Variety's Scores

For 8,812 reviews, this publication has graded:
  • 53% higher than the average critic
  • 3% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 1.8 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 The Lobster
Lowest review score: 0 Bio-Dome
Score distribution:
8,812 movie reviews
  1. Covering a lot of ground in colorful, pacey fashion, the documentary is nonetheless somewhat compromised itself by co-director Ami Horowitz's insistence on playing the Michael Moore/Morgan Spurlock role of onscreen provocateur.
    • 62 Metascore
    • 50 Critic Score
    This $40 million look at Jim Morrison's short, wild ride through a rock idol life is everything one expects from the filmmaker - intense, overblown, riveting, humorless, evocative, self-important and impossible to ignore.
  2. Bubbles along with a jaunty but unoriginal blend of the sweet, tart, cute and weepy.
  3. With its godly themes confined to an otherwise entirely superfluous framing device, this kiddie action-adventure works up just enough lukewarm swashbuckling energy to pass muster with bored young children and the Sunday school teachers entrusted with their care.
    • 77 Metascore
    • 50 Critic Score
    The Shakespearean side of the story falls short due to Reeves' very narrow range as an actor.
  4. Handsome but hollow, Snow White & the Huntsman is easily among the stranger additions to a roster of rebooted fairy tales.
  5. The picture is stronger the closer it sticks to the streets and raw emotions and the more it avoids routine dramatic crutches and forced comedy.
  6. This comically intended battle of the species is family entertainment for families that will buy anything.
  7. More palatable than "Texas," Dawn also seems even less necessary, given how effectively the original was reworked last year in Danny Boyle's "28 Days Later."
  8. Although shot and performed in a determinedly raw, naturalistic register, this emotionally roiling portrait of two twentysomething Texas sweethearts too often veers toward melodramatic overstatement, inspiring little empathy or understanding despite the committed performances of promising young leads Taissa Farmiga and Ben Rosenfield.
  9. A meandering, semi-improvised tale of a terminal Gotham loser who works as Santa when he bombs as an actor.
  10. The screenplay, however, denies the film a solid foundation. Jumanji is diverting in a splashy , eye-catching manner, but is about as substantive and durable as filigree.
  11. As fascinating as it is frustrating.
  12. Too self-serious to work as a straight-ahead whodunit and too lacking in imagination to realize its art-film aspirations.
  13. A bland slab of sentimental hokum that proves even the most smart-alecky of indie auteurs can turn warm and fuzzy on occasion.
  14. The 1970s setting offers a retro feel that should strike appealing chords for fans of old-school horror, but there’s little here that’s exactly new or fresh.
  15. A creaky heist-caper comedy that hopes to get by on sunny amiability.
  16. Closer to “Her” in its musing on human/machine connectivity, while also incorporating the dystopian and action-thriller aspects of “Blade Runner” and its ilk, albeit on a much smaller scale, the pic will divide fantasy fans, some of whom will give it props for breaking somewhat from genre formula, while others will be disappointed by the largely budgetary limits of its imagination.
  17. Far from encouraging "Survivor"-style competitiveness, the desert setting serves as a serene Club Med-type backdrop to the all-male bonding.
  18. Once Damon's one-man truth squad goes off the reservation and starts behaving too much like Jason Bourne for comfort, the film begins not only spilling more blood but also leaking crucial credibility.
  19. Lacks the stylistic attention to psychological distress that might have lent it maximum impact. Instead, the pic is amiable, kinda charming, visually routine, and incisive in individual sequences.
  20. Mia and the Migoo boasts a handsome, folkloric look that is often undermined by a ham-handed script.
  21. An OK mishmash.
  22. What's onscreen feels as half-assed and juvenile as it was probably always envisioned to be, suggesting an umpteenth retelling of "Invasion of the Body Snatchers" by way of "The Hangover," or perhaps a far less inspired version of "Attack the Block" transplanted to small-town Ohio.
  23. This overplayed, underachieving laffer feels thoroughly manufactured to Disney specifications.
  24. All of this was more enjoyable when Bellucci, Cassel and Bohringer were the stars. Hartnett is overly methodical here as Matthew, and Kruger, as in "Troy," is beautiful but lacking in dramatic intensity.
  25. The modestly scaled film delivers some moving and affecting moments amid a preponderance of scenes of frequently annoying people behaving badly.
  26. Story's spurts of violence are designed to tear Seymour's world apart , but Rosenfeld's scripting and directing choices tend to lessen impact of a potentially gut-wrenching urban tale.
  27. Even if Matteo Garrone's "Gomorrah" hadn't dramatically raised the bar for mafioso movies, The Sicilian Girl would have repped a mediocre entry in the Cosa Nostra canon and a waste of an extraordinary true story.
  28. [The Director] is especially good at integrating his New Mexico locations into the action, from a key combat scene on a bridge to a car chase that unfolds, with limited visibility, in a cornfield...Kim's handling of his first English-speaking cast isn't quite as assured, although everyone more or less gets by

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