Variety's Scores

For 7,983 reviews, this publication has graded:
  • 53% higher than the average critic
  • 3% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 1.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Kill Bill: Vol. 2
Lowest review score: 0 Movie 43
Score distribution:
7,983 movie reviews
  1. Isn't even unintentionally funny enough to qualify as guilty pleasure a la "Valley of the Dolls."
  2. The title alone should alert auds that The Big Buy: Tom DeLay's Stolen Congress is a hatchet job on the controversial politico known as "The Hammer."
  3. Once the revisionist frisson of a black Jesus, not to mention Mary, Joseph and Judas, has worn off, one is stuck with more mundane matters such as story dynamics, visual style and character verisimilitude, much to the misfortune of the audience.
    • 34 Metascore
    • 40 Critic Score
    ATM
    Seems assembled from autopilot thriller material, with most of the dull dialogue devoted to plugging potential plot holes rather than anything resembling logic.
  4. Offers diverting date-night fare for open-minded heterosexual couples and swingers, though its superiority (artistic or otherwise) to actual porn is debatable.
  5. Standard-issue directorial approach is perfectly in keeping with a script whose natural berth is on the tube.
    • 34 Metascore
    • 50 Critic Score
    Director Marco Brambilla does a serviceable job, without adding much distinction to the piece, and the script --- credited to Max D. Adams, Dick Clement and Ian La Frenais --- seems patched together, consisting of a series of scenes lacking a strong narrative hook.
    • 34 Metascore
    • 30 Critic Score
    Only those in a cold sweat for their weekly horror fix will bother with this formulaic and rather lazy exercise in booga-booga scare tactics.
  6. So episodic and flat it should be a letdown even to those amused by the original.
  7. Spawn is a moodily malevolent, anything-goes revenge fantasy that relies more upon special visual and digitally animated effects for its intended appeal than any comics-derived sci-fier to date.
  8. Conventional where it should be bold and mild where it should be wild, 10,000 BC reps a missed opportunity to present an imaginative vision of a prehistoric moment.
  9. The film has a very good idea in using a single soldier’s perspective to explore how tension and boredom can lead to such extreme misconduct, but it doesn’t go far enough, in the end leaving a disgraceful chapter just dimly illuminated in psychological terms.
  10. As gooey and lacking in protein as a chocolate holiday bonbon, Valentine's Day plays like a feature-length commercial produced by the Friends of the Valentine Promotional Society.
  11. Boilerplate crime comedy.
  12. Recycles familiar ideas, with just enough droll wit to score as a nifty normal-folk-doing-stupid-deadly-things comedy a la "Fargo."
    • 34 Metascore
    • 30 Critic Score
    Fails to generate much excitement, due to the blandness of the characters and some murky storytelling.
  13. An anemic sitcom pilot dragged out to an excruciating 108-minute running time.
  14. So understated as to sometimes lack a pulse.
  15. Meandering at the same draggy pace as its titular gay zombie, eroto-horror-satire mixes movie-within-a-movie machinations with graphic sex scenes that will titillate anyone who's ever wanted to see someone shagging an open wound.
  16. Though the low-budget picture is not without interest, its uneven thesping, sound quality and special effects might prove more welcome on the fest fringe.
  17. A muddled script, spatially confounding direction and four thesps seemingly acting in four different movies are only a few of the problems with the misbegotten political thriller As Good as Dead.
  18. Promising crude straight-boy humor, but delivering sensitive buddy moments and tons of male nudity, this by-the-numbers gut-buster looks slick, moves fast and packs enough laughs to enliven spring-break receipts and earn its helmers more work.
  19. Safe Haven offers an unsurprising but not unsatisfying tour through recognizable Sparkville terrain.
  20. Unabashedly tasteless, wholly trashy and, also, hugely entertaining.
  21. The three director-producers’ inability to come up with stronger narrative or thematic organization makes “It’s Better to Jump” play like the professionally polished side product of a vacation stay.
  22. Precociously inventive horror pic that combines brain-eating zombies with outer space aliens.
  23. A lot of talent on both sides of the camera operating in low gear.
    • 34 Metascore
    • 60 Critic Score
    An edgy, energetic romantic thriller in the tradition of "Run Lola Run," "A Life Less Ordinary" and "Out of Sight."
  24. Nine very good actors are wasted, if not embarrassed, by the thoroughly unconvincing shenanigans perpetrated by first-time writer-director Michael Clancy, while a tenth -- Zooey Deschanel -- somehow manages to float ethereally above it all with her dignity intact.
  25. In sartorial terms, the fabric is to die for, but helmer Whitney Sudler-Smith's documentary follows a banal pattern, while the finishing lacks finesse.

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