words.
  22. It's problematic enough that the movie's lead characters are unlikable. But worse is the blackening of The Human Stain with a trite and forced plot, uninteresting digressions and clunky direction.
  23. The movie runs just 80 minutes, but it's enough time for doldrums to set in when nifty special effects and funny verbal exchanges are out grabbing a smoke. [19 Feb 1993, Life, p.5D]
    • USA Today
  24. Hopped-up Falling Down is a technically proficient grabber that exploits white-male angst while adeptly juggling two stories filmed in contrasting styles. Slick, maybe facile, and with a nasty streak, it is nonetheless 1993's first consistently engrossing movie. [26 Feb 1993, p.1D]
    • USA Today
  25. Trying to decipher all the convoluted pathways could drive you mad. Mostly, though, it is so ludicrous that it will unintentionally inspire laughter.
  26. If you've been lobotomized or have the mental age of a kindergartener, Mr. Bean's Holiday is viable comic entertainment.
  27. Jude Law put on 30 pounds to play this slimeball. But the weightier question is, why would he bother to take this worn-out role, at any size?
  28. What it became was bad. A movie that hopes to blend "Lethal Weapon" with "Gladiator" winds up not being a fraction of either.
  29. Wastes a moderately intriguing premise by filling it with laughably clich├ęd dialogue, one-dimensional characters and implausible turns of events.
  30. In most cases, doggedly pursuing a dream is laudable. But if it does nothing else, The Astronaut Farmer demonstrates that not every dream is worth pursuing. At least not the belabored one of a narcissistic crackpot masquerading as an admirable dreamer.

Top Trailers