Village Voice's Scores

For 8,414 reviews, this publication has graded:
  • 37% higher than the average critic
  • 4% same as the average critic
  • 59% lower than the average critic
On average, this publication grades 7 points lower than other critics. (0-100 point scale)
Average Movie review score: 55
Highest review score: 100 Police, Adjective
Lowest review score: 0 Red Hook Black
Score distribution:
8,414 movie reviews
    • 68 Metascore
    • 90 Critic Score
    It's as weird and whimsical an invention as Guest's "Waiting for Guffman," "Best in Show," or "A Mighty Wind."
  1. The special power of Eastwood's achievement is that, save for one indelible moment, the mutual recognition between sworn adversaries happens not on-screen, but later, as we piece the two films together in our minds.
  2. It's a measure of Cuarón's directorial chops that Children of Men functions equally well as fantasy and thriller. Like Spielberg's "War of the Worlds" and the Wachowski Brothers' "V for Vendetta" (and more consistently than either), the movie attempts to fuse contemporary life with pulp mythology.
    • 74 Metascore
    • 90 Critic Score
    Director Gabor Csupo of Rugrats "fame" steer clear of cutesy tween stereotypes, but it's Jess's relationship with his father, played by Robert Patrick, that elevates Terabithia from a good kids movie to a classic contender.
  3. If Binder has a considerably heavier hand when it comes to metaphor, his movie nevertheless remains buoyant because the feelings in it are immutable, and because Sandler has never before held the screen with greater intensity.
  4. Offside is blatantly metaphoric and powerfully concrete, deceptively simple and highly sophisticated in its formal intelligence.
  5. Gordon-Levitt's worth the admission all by his lonesome. He's that good--the proverbial young man with an old soul who brings unexpected depth, complexity, and sincerity to what could have been just another damaged-guy role. He's the one to look out for.
  6. It's a precociously assured and mature work, at once humble and bold, that keeps faith with Munro's precise, graceful prose while tailoring its linear progression into shapely cinematic form.
    • 63 Metascore
    • 90 Critic Score
    Zoo
    The beautiful and beguiling new film by Robinson Devor meditates on the Enumclaw incident through a hypnotic blend of original reporting, staged reenactment, testimony of involved parties (both zoophiles and local law enforcement), and pervasive, somewhat precious lyricism.
  7. Terror is existential in this highly intelligent, somewhat sadistic, totally fascinating movie.
  8. Colors and angles and sound levels don't match from one cut to the next. The movie is ugly as sin to look at. But it's all intentional on the part of von Trier.
    • tbd Metascore
    • 90 Critic Score
    Based on an autobiographical novella by Portland "street poet" Walt Curtis, Mala Noche (1985) was the 33-year-old Van Sant's debut feature. Shot on 16mm for $25,000, it was the first of his bittersweet odes to tender outcasts and remains the simplest and least burdened.
    • 87 Metascore
    • 90 Critic Score
    The new Little Women, directed with grace by Gillian Armstrong, adapted with tact by Robin Swicord, and starring an extraordinary ensemble, has made my holiday.
    • Village Voice
  9. Ratatouille is as much a feast for the senses as it is food for thought.
    • 89 Metascore
    • 90 Critic Score
    Masterfully edited and cumulatively walloping, Charles Ferguson's No End in Sight turns the well-known details of our monstrously bungled Iraq war into an enraging, apocalyptic litany of fuckups.
    • 78 Metascore
    • 90 Critic Score
    The result is a film of startling insight and grace.
  10. Superbad is duly ribald and often achingly funny, brewed from the now-familiar Apatow house blend of go-for-broke slapstick and instantly quotable, potty-mouthed dialogue.
  11. Like many of the best movies about war and its lingering echo, The Hunting Party is full of dark humor. Writer-director Richard Shepard, maker of 2005's "The Matador," is becoming a master at finding the right tone, balancing the seriousness of his characters' purpose with the madness of their intentions.
  12. A rhapsodic movie directed with considerable formal intelligence and brooding power from an original screenplay by Steve Knight, Eastern Promises is very much a companion to "A History of Violence."
    • 69 Metascore
    • 90 Critic Score
    It's the imaginative background, and Fessenden's talent at insinuating it into the action, that counts--and unnerves--in this most chilling of global-warming movies.
  13. To these eyes, Into the Wild is an unusually soulful and poetic movie that crystallizes McCandless in all his glittering enigma, and allows us to decide for ourselves whether he was the spiritual son of Thoreau, Tolstoy, and John Muir, or the boy most likely to become Theodore Kaczynski.
  14. Jeremy Kagan's excellent adaptation of William Gibson's stage play.
    • 71 Metascore
    • 90 Critic Score
    On the plus side, 100 percent sober when I watched it, I can say with some authority that Dylan Haggerty has written an eleventh-hour candidate for the funniest movie of 2007, that Gregg Araki has directed his finest film since 1997's "Nowhere," and that Faris, flawless, rocks their inspired idiot odyssey in a virtuoso comedic turn.
  15. In what has been a pretty remarkable career up to now, it's this performance that fully affirms Smith as one of the great leading men of his generation.
  16. Persepolis is a small landmark in feature animation. Not because of technical innovation--though it moves fluidly enough, and its drawings have a handcrafted charm forgotten in the era of the cross-promoted-to-saturation CGI-'toon juggernauts--but because it translates a sensitive, introspective, true-to-life, "adult" comic story into moving pictures.
    • 64 Metascore
    • 90 Critic Score
    Cloverfield never stops to identify the why, whence, or whereto of its rampaging meanie—this relentless thriller stops for nothing—but as for what to call it, behold . . . al-Qaedzilla!
  17. Iron Man, too, is something that people will see regardless of the reviews, but here is the point: Where Michael Bay (Transformers) has mastered a kind of sensory-assaulting pop art, Favreau is a born storyteller who engages the audience's imagination rather than crushing it in a tsunami of digital noise.
  18. With his elegant cadence, crisp comedic timing, and witty flipping of homophobic stereotypes--in his very choice and use of language--Bachardy is that story come to life: the student who eventually mirrored his teacher, the molded who became a duplicate of the mold.
  19. A highly entertaining adaptation of French dandy Jules-Amédée Barbey d'Aurevilly's mid-19th-century novel Une vieille maîtresse.
  20. Exquisitely sad, idiosyncratic film à clef about an aging gay gigolo grasping at the embers of memory before they--and he--turn to ash.

Top Trailers