Variety's Scores

For 10,100 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Gone Girl
Lowest review score: 0 Showgirls
Score distribution:
10100 movie reviews
  1. Grossly oversimplifying the issue at hand, writer-director Daniel Barnz's disingenuous pot-stirrer plays to audiences' emotions rather than their intelligence, offering meaty roles for Maggie Gyllenhaal as a determined single mom, and Viola Davis as the good egg among a rotten batch of teachers, while reducing everyone else to cardboard characterizations.
  2. Performances and presentation are solid enough, but the pic feels a bit undernourished, particularly once it closes on a note that’s well intentioned but provides no real resolution.
  3. If the slender paradox at the heart of the film is that the thing that connects us most is the difficulty of connection, The Human Surge is a victim of its own effectiveness: It’s rigorous, rarefied, and utterly remote.
  4. A so-so pic on an incendiary subject, Full Battle Rattle follows the training regimen of one battalion during engagement and occupation in one of 13 fake "villages" comprising a massive Iraq simulation somewhere in the Mojave Desert.
  5. Despite her (Judd's) efforts and those of a generally talented cast, picture just pokes along and offers nothing out of the ordinary in terms of drama, characterization or insight. Judd's presence notwithstanding, this one would be more at home on small than on big screens.
  6. Proves a welcome addition to the growing body of films on Iraq, but ultimately promises more than it delivers.
  7. A movie at war with itself -- tuned into its characters' vicissitudes one moment, stumbling with awkward stabs at goofiness the next.
  8. Intense but inscrutable tale involving a woman's gradual remembrance of a long-suppressed trauma.
  9. Patchy lead perfs and mannered helming subtract value from pic's tangible plus points (solid supporting turns, pleasant score).
  10. Surprisingly, the large format and three-dimensional technology do little to heighten the excitement of the races. In the end, docu is less a film with real behind-the-scenes insight and more a serviceable, if routine, promo package for the (very) bigscreen.
  11. A mixed bag of often mismatched ideas.
  12. Combining a coming-of-age story with the sad odyssey of a woman punished for her beauty, the film ultimately has too little depth, subtlety, thematic consequence or contemporary relevance.
    • Variety
  13. The lowdown on The Low Down: charm 8, content 2.
  14. Burns' films are invariably better directed and scripted than they are performed, and Ash Wednesday is no exception. Pic's biggest drawback is that the helmer has again cast himself in the leading role.
  15. Christensen underplays throughout 90 Minutes in Heaven, even in scenes when Piper isn’t operating under the influence of painkillers, and his earnestness often comes off as monotonous. Still, he generates interest and sympathy, almost in spite of himself, and Bosworth lends capable support as a loyal spouse.
  16. It's precisely the lineup of familiar past work that makes I Spy pretty dull goods, invigorated mainly by the sharp interplay between Murphy and Wilson, both of whom shine best when they have a sidekick to work with.
    • 54 Metascore
    • 50 Critic Score
    Page is generally commanding as the self-pitying teenager, but there are several moments when, let down by the text, the young thesp obviously does not believe what she is saying.
  17. Not helped by a wooden perf from Jim Caviezel as a humanoid alien who accidentally imports a real alien to eighth-century Earth.
  18. The pic plays like one long chase. Nevertheless, fashioned with ultra-sophisticated means, Sky Blue will be a must-see for anime fans around the world.
  19. Intermittently engaging but dramatically slack, this more interesting around the edges than it is at its core, thanks to the dull nature of the lead character played by Matt Damon.
  20. A mediocre attempt to recapture the exuberance and candid portraiture of such high school movie classics as "American Graffiti," "Fast Times at Ridgemont High" and "Dazed and Confused."
    • 37 Metascore
    • 50 Critic Score
    The basic formula of iconic supernatural beings slaughtering plucky teenagers continues with even more graphic violence.
  21. Meandering mindlessly, Wizards comes off as yet another humdrum Pottery artifact.
  22. While Julieta represents a welcome return to the female-centric storytelling that has earned Almodovar his greatest acclaim, it is far from this reformed renegade’s strongest or most entertaining work.
  23. Feels like it was made more for the kids' sake than to communicate their story to outside audiences, who would likely prefer a condensed newsmag-style recap.
  24. Attempts the miraculous but achieves the adequate.
  25. Whit Stillman's stiff directorial approach ill suits the sensual ambiance of the club scene so intently depicted, and the mostly self-conscious, uptight characters seem to have made a left turn out of "Metropolitan" and walked through the wrong door to turn up in this flamboyant druggie scene.
  26. Pic's rediscovery in the capitalist U.S., and its reappraisal as a masterpiece of visual pyrotechnics, gives Brazilian documaker Vicente Ferraz's tale an upbeat final twist -- after some mid-film doldrums.
  27. Celestine Prophecy demands all skepticism be left in the lobby. That's a leap few may be willing to take -- few beyond those millions who bought the book, that is.
  28. While After the Sunset is never exactly dull and is smartly cut to a brief running time, it never quickens the pulse.

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