Variety's Scores

For 10,258 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Listen to Me Marlon
Lowest review score: 0 Being Human
Score distribution:
10258 movie reviews
  1. Movie picks up momentum midway through, when Cyrus is joined by the three Jonas Brothers, who know exactly how to play the crowd and the cameras. As 3-D goes, watching them criss-cross in space proves more engaging than observing one strutting performer.
  2. A modestly inventive, sporadically exciting thriller that nonetheless proves too faithful to its central conceit for its own good.
  3. Kaneshiro is all long flowing locks and smoldering disdain, the visual F/X are only so-so, and pacing is almost brisk enough to hide the plot holes.
  4. Attractively designed, energetically performed and, above all, blessedly concise, this adaptation of one of the most popular American kids' books of all time walks the safe side of surrealism with its fur-flying shenanigans. The younger the viewers, the better reactions are bound to be.
  5. The movie’s much too flashy, allowing its cheeky attitude to overpower the otherwise humanist message (somehow, absurd situations feel less so when the narrator is constantly pointing out how outrageous everything seems to be), while the acting is all over the place.
  6. Wise is plenty eloquent on the complex legal issue, but remains vague about how the status he seeks will practically impact animals (could animal weddings be far behind?) or why he’s the “person” best qualified to represent them in court.
  7. Charlie Kaufman's clever screenplay bears many traces of the same brand of originality and eccentric imagination that graced his work on "Being John Malkovich," although even at an hour-and-a-half the conceit is stretched almost too thin for audience sustenance.
  8. Ted
    A predictably irreverent satire that's sweeter and, sadly, less funny than you might expect.
  9. The life-and-death stakes are there, but the people involved — while uniformly ravishing to gaze upon — are too wanly sketched for this melodrama to pump much blood.
  10. An example of spare, slice-of-life indie cinema at its most unpretentious, Man Push Cart adeptly and subtly layers facts about the protag's history and character into his story.
  11. Gets into trouble when it reaches for laughs.
  12. LUV
    Heartfelt and formulaic in equal measure.
  13. A smattering of funny gags and the nostalgia value of the cast — none of whom, curiously, have ever shared the screen before — keeps the whole thing more watchable than it has any right to be.
  14. Never fully succeeds in burrowing under its protagonist's skin, despite conspicuous effort.
  15. Respectably crafted to avoid lurid excess, feature is nonetheless a bit potboilerish in its pileup of sexy, violent, duplicitous circumstances that plague the consciences of latter-day clergymen.
  16. Spottiswoode's lackluster film fails to offer any fresh perspective on these now well-known events.
  17. The major draw of Blank City lies in its generous glimpses of rare, virtually lost Super-8 and 16mm films.
  18. A below-par star vehicle for Mel Gibson and Julia Roberts, Conspiracy Theory is a sporadically amusing but listless thriller that wears its humorous, romantic and political components like mismatched articles of clothing.
  19. Those expecting insight into Robbins’ life or career, let alone the overall self-help industry, will be disappointed by this atypically non-investigative Joe Berlinger documentary.
  20. Schnabel's signature blend of splintered storytelling and sobering humanism feels misapplied to this sweeping multigenerational saga.
  21. Lacking the manipulative structure of "Speed," which shrewdly interspersed rousing set pieces throughout the story, Speed 2 is vastly uneven, trying in its second hour to recoup energy and compensate the audience for all the exposition of the initial reels.
  22. Scrumptious as it all is, it hurts to watch chefs so committed to excellence in a movie so content to settle for attractive mediocrity.
  23. Ellen Page and Evan Rachel Wood are both superb in the lead roles, but Rozema’s emphasis on the primacy of family and nature exposes a deficit of visual and narrative imagination.
  24. Had the young Jack Nicholson played such a character during the height of the Vietnam War, it would have been easy to go along for the ride. But skilled as Phoenix is at pulling off the individual scenes of Elwood's shenanigans, the actor doesn't come across as embodying rebellion to the marrow of his bones, which renders his scams arbitrary and disagreeably irresponsible.
  25. Mix Brigitte Bardot in "And God Created Woman" with Carroll Baker in "Baby Doll," sex it up times 10 and you have a notion of the effect of Christina Ricci in Black Snake Moan.
  26. Boasts a measure of the retro machismo, style and attitude some 007 fans have found lacking in "Quantum of Solace." But it also has a pointless storyline, incoherent editing and a polyglot cast that renders some of the dialogue utterly incomprehensible.
  27. Beginning promisingly enough, "Handsome" soon turns monotonously angst-ridden, with all humor and personality falling by the wayside.
  28. A risky idea only occasionally gets both wheels off the ground in "The Theory of Flight," a sometimes wryly amusing, oftimes dramatically awkward story
  29. It's a fantastic-looking picture in search of a decent script.
    • 61 Metascore
    • 50 Critic Score
    Long on jabber but short on yocks.

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