Variety's Scores

For 10,894 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Bloody Sunday
Lowest review score: 0 Some Kind Of Beautiful
Score distribution:
10894 movie reviews
  1. Odd blend of the truly cheesy with a few genuine f/x makes for a cutesy if not exactly thrilling spectacle.
  2. As beautiful as it is unrevealing, James Longley's Iraq in Fragments rests on a debatable but firm premise -- that the embattled country is irrevocably separated by its three dominant groups, Shiites, Sunnis and Kurds -- but brings back nothing journalistically substantial from the war front .
  3. Revealing without being especially compelling, In Between Days offers a bleak, rigorously naturalistic portrait of an Asian-American teenager's physical and emotional dislocation.
  4. It’s fine — and true enough to Marvel — to make a “Spider-Man” movie about a young adult, but Spider-Man: Homecoming has an aggressively eager and prosaic YA flavor.
  5. Middleton's polished writing and amusing observations about the anxieties most people encounter when definitively farewelling their youth help compensate for her standard-issue direction.
  6. While the director's penchant for extended silences and stagy character positioning make it all seem rather studied, the drama nonetheless is compellingly unsettling.
  7. Characterization and emotional investment, however, are in disappointingly short supply, while crucial tension is permitted to dissipate in an anti-climactic final third.
  8. Uneven but enjoyably titillating black comedy should elate Rickman fans while pleasing aficionados of extra-flakey caper flicks.
  9. The attention given to constructing each shot makes for a hypnotic visual experience, while lack of a progressive narrative telescopes film's running time into infinity.
  10. Glossy, well cast, and a consistent hoot until it becomes a serious drag, this neo-“9½ Weeks” is above all a slick exercise in carefully brand-managed titillation — edgier than most grown-up studio fare, but otherwise a fairly mild provocation in this porn-saturated day and age.
  11. Whatever literary talent Leroy was praised for shouldn’t have been so quickly forgotten and dismissed by those who’d once championed it. However, that praise was won under false pretenses — and while you can criticize Leroy fans for claiming to love the writing when they really fell in love with the myth it came packaged in, you can’t blame them for feeling ripped off.
  12. It is unfortunate when such a difficult, ambitious film doesn't quite pay off after building up so much solid credit, but that is the case here. It is possible that the nature of the history under consideration is as responsible for this as any other single factor.
  13. If “Soul’s” script errs on the side of simplicity, it does effectively downplay the cliches inherent in its unambitious story arc. And the foregrounded local culture is always engaging, with meticulous but unshowy attention to period detail on all levels.
  14. Ben Gourley packs this excursion with enough contrived quirkiness and latent angst to win over the college crowd, but adds nothing particularly insightful about his generation.
  15. Apart from startling, out-there comic turns by Robert Downey Jr. and Tom Cruise, however, the antics here are pretty thin, redundant and one-note.
  16. Gets the job done, but it’s hard to escape the feeling that you’re watching a routinely conceived, rather generic boxing flick. It’s utterly competent, yet it makes Duran’s story seem a little so-what?
  17. A solid central performance by Winona Ryder and a captivating wild turn by Angelina Jolie in the yarn's flashiest role.
  18. It has a somewhat routine midlevel-cable-production feel. But the content is engaging, and the use of old movie clips to illustrate biographical details... is amusing.
  19. Takes a notorious true story about a loyal soldier-turned-bank robber, and pumps it up into charged if uneven entertainment.
  20. Solid, straightforward docu should prove a durable broadcast and educational item for years to come.
  21. It’s not that “My Love” feels inherently dubious; it’s that its execution is just a little too smiling-through-tears slick to be swallowed whole.
  22. Offers a largely satisfying mix of broad slapstick, seriocomic sentimentality and mostly amusing satirical thrusts at easy targets.
  23. Sophisticated cutting brings out the story’s complex emotional undercurrents, though “Breakdown’s” less convincingly scripted second half sputters more often than it shines.
  24. While there's something undeniably fascinating about the way Fairhaven repeatedly avoids predictable payoffs for portentous dramatic setups, narrative momentum is conspicuous by its absence.
  25. Serves up enough goofy pranks and fractured wordplay to keep the series purring along.
  26. Second time round, Bridget is still fat, funny and endearing -- but "all a bit, um, familiar, actually."
  27. Deftly juggles gore and suspense, and punchline holds an intellectual frisson or two for fans of gender-role speculation, but basically this is one more horror pic on the distinguished road already trodden by "Texas Chain Saw Massacre," "Maniac" and the like.
  28. This slick exercise about a housewife whose spouse might or might not be dead is effective until a downright maudlin close.
  29. Unusually slick, mini-budgeted and broad piece of slapstick that liberally borrows from Neil Simon and "The Gang That Couldn't Shoot Straight'' with the twist that gay hit men are the romantic heroes.
  30. Overlapping with other recent documentaries, picture nonetheless presents a stimulating argument.

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