Variety's Scores

For 9,299 reviews, this publication has graded:
  • 53% higher than the average critic
  • 3% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Wings of Desire
Lowest review score: 0 Wash Dry and Spin Out
Score distribution:
9299 movie reviews
  1. This spectacular orchestration of visual elements seems wasted on a threadbare, inanely repetitive plotline.
  2. Rambling road-trip comedy Slow Jam King offers agreeable shenanigans as three mismatched characters find themselves stuck together on a long drive from New York City to Nashville.
  3. The ensemble’s crack comic timing can only go so far to compensate for uneven scripting.
  4. Ferrara finds himself imitating rather than innovating.
  5. Movie picks up momentum midway through, when Cyrus is joined by the three Jonas Brothers, who know exactly how to play the crowd and the cameras. As 3-D goes, watching them criss-cross in space proves more engaging than observing one strutting performer.
  6. A modestly inventive, sporadically exciting thriller that nonetheless proves too faithful to its central conceit for its own good.
  7. Kaneshiro is all long flowing locks and smoldering disdain, the visual F/X are only so-so, and pacing is almost brisk enough to hide the plot holes.
  8. Attractively designed, energetically performed and, above all, blessedly concise, this adaptation of one of the most popular American kids' books of all time walks the safe side of surrealism with its fur-flying shenanigans. The younger the viewers, the better reactions are bound to be.
  9. Charlie Kaufman's clever screenplay bears many traces of the same brand of originality and eccentric imagination that graced his work on "Being John Malkovich," although even at an hour-and-a-half the conceit is stretched almost too thin for audience sustenance.
  10. Ted
    A predictably irreverent satire that's sweeter and, sadly, less funny than you might expect.
  11. An example of spare, slice-of-life indie cinema at its most unpretentious, Man Push Cart adeptly and subtly layers facts about the protag's history and character into his story.
  12. Gets into trouble when it reaches for laughs.
  13. LUV
    Heartfelt and formulaic in equal measure.
  14. A smattering of funny gags and the nostalgia value of the cast — none of whom, curiously, have ever shared the screen before — keeps the whole thing more watchable than it has any right to be.
  15. Never fully succeeds in burrowing under its protagonist's skin, despite conspicuous effort.
  16. Respectably crafted to avoid lurid excess, feature is nonetheless a bit potboilerish in its pileup of sexy, violent, duplicitous circumstances that plague the consciences of latter-day clergymen.
  17. Spottiswoode's lackluster film fails to offer any fresh perspective on these now well-known events.
  18. The major draw of Blank City lies in its generous glimpses of rare, virtually lost Super-8 and 16mm films.
  19. A below-par star vehicle for Mel Gibson and Julia Roberts, Conspiracy Theory is a sporadically amusing but listless thriller that wears its humorous, romantic and political components like mismatched articles of clothing.
  20. Schnabel's signature blend of splintered storytelling and sobering humanism feels misapplied to this sweeping multigenerational saga.
  21. Lacking the manipulative structure of "Speed," which shrewdly interspersed rousing set pieces throughout the story, Speed 2 is vastly uneven, trying in its second hour to recoup energy and compensate the audience for all the exposition of the initial reels.
  22. Scrumptious as it all is, it hurts to watch chefs so committed to excellence in a movie so content to settle for attractive mediocrity.
  23. Ellen Page and Evan Rachel Wood are both superb in the lead roles, but Rozema’s emphasis on the primacy of family and nature exposes a deficit of visual and narrative imagination.
  24. Had the young Jack Nicholson played such a character during the height of the Vietnam War, it would have been easy to go along for the ride. But skilled as Phoenix is at pulling off the individual scenes of Elwood's shenanigans, the actor doesn't come across as embodying rebellion to the marrow of his bones, which renders his scams arbitrary and disagreeably irresponsible.
  25. Mix Brigitte Bardot in "And God Created Woman" with Carroll Baker in "Baby Doll," sex it up times 10 and you have a notion of the effect of Christina Ricci in Black Snake Moan.
  26. Boasts a measure of the retro machismo, style and attitude some 007 fans have found lacking in "Quantum of Solace." But it also has a pointless storyline, incoherent editing and a polyglot cast that renders some of the dialogue utterly incomprehensible.
  27. Beginning promisingly enough, "Handsome" soon turns monotonously angst-ridden, with all humor and personality falling by the wayside.
  28. A risky idea only occasionally gets both wheels off the ground in "The Theory of Flight," a sometimes wryly amusing, oftimes dramatically awkward story
  29. It's a fantastic-looking picture in search of a decent script.
    • 61 Metascore
    • 50 Critic Score
    Long on jabber but short on yocks.

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