Variety's Scores

For 8,342 reviews, this publication has graded:
  • 53% higher than the average critic
  • 3% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 1.9 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Skyfall
Lowest review score: 0 Divorce: The Musical
Score distribution:
8,342 movie reviews
    • 88 Metascore
    • 80 Critic Score
    US director Stuart Cooper gives it the right understated, unheroic feel. (Review of Original Release)
  1. It stands as a unique film-within-a-film, of significance for the historical value of the raw images, the memories they spur and internal evidence of how the Nazis staged scenes long assumed to be real.
  2. This meticulously designed and directed debut feature from writer-director Jennifer Kent (expanded from her award-winning short, “Monster”) manages to deliver real, seat-grabbing jolts while also touching on more serious themes of loss, grief and other demons that can not be so easily vanquished.
  3. It’s a simple, even predictable story, yet textured so exquisitely and acted so forcefully as to feel almost revelatory.
    • 88 Metascore
    • 90 Critic Score
    A standout picture.
  4. Theater veteran Recoing is utterly compelling. Both the script and the resourceful, subtle actor provide enormous insight into the troubled character.
    • 88 Metascore
    • 90 Critic Score
    Even those who don't rally to pic's fed-up feminist outcry will take to its comedy, momentum and dazzling visuals.
    • 88 Metascore
    • 80 Critic Score
    Under Elia Kazan's direction, Marlon Brando puts on a spectacular show, giving a fascinating, multi-faceted performance.
  5. What Away From Her achieves is quite admirable-- a low-key, intelligent setting for performances marked by those same qualities.
  6. Charles Ferguson's sophomore film Inside Job is the definitive screen investigation of the global economic crisis, providing hard evidence of flagrant amorality -- and of a new nonfiction master at work.
  7. Has a sharper narrative focus and a livelier sense of forward movement than did the more episodic "Fellowship."
  8. Technically superb and witty in an old-fashioned, veddy British way that will delight many adults but will sail over the heads of young audiences.
  9. While far from easy, both roles provide a delightful opportunity for Firth and Rush to poke a bit of fun at their profession.
  10. Up
    A captivating odd-couple adventure that becomes funnier and more exciting as it flies along.
  11. A consummate nail-biter that never lags, it leaves you breathless from the chase yet anxious for the next bit of mayhem or clever plot twist.
  12. Robert Redford's handsome, smartly constructed new film stands likely to capture the imagination of the educated, culturally inclined public.
  13. A captivating 1930s-set caper whose innumerable surface pleasures might just seduce you into overlooking its sly intelligence and depth of feeling.
  14. A seductive, fascinating tapestry of small-town life.
  15. Toy Story 2 is to "Toy Story" what "The Empire Strikes Back" was to its predecessor, a richer, more satisfying film in every respect.
  16. Kore-eda sketches the inner, spiritual and emotional lives of the children with subtlety and sensitivity, delivering the goods after a seemingly directionless first half.
    • 88 Metascore
    • 90 Critic Score
    As a precise observation of British types and a virtuoso piece of carefully observed ensemble playing, the film would be hard to beat.
  17. Those masters of small-scale realism, Belgian brothers Luc and Jean-Pierre Dardenne, have created yet another beautifully acted, exquisitely observed morality tale in The Child.
  18. This handsomely produced period piece is easily the most emotionally effective bigscreen melodrama since "The Joy Luck Club," as well as the most intelligent.
    • 87 Metascore
    • 90 Critic Score
    Exquisitely acted, tightly directed and impressively assembled.
  19. The Tale of Princess Kaguya is a visionary tour de force, morphing from a childlike gambol into a sophisticated allegory on the folly of materialism and the evanescence of beauty.
  20. Utterly unpretentious and deeply touching.
  21. The film is a brave act of witness complicated by the documaker’s decision to re-create his experiences using clay figurines, a tricky aesthetic device that raises fascinating and problematic questions of representation.
  22. The docu’s accomplished summary of tension-filled events as they transpired from minute to minute comes at the expense of wide-angle historical context.
  23. Utilizing a mesmerizing documentary style that studiously avoids glamorizing the horrors, Garrone cherrypicks episodes from Saviano's muckraking tract, building to a chillingly matter-of-fact crescendo of violence, though interwoven tales tend to dissipate the full force of the criminal Camorra families' insidious control.
    • 87 Metascore
    • 70 Critic Score
    Federico Fellini, long a scripter, in his second feature film satirizes the 'wastrels', the do-nothing sons of middle-class Italian provincials whose life ranges from schoolroom to poolroom.

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