For 764 reviews, this publication has graded:
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47% higher than the average critic
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3% same as the average critic
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50% lower than the average critic
On average, this publication grades 5.1 points lower than other critics.
(0-100 point scale)
Average Music review score: 68
Highest review score: | The Naked Truth | |
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Lowest review score: | God Says No |
Score distribution:
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Positive: 517 out of 764
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Mixed: 199 out of 764
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Negative: 48 out of 764
764
music
reviews
- By Date
- By Critic Score
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- Critic Score
Ditherer is a collection of noisy pop songs, but the emphasis is mainly on the noise, muddying up the tunes in a way that's both frustrating and titillating.- Village Voice
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The Stage Names shares the frenzy of pre–"Black Sheep" songs like 'The War Criminal Rises and Speaks,' and if it isn't as monolithic as the album that spurred the band's rise to "Believer"-subscriber prominence, it does contain several fine examples of hyper-articulate hysteria.- Village Voice
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With Forever, Common delivers the expected--political, lover-man, and battle rhymes told with wit and complexity over street-commercial beats--in spades.- Village Voice
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Much of the music bears little resemblance to the down-tuned chug-and-glug found on the band's early records.- Village Voice
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Anti-war, pro-environment, religious ('Chelsea Rodgers' only gives up trim if you're baptized), and funky, Planet Earth is still merely an excuse to tour.- Village Voice
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In playing it straight, however, the Pups emphasize their abilities as skilled synthesists rather than merely falling back on their rep as inspired eccentrics, suggesting a band that, though grounded, has yet to plateau.- Village Voice
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Thanks in part to the presence of Pantera producer Terry Date, this is the Pumpkins' hardest-rocking record ever.- Village Voice
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Somehow the band manages to sound insincere and gorgeous at the same time.- Village Voice
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Ga Ga Ga Ga Ga, the group's sixth album, boasts an instrument roll call that might look swollen - trumpet, Chamberlin, cello, koto, flamenco guitar - but Spoon wear it well.- Village Voice
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It's all very outsized and uppity, falling right in line with the current dictum in dance music that every song must be able to be mashed up with both Kanye West and this week's indie-rock star.- Village Voice
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With Goodbye, he's finally got the levels just right. By moving even closer to the shoegazer sound, the result sounds less like pilfering and more like reinvention.- Village Voice
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The record smoothly lures and detours familiar, '70s-based rock-blues-country sounds and expectations while highlighting Isbell's character-actor flair.- Village Voice
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T.I. vs. T.I.P. makes for a confusing listen, which is a shame—fans would probably never have questioned who T.I. is until he started questioning himself.- Village Voice
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The lived-in songs and careful presentation of Easy Tiger make for one of the strongest records of his second career as a solo artist.- Village Voice
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Tossed-off, underdone, monotonous, unfinished, and redundant maybe, but not bad.- Village Voice
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What Desire offers instead is at times cerebral and at times depraved, but invariably provocative.- Village Voice
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The Fragile Army actually has substance—thematically, musically, and lyrically.- Village Voice
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The affecting style that made them the most imaginative revivalists of their generation has been replaced by half-assed and half-hearted prog rock.- Village Voice
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Here and there, Complicated sets up some promising scenarios—worrying about a platonic friend's reaction to a mix tape, or trying to initiate sex for the sake of outdoing a girlfriend's exes—but they never pan out.- Village Voice
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With the band sounding listless and drained of ideas, it starts trying anything.- Village Voice
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Good Girl never settles on a sound, and Rihanna vacillates between aping Gretchen Wilson, Ashanti, Gwen Stefani, and Pink. Nonetheless, she often sounds every bit like the superstar she clearly intends to be.- Village Voice
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Throughout much of Asa Breed, Dear achieves a serendipitous balance between the uplifting and the eerie, the hummable and the hypnotic, the tuneful and the texturally adventurous.- Village Voice
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Wheat's scrappy though sometimes endearing fourth album is clearly a stylistic protest against their only major-label release, 2003's bland, vexed, much-delayed-by-Sony Per Second, Per Second, Per Second . . . Every Second.- Village Voice
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There's nothing wrong with making music for tweens, or lighter-lofting boomers. It's simply a matter of execution, and here these chums are scattered and grasping.- Village Voice
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Nearly embarrassing levels of enthusiasm, sincerity, and energy inform Fort Nightly, the band's surprisingly meaty debut.- Village Voice
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Beneath the haughty schmaltz of his fifth LP—embodying Herb Albert one moment and a particularly peach-scented Little River Band the next—there are only momentary flashes of the high-quality torch songs we fell for so long ago.- Village Voice
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- Village Voice
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