Variety's Scores

For 7,983 reviews, this publication has graded:
  • 53% higher than the average critic
  • 3% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 1.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Spider-Man 2
Lowest review score: 0 Divorce: The Musical
Score distribution:
7,983 movie reviews
  1. This is one vintage film that fully lives up to its classic status and should play with outstanding success to contemporary audiences of all ages.
    • 100 Metascore
    • 80 Critic Score
    Overlong at about 175 minutes (played without intermission), and occasionally confusing. While never so placid as to be boring, it is never so gripping as be superior screen drama.
    • 100 Metascore
    • 100 Critic Score
    Italy's top bestseller of recent literary history, Giuseppe Tomasi Di Lampedusa's The Leopard comes to the screen in a magnificent film, munificently outfitted and splendidly acted by a large cast dominated by Burt Lancaster. (Review of Original Release)
    • 100 Metascore
    • 80 Critic Score
    It's a no-holds-barred account of the sadistic fourth estater played cunningly by Burt Lancaster.
    • 100 Metascore
    • 100 Critic Score
    Emerges as a sumptuously produced period piece that is also a rich tapestry of childhood memoirs and moods, fear and fancy, employing all the manners and means of the best of cinematic theatrical from high and low comedy to darkest tragedy with detours into the gothic, the ghostly and the gruesome. (Review of Original Release)
    • 99 Metascore
    • 60 Critic Score
    This start for Gregory as producer and Laughton as director is rich in promise but the completed product, bewitching at times, loses sustained drive via too many offbeat touches that have a misty effect.
    • 98 Metascore
    • 80 Critic Score
    Interesting movement holds through the entirety. Life in the native quarter, with its squalor and intrigues, is particularly well presented and photographed.
  2. There's plenty of blood -- both literal and figurative -- coursing through the veins of Pan's Labyrinth, a richly imagined and exquisitely violent fantasy from writer-director Guillermo del Toro.
    • 97 Metascore
    • 100 Critic Score
    Pitch perfect and brilliantly acted, 4 Months, 3 Weeks & 2 Days is a stunning achievement, helmed with a purity and honesty that captures not just the illegal abortion story at its core but the constant, unremarked negotiations necessary for survival in the final days of the Soviet bloc.
  3. Though the film brims with memorable characters, the show ultimately belongs to Ejiofor, who upholds the character’s dignity throughout.
    • 97 Metascore
    • 90 Critic Score
    Film is done in the grand manner of silent-day spectacles with sweep and breadth of action, swordplay and hand-to-hand battles between Norman and Saxon barons.
  4. A fascinatingly fractured glimpse into a disengaged mind and a biopic-in-reverse of its subject, quite unlike any documentary seen before.
    • 96 Metascore
    • 90 Critic Score
    Producer and screenwriter have added enough fictional flesh to provide director William Friedkin and his overall topnotch cast with plenty of material, and they make the most of it.
    • 96 Metascore
    • 90 Critic Score
    George C. Scott as the fiery Pentagon general who seizes on the crisis as a means to argue for total annihilation of Russia offers a top performance, one of the best in the film. Odd as it may seem in this backdrop, he displays a fine comedy touch.
  5. Ratatouille is delicious. In this satisfying, souffle-light tale of a plucky French rodent with a passion for cooking, the master chefs at Pixar have blended all the right ingredients -- abundant verbal and visual wit, genius slapstick timing, a soupcon of Gallic sophistication -- to produce a warm and irresistible concoction that's sure to appeal to everyone's inner Julia Child.
  6. With Boyhood, Linklater has created an uncanny time capsule, inviting auds to relive their own upbringing through a series of artificial memories pressed like flowers between the pages of a family photo album.
  7. The director’s long-overdue follow-up to “Children of Men” is at once a nervy experiment in blockbuster minimalism and a film of robust movie-movie thrills, restoring a sense of wonder, terror and possibility to the bigscreen.
  8. Continues Fincher's fascinating transition from genre filmmaker extraordinaire to indelible chronicler of our times.
  9. A wacky, offbeat piece of filming, charged with vitality, and inventiveness by director Dick Lester.
  10. Far more ambitious than "The Hurt Locker," yet nowhere near so tripwire-tense, this procedure-driven, decade-spanning docudrama nevertheless rivets for most of its running time.
    • 95 Metascore
    • 90 Critic Score
    Tense and narratively complex, formally dense and morally challenging.
  11. Honoring all that was memorable about its forebears while taking the story to new depths of catharsis, Before Midnight stands as a unique and uniquely satisfying entry in what has shaped up to be an outstanding screen trilogy
    • 94 Metascore
    • 100 Critic Score
    One of the wildest fabrications any author has ever tried to palm off on a gullible public. But the fascinating thing is that, from uncertain premise to shattering conclusion, one does not question plausibility of the events being rooted in their own cinematic reality.
  12. An out-and-out charmer. It's almost impossible to do justice in words either to the visual richness of the movie, which melanges traditional Japanese clothes and architecture with both Victorian and modern-day artifacts, or to the character-filled storyline, with human figures, harpies and grotesque creatures.
  13. Had the aura of an instant classic when it was released, and the good news is that it looks at least that good, if not better, on the eve of its 20th anniversary reissue.
    • 94 Metascore
    • 100 Critic Score
    A spectacularly entertaining piece of pop culture, Pulp Fiction is the "American Graffiti" of violent crime pictures.
  14. Boal's script stirs a little of everything into the pot, which boils down into seven setpieces divided by brief intervals of camaraderie/conflict among the three protags.
  15. Lensed with a complete absence of frills that perfectly suits its honest, unvarnished tone, The Overnighters presents an indelible snapshot of a despairing moment in American history, as men abandon homes, families and dreams to stake their claim in an ever-shrinking land of opportunity.
  16. Paley sustains a consistently funny, sometimes even self-deprecatory comic tone.
  17. Walks a fine line between the rarefied and the immediately accessible as it explores new territory for animation, yet remains sufficiently crowd-pleasing.

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